New York Times bestselling author Eric Jerome Dickey takes readers on the ride of a lifetime in this fierce novel of seduction, intrigue, and betrayal featuring hit man Gideon. Gideon trusts no one. But when his former lover resurfaces in need of his skills, Gideon accepts. The assignment leads to Argentina and a team of international mercenaries who will maim, kill, and torture to achieve victory. One of them has a connection to Gideon that neither assassin is aware of, a secret link that reaches into Gideon's past and plunges him into a double-cross so explosive no one will make it out unscarred.

For the first time, Miqra'ot Gedolot is available in an accessible English edition. First published 500 years ago as the "Rabbinic Bible," the biblical commentaries known as the Miqra'ot Gedolot have inspired and educated generations of Hebrew readers. With this edition, the voices of Rashi, Ibn Ezra, Nahmanides, Rashbam, and other medieval commentators come alive once more, speaking in a contemporary English translation annotated and explicated for lay readers. Each page of The Commentators' Bible contains several Hebrew verses from the book of Exodus, surrounded by both the 1917 and 1985 JPS translations and new English translations of the major commentators. This large-format volume is beautifully designed for ease of navigation among the many elements on each page, including explanatory notes and selected additional comments from the works of Bekhor Shor, Hizkuni, Abarbanel, Sforno, Gersonides, and others. - Publisher.

The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.

Every hour, childlike Marc Rochat circles the Lausanne cathedral as the watchmen have done for centuries. Then one day a beautiful woman draws him out of the shadows—the angel his mother once promised him would come. But Katherine Taylor is no angel. She’s one of the toughest and most resourceful call girls in Lausanne. Until something unnatural seething beneath a new client’s request sends her fleeing to the sanctuary of an unlikely protector. Into their refuge comes Jay Harper. The private detective has awakened in Lausanne with no memory of how he got there—and only one thing driving him forward: a series of unsettling murders he feels compelled to solve. Pray for the three strangers. They have something in common they can’t begin to imagine.

In this book, Jabari Evans examines Chicago’s controversial Drill rap scene and the “always-on” nature of social media for these musicians, who are often tasked with maintaining constant connection across multiple platforms in order to both affirm their street authenticity locally and promote themselves to an imagined audience of global Hip-Hop fans. Drawing on empirical studies, ethnographic fieldwork, and prominent members of Chicago’s Hip-Hop scene, Evans explores the role of social media as an economic resource supporting artistic labor and the implications, both positive and negative, of relying on these platforms for success. Clout, a term heavily used by Drill rappers, refers to the way their influence on social media is measured according to numeric metrics including likes, views, re-posts, and followers. Ultimately, Evans argues that while Black youth of Drill effectively use Hip-Hop cultural norms to harness the power of clout and gain individual celebrity, this success comes with ambivalence over unwanted surveillance of their private lives and the need to rely on negative stereotypes as central to their identities.

Secret Ingredient: Love by Teresa Southwick released on Dec 25, 2000 is available now for purchase.

On October 5, 1959, Brother Witness Lee began a service training in Taipei, Taiwan, that ended on January 22, 1960. A follow-up training began on February 16, 1960, and lasted until April 2. During that time Brother Lee released messages on the elders' management of the church and continued his synopsis of the books of the Bible with synopses of Numbers and Deuteronomy. After the training ended on April 2, he began another training for young people on April 26, which was intended to last five weeks; however, after the second week Brother Lee became ill. He rested until June 28, at which time he began a five-day co-workers' series of meetings with about twenty brothers (see Church News in volume 1 of this set). After these meetings he held various weekly training meetings with co-workers. His speaking in these meetings included the subjects of the sufficiency, pursuit, and learning of the Lord's serving ones and the law of revival. On September 27 he left for the United States for the second time. He remained mainly in New York and conducted meetings on God's building and held a four-day conference on the ground of the church. He traveled to San Francisco on December 1. On December 5 he went to Los Angeles and stayed there until December 8, at which time he returned to the Far East, passing through Japan, where he remained from December 10 through 19. There is no record of his speaking in San Francisco or in Japan. On December 19 Brother Lee returned to Taipei and remained there until the end of the year. The Collected Works of Witness Lee, 1960, volume 1, contains messages given by Brother Witness Lee and personal notes, letters, and reports concerning his ministry from December 1959 through November 23, 1960. Historical information concerning Brother Lee's travels and the content of his ministry in 1960 can be found in the general preface that appears at the beginning of this volume. The contents of this volume are divided into three sections, as follows: 1. Eleven issues of the periodical Church News published in January through December 1960. These issues contain personal letters and reports written in Taipei, Taiwan, and New York City from December 1959 through November 23, 1960. They are included in this volume under the same title. 2. Thirty-five messages given in Taipei, Taiwan, on February 16 through March 17, 1960, as a continuation of a previous training that ended on January 22. These messages are included in this volume under the title Synopsis of Numbers. 3. Nineteen messages given in Taipei, Taiwan, on March 18 through April 1, 1960. These messages are included in this volume under the title Synopsis of Deuteronomy.