A Social History of Sheffield Boxing combines urban ethnography and anthropology, sociological theory and place and life histories to explore the global phenomenon of boxing. Raising many issues pertinent to the social sciences, such as contestations around state regulation of violence, commerce and broadcasting, pedagogy and elite sport and how sport is delivered and narrated to the masses, the book studies the history of boxing in Sheffield and the sport’s impact on the cultural, political and economic development of the city since the 18th century. Interweaving urban anthropology with sports studies and historical research the text expertly examines a variety of published sources, ranging from academic papers to biographies and from newspaper reports to case studies and contemporary interviews. In Volume I, Bell and Armstrong construct a vivid history of boxing and probe its cultural acceptance in the late 1800s, examining how its rise was inextricably intertwined with the industrial and social development of Sheffield. Although Sheffield was not a national player in prize-fighting’s early days, throughout the mid-1800s, many parochial scores and wagers were settled by the use of fists. By the end of the century, boxing with gloves had become the norm, and Sheffield had a valid claim to be the chief provincial focus of this new passion—largely due to the exploits of George Corfield, Sheffield’s first boxer of national repute. Corfield’s deeds were later surpassed by three British champions: Gus Platts, Johnny Cuthbert and Henry Hall. Concluding with the dual themes of the decline of boxing in Sheffield and the city's changing social profile from the 1950s onwards, the volume ends with a meditation on the arrival of new migrants to the city and the processes that aided or frustrated their integration into UK life and sport.

Boxing is no cakewalk! Azumah ‘Ring Professor’ Nelson in the Social History of Ghanaian Boxingexplores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghana’s most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence people’s lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to ‘enlightened’ human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The book’s analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghana’s historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.

Boxing is infused with ideas about masculinity, power, race and social class, and as such is an ideal lens through which social scientists can examine key modern themes. In addition, its inherent contradictions of extreme violence and beauty and of discipline and excess have long been a source of inspiration for writers and film makers. Essential reading for anyone interested in the sociology of sport and cultural representations of gender, Boxing, Masculinity and Identity brings together ethnographic research with material from film, literature and journalism. Through this combination of theoretical insight and cultural awareness, Woodward explores the social constructs around boxing and our experience and understanding of central issues including: masculinity mind, body and the construction of identity spectacle and performance: tensions between the public and private person boxing on film: the role of cultural representations in building identities methodologies: issues of authenticity and ‘truth’ in social science.

The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture.

This is the first book to provide a panoramic view of the origins of the Boxer War. Comprehensively examining this historical conundrum of the 20th century from a detached perspective, the book is based on ten years of exhaustive research of both unpublished and published materials from all nine countries involved. Analysing the misunderstanding between the Chinese and foreign governments of the day, Lanxin Xiang debunks the traditional view that the anti-foreign Empress Dowager of the Chinese Empire was chiefly responsible for this catastrophic episode which altered the course of 20th century China's relationship with the west.

Covering a breadth of topics surrounding the current state of women in sports, this two-volume collection taps current events, sociological and feminist theory, and recent research to contextualize women's experiences in sports within a patriarchal society and highlight areas for improvement. Women are continuing to break barriers in all aspects of sports, and a growing number of people are beginning to recognize sex disparities in sports as a social problem. Additionally, women's inclusion and exclusion in sports—and their equitable and inequitable treatment on the playing field—have large-scale social, legal, health, and economic consequences. Women in Sports: Breaking Barriers, Facing Obstacles comprehensively examines the state of women in sports by considering current events, controversies, and trends as well as qualitative and quantitative research. The contributors to this volume take a sociological approach to discussing women in sports by questioning dominant assumptions surrounding notions of women's biological athletic inferiority and by examining other social constructs that affect women's experiences in sports, such as race and ethnicity, socioeconomic status, and sexual orientation. The book offers a complete and up-to-date account of women's experiences in sports through coverage of the history of women's participation in sports (with a focus on exceptional female athletes) and of the increasing number of women who are competing in traditionally male sports, such as football, baseball, and mixed martial arts. Readers will come away with a greater appreciation for the issues of equity that women face, both within the world of sports and in society in general.

This book is an interdisciplinary cultural examination of twenty-first century boxing as a professional sport, a bodily labor, a lucrative business, a popular entertainment, and an instrument of ideology. Based on ethnographic fieldwork and interviews conducted with Latino boxers, women boxers, and boxing insiders in Texas, it discusses boxing from the vantage point of the sundry players, who are involved with it: the labor force, promoters, handlers, ringside officials, medical professionals, media, and the audiences. The various parties have multiple stakes in the sport. For some, boxing is about physical empowerment; others are in it for the money; some deploy it for ideological purposes; yet others use it to claim their 15-minutes of fame, and frequently the various interests overlap. In this book, Benita Heiskanen makes a broader connection between boxing and the spatial organization of racialized, class-based, and gendered bodies within particular urban geographies. Journeying actual sites where the sport is organized, such as the barrio, boxing gym, and competition venues, she maps the ways in which boxing insiders negotiate a variety of conflicting agendas at local, regional, and national scales. Beyond the United States, the worker-athletes conduct their labor within global socioeconomic conditions, business networks, and legal principles. Through this sporting context, Heiskanen’s discussion discloses some complex socio-historical, cultural, and political power relations between urban margins and centers, with ramifications far beyond boxing. This book will be of interest to readers in Sport Studies, Cultural Studies, Cultural Geography, Gender Studies, Critical Race Theory, Labor Studies, and American Studies.

In the summer of 1900, bands of peasant youths from the villages of north China streamed into Beijing to besiege the foreign legations, attracting the attention of the entire world. Joseph Esherick reconstructs the early history of the Boxers, challenging the traditional view that they grew from earlier anti-dynastic sects, and stressing instead the impact of social ecology and popular culture.

Sport Culture and Sociology examines the role that sport has played in human society from primitive cultures to the present day. Did sport begin simply for practical reasons such as training soldiers for war, or do humans have a less practical need to play active, physical games? How have different games migrated around the world, and what effect have new cultures had on these imports? Exciting and varied case studies are used throughout this book to illustrate issues and concepts.

Nonfiction films about sports have been around for decades, yet few scholarly articles have been published on these works. In Identity and Myth in Sports Documentaries, editors Zachary Ingle and David M. Sutera have assembled a collection of essays that show how myth and identity—national, religious, ethnic, and racial—are constructed, perpetuated, or questioned in documentaries produced in the United States, France, Australia, Germany, and Japan. This collection is divided into three sections. “American Identity and Myth” contains essays on consumerism, religion in sports, and post-9/11 America. “Race and Ethnicity” examines the ways in which African American, Mexican American, and Jewish identity are portrayed in the documentaries under discussion. “Global Perspectives” features films and TV series produced outside of the United States or those that provide perspectives on the international sport scene. Spanning several decades, the landmark documentaries discussed in this volume include Hoop Dreams, The Endless Summer, The Life and Times of Hank Greenberg, Olympia, and Tokyo Olympiad and address such subjects as baseball, football, basketball, boxing, soccer, surfing, and the Olympics. The essays pose such questions as "How are notions of the American dream involved in athletes’ aspirations?", "How do media texts from Australia or France construct Australian and French identity, respectively?", and "How did filmmakers such as Leni Riefenstahl, Kon Ichikawa, and Bud Greenspan infuse their Olympic documentaries with national ideology despite being intended for an international audience?" By tackling these subjects, Identity and Myth in Sports Documentaries is an intriguing read for scholars, students, and the general public alike.