An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, Ireland, South Africa, the UK and USA, this book features case studies, interviews and articles covering two decades of practice. At the heart of the book is a selection of carefully explained and beautifully illustrated exercises which will enable Phakama's methodology to be used by organisations and practitioners working with young people internationally. Phakama is a Xhosa and Zulu word for stand up, arise, empower yourself. With a focus on collaborative, non-hierarchical performance making, Phakama invites cultural sharing and critical engagement with the world we live in. As well as engaging with political and critical concerns about contemporary theatre and performance, the book offers unique approaches to devising theatre, applied and social theatre, intercultural performance practices and pedagogic models of collaboration and cultural leadership.

This volume introduces the concepts of income and optimal choice to the realms of brain activity and behavior regulation. It begins by developing the concept of the Income-Choice approach in the field of biological control systems, then deals with the problems of control of brain activity, and finally presents a model of behavior disturbance based on the idea that its cause is a definite and simple change in the income system of the organism. Other areas to which the proposed Income-Choice approach could be applied are also addressed including the origin of the epileptic aura and why it is a predictor of the imminent attack, the mechanism of the phenomena of "personality switching" in schizophrenics, and the possible connection between schizophrenic- like symptoms and epileptic status. Written nearly 20 years ago in Russia and now published in the West, this book will be of value to many professionals in related fields. This volume introduces the concepts of income and optimal choice to the realm of brain activity and behavior regulation. It begins by developing the concept of the Income-Choice approach in the field of biological control systems, then deals with the problems of control of brain activity, and finally presents a model of behavior disturbance based on the idea that its cause is a definite and simple change in the income system of the organism. Other areas to which the proposed Income-Choice approach could be applied are also addressed, including the origin of the epileptic aura and why it is a predictor of the would-be attack, the mechanism of the phenomena of "personality switching" in schizophrenics, and the possible connection between schizophrenic- like symptoms and epileptic status. Originally written nearly 20 years ago in Russia and now published for the first time in the West, this book will be of value to many professionals in related fields.

This fully indexed third edition remains the only book in any language that covers the design, operation, and maintenance of stage-rigging equipment.

Body Story conveys Julia K. DePree’s troubling journey from adolescence to adulthood and from anorexia to health.In high school, the five-foot-ten DePree weighed as little as 114 pounds. She was too weak to raise her arms above her head. “In a paradoxical way, I starved my body in order to understand my life,” she writes. “I had to place my body in suspension before I could move physically into sexuality. Starving allowed me to create an interim space between innocence and experience.”DePree renders the starkness of anorexia along with the process of recovery, relapse, and, ultimately, redemption. She also tells the story of the physical landscape, from her origins in the Midwest to the American South, Paris, and the vast New Mexican desert, as well as the psychic landscape of her body as it encounters the joys and challenges of maturation, childbirth, and motherhood.Body Story offers readers a new way of understanding women’s bodily experience, as it probes the mystery and the meaning of this illness. This evocative and often radiant vision is a unique window into womanhood and selfhood in middle-class, contemporary America.

Severing a cherished relationship is one of the most painful experiences in life—and cutting those emotional ties to a loved one can feel almost like ending an addiction. Up till now, people recovering from other problems were able to get real help—like AA and rehab—while those struggling in the aftermath of traumatic breaks dealt with platitudes and friends insisting they should "get over it already." But now Exaholics Anonymous treats getting over an ex like kicking a chemical habit. Written by counselor and therapist Dr. Lisa Bobby, Exaholics offers meaningful support and advice to anyone trapped in the obsessive pain of a broken, or dying, attachment. She helps the brokenhearted heal, showing them, on a deep level, how to develop a conceptual framework for their experience, understand the emotional processes at work inside themselves, find the path to recovery, and free themselves of shame, injured ego, and remorse. In-depth case studies of others' journeys will illuminate the way to future happiness.

An account of the psychological trauma experienced by a young woman who has been raped.

Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.