There is no greater authority on the saints than Alban Butler, and his enormous research has been the standard reference on the subject for the last two and a half centuries. This new adaptation of Butler's multi-volume Lives of the Saints presents a modernized text for today's reader and provides an illuminating guide to these historic, symbolic, and foundational Christian men and women. Butler's daily readings from the lives and works of the saints offer readers of all backgrounds the opportunity to engage directly with these great figures. Butler's distinctive contribution to stories about saints was to turn attention away from the superhuman, miraculous themes that are prevalent in earlier works. He gives us saints who are examples of Christian living, who provide inspiration for our own lives, in every time and circumstance. As Butler writes: "They were once what we are now, travelers on earth. They had the same weaknesses we have. We have difficulties; so had the saints." Important features of this version include mention of recently canonized saints as well as those whose path to official sainthood is still in progress. Also included in the daily readings are more obscure saints whose lives and contributions to Christianity should not be forgotten.

Reprint of the original, first published in 1883.

The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks? and the artists? expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.

This comprehensive list of allusions found in James Joyce's modern classic, Ulysses, is in itself a classic and is a feat of literary scholarship of unprecedented magnitude. In brief, this book is a copiously annotated list of Joyce's allusions in such areas as literature, philosophy, theology, history, and the fine arts. So awesome an undertaking would not have been possible without the prior work of such persons as Stuart Gilbert, Joseph Prescott, William York Tindall, M.J.C. Hodgart, Mabel Worthington, and many others. But the present list is more than a compilation of previously discovered allusions, for it contains many allusions that have never been suggested before, as well as some that have only been partially or mistakenly identified in earlier publications. In preparing this work, the author has kept its usefulness to the reader foremost in mind. He often refreshed the reader's memory in concerning the context of an allusion, since its context, in one sense or another, is always the guide to its function in the novel. The entire list is fully cross-referenced and keyed by page and line to both the old and new Modern Library editions of Ulysses. In addition, the index is prepared in such a way that it indexes not only the List but also the novel itself. The purpose of allusion in a literary work is essentially the same as that of all other types of metaphor -- the development and revelation of character, structure, and theme -- and, when skillfully used, it does all of these simultaneously. Joyce's use of allusion is distinguished from that of other authors not by its purposes, but by its extent and thoroughness. Ulysses involves dozens of allusive contexts, all continually intersecting, modifying, and qualifying one another. Here again Joyce's uniqueness and complexity lie not in his themes or characters, nor in his basic methods of developing them, but in his accepting the challenge of an Olympian use of his chosen methods. The value of this volume to Joyce scholars and students is obvious; however, its usefulness to anyone who reads Ulysses is as great, if not greater. It can truly be the key to this difficult but rewarding novel.

This volume proposes to cover a four-year period in the Butler's style. Pope John Paul II has proclaimed an unprecedented number of new saints and blesseds in the 25 years of his pontificate and shows few signs of slowing the process, despite the criticism from at least one cardinal that the altars are getting 'a little crowded'. The proclamations have been made in a large number of countries, from which the new saints and blesseds have come. This reflects a deliberate policy of strengthening the faith of local churches against the threats from totalitarianism, secularism, Pentecostalism, etc. (the Vatican tends to see most of the 'outside' world as a threat). There has also been a deliberate policy to seek more examples of holiness from outside the ranks of clergy and religious. The twentieth century has been seen as the century of martyrs, largely those of Nazism and Communism, and they feature prominently - those of nominally Catholic military regimes are less favoured. The Introduction will make such points. Blesseds appearing in the 1995-2000 volumes who have since been canonized will have their entries updated and expanded as necessary; new blesseds will be featured with the information that is available - which in the case of some Third-World figures is not very much. Entries will therefore range from around 3,000 words to 200, with an average of some 800. The number of entries will be approximately 80.