Anybody who reads or writes Chinese characters knows that they obey a grammar of sorts: though numerous, they are built out of a much smaller set of constituents, often interpretable in meaning or pronunciation, that are themselves built out of an even smaller set of strokes. This book goes far beyond these basic facts to show that Chinese characters truly have a productive and psychologically real lexical grammar of the same sort seen in spoken and signed languages, with non-trivial analogs of morphology (the combination of potentially interpretable constituents), phonology (formal regularities without implications for interpretation), and phonetics (articulatory and perceptual constraints). Evidence comes from a wide variety of sources, from quantitative corpus analyses to experiments on character reading, writing, and learning. The grammatical approach helps capture how character constituents combine as they do, how strokes systematically vary in different environments, how character form evolved from ancient times to the modern simplified system, and how readers and writers are able to process or learn even entirely novel characters. This book not only provides tools for exploring the full richness of Chinese orthography, but also offers new ways of thinking about the most fundamental question in linguistic theory: what is grammar?

Lauded by Calvin Trillin as a man who "does not have to make to with translations like 'Shredded Three Kinds' in Chinese restaurants," in The Eater's Guide to Chinese Characters, James D. McCawley offers everyone a guide to deciphering the mysteries of Chinese menus and the opportunity to enjoy new eating experiences. An accessible primer as well as a handy reference, this book shows how Chinese characters are written and referred to, both in script and in type. McCawley provides a guide to pronunciation and includes helpful exercises so users can practice ordering. His novel system of arranging the extensive glossary-which ranges from basics such as "rice" and "fish" to exotica like "Buddha Jumps Wall"-enables even the beginner to find characters quickly and surely. He also includes the nonstandard forms of characters that often turn up on menus. With this guide in hand, English speakers hold the key to a world of tantalizing-and otherwise unavailable-Chinese dishes.

This is an invaluable study guide for learning Chinese characters. More than a simple update, 250 Essential Chinese Characters Volume 2 offers 250 more characters in the extremely useful learning format that learners and teachers alike continue to praise. Following in the footsteps of Volume 1, it includes everything that today's learners and teachers want: tips for Chinese language mastery throughout; special exercises in AP-exam format; progressive review sections; and several indexes. Master each character's radical, stroke count and meaning. Grow in proficiency by learning compound words. Example sentences show how to use them in context. Review activities reinforce your leaning progress. Helpful writing guides and practice grids for every character. After studying this book together with its companion, 250 Essential Chinese Characters, Volume 1, you'll have learned 500 of the most important characters in Chinese, and thousands of words in which they appear. Whether you're new to Chinese or coming back for review, each of these 250 characters offers you ways to learn Chinese and improve your abilities to read Chinese and write Chinese.

This book is a quick and easy way to learn the second 100 basic Chinese traditional characters. The major struggle facing all beginning Chinese language students is to learn to recognize, read and write hundreds of Chinese characters. A working knowledge of characters is essential for any student wishing to learn Chinese. The Second 100 Chinese Characters adopts a structural approach that helps students to overcome this initial difficulty and quickly master the basic Chinese characters that are fundamental to this language. This book contains characters that have been carefully selected and sequenced for rapid and effective learning. For effective learning, memorization and practice, each Chinese character is shown separately on a single page, together with its English definitions, hanyu pinyin romanization, alternate form (if any), a stroke order guide and ample space for writing practice. The stroke order guides introduce the student to the standard stroke sequence used in writing the characters, by tracing over them. After learning the correct stroke order, the student can then practice writing the character on their own, thus reinforcing recognition and memorization. Large boxes with grid lines for correct proportions are provided. Related compounds and phrases containing each character are also included to assist in vocabulary building. Three indexes (alphabetically by the English meanings and the pinyin romanization, and by radicals) are provided at the back of the book for quick and easy reference, along with extra sheets of blank boxes for writing practice. This book features The second 100 most frequently-used Chinese characters. Foundation characters for the HSK A level language proficiency test. Standard hanyu pinyin romanizations. Step-by-step stroke order guides and ample space for writing practice. Over 500 words and phrases containing the basic characters. Concise English definitions.

This book is designed especially for those who want to write Chinese characters well in its simplified or traditional forms. This book was composed because the writer is a Chinese language teacher who has got a problem in teaching Chinese, There are very few Chinese characters books that can be used as reliable references to teach Chinese characters writing to the students. Therefore, the writerwrote this book to answer the need so that this book can be used properly for uou, Chinese language teachers, or you who are studying Chinese language now. ,

This user-friendly book is aimed at helping students of Mandarin Chinese learn and remember Chinese characters. At last--there is a truly effective and enjoyable way to learn Chinese characters! This book helps students to learn and remember both the meanings and the pronunciations of over 800 characters. This otherwise daunting task is made easier by the use of techniques based on the psychology of learning and memory. key principles include the use of visual imagery, the visualization of short "stories," and the systematic building up of more complicated characters from basic building blocks. Although Learning Chinese Characters is primarily a book for serious learners of Mandarin Chinese, it can be used by anyone with interest in Chinese characters, without any prior knowledge of Chinese. It can be used alongside (or after, or even before) a course in the Chinese language. All characters are simplified (as in mainland China), but traditional characters are also given, when available. Key features: Specially designed pictures and stories are used in a structured way to make the learning process more enjoyable and effective, reducing the need for rote learning to the absolute minimum. The emphasis throughout is on learning and remembering the meanings and pronunciations of the characters. Tips are also included on learning techniques and how to avoid common problems. Characters are introduced in a logical sequence, which also gives priority to learning the most common characters first. Modern, simplified characters are used, with pronunciations given in pinyin. Key information is given for each character, including radical, stroke-count, traditional form, compounds, and guidance on writing the character. This is a practical guide with a clear, concise and appealing layout, and it is well-indexed with easy lookup methods. The 800 Chinese characters and 1,033 compounds specified for the original HSK Level A proficiency test are covered.

As the first volume of a two-volume set on Chinese ancient characters and newly unearthed literature, this book brings together the author’s research articles that discuss the development of Chinese characters and the tradition of Chinese palaeography. The 23 chapters in this book focus on two aspects of Chinese characters. The first 13 chapters centre on the evolution of Chinese characters, analysing the composition system and its transformation, the motivation, and mechanisms behind its evolution, as well as the methodology of the study of ancient characters. The subsequent 10 chapters mainly revolve around Shuowen Jiezi, one of the oldest character dictionaries in China. The author offers a novel understanding of the core issues related to this most important philological work, such as the version of the dictionary, misunderstandings in previous scholarship, and its relations with other palaeographical materials. The title will appeal to students and scholars of Sinology, Chinese philology, and palaeography, as well as Chinese characters.

Chinese, Japanese, South (and North) Koreans in East Asia have a long, intertwined and distinguished cultural history and have achieved, or are in the process of achieving, spectacular economic success. Together, these three peoples make up one quarter of the world population.They use a variety of unique and fascinating writing systems: logographic Chinese characters of ancient origin, as well as phonetic systems of syllabaries and alphabets. The book describes, often in comparison with English, how the Chinese, Korean and Japanese writing systems originated and developed; how each relates to its spoken language; how it is learned or taught; how it can be computerized; and how it relates to the past and present literacy, education, and culture of its users.Intimately familiar with the three East Asian cultures, Insup Taylor with the assistance of Martin Taylor, has written an accessible and highly readable book. Writing and Literacy in Chinese, Korean and Japanese is intended for academic readers (students in East Asian Studies, linguistics, education, psychology) as well as for the general public (parents, business, government). Readers of the book will learn about the interrelated cultural histories of China, Korea and Japan, but mainly about the various writing systems, some exotic, some familar, some simple, some complex, but all fascinating.

A fun and helpful resource for anyone interested in learning some Mandarin--whether you're 5 or 100! This picture dictionary covers the 1,500 most useful Mandarin Chinese words and phrases. Each word and sentence is given in Mandarin characters--with a Romanized version to help you pronounce it correctly--along with the English meaning. The words are grouped into 40 different themes or topics, including basics like meeting someone new and using public transportation to culture-specific topics like celebrating Chinese holidays and eating Chinese food. This colorful picture dictionary includes: Hundreds of color photographs 1,500 Mandarin words and phrases 40 different topics--from social media and WiFi to paying and counting Example sentences showing how the words are used Companion online audio recordings by native Mandarin speakers of all the vocabulary and sentences An introduction to Mandarin pronunciation and grammar An index to allow you to quickly look up words Mandarin Chinese Picture Dictionary makes language learning more fun than traditional phrasebooks. This resource is perfect for beginners of all ages--curious kids, visual learners and future travelers to China.

Tattoo Histories is an edited volume which analyses and discusses the relevance of tattooing in the socio-cultural construction of bodies, boundaries, and identities, among both individuals and groups. Its interdisciplinary approach facilitates historical as well as contemporary perspectives. Rather than presenting a universal, essentialized history of tattooing, the volume’s objective is to focus on the entangled and transcultural histories, narratives, and practices related to tattoos. Contributions stem from various fields, including Archaeology, Art History, Classics, History, Linguistics, Media and Literary Studies, Social and Cultural Anthropology, and Sociology. They advance the current endeavour on the part of tattoo scholars to challenge Eurocentric and North American biases prevalent in much of tattoo research, by including various analyses based in locations such as Malaysia, Israel, East Africa, and India. The thematic focus is on the transformative capacity of tattoos and tattooing, with regard to the social construction of bodies and subjectivity; the (re-)creation of social relationships through the definition of (non-)tattooed others; the formation and consolidation of group identities, traditions, and authenticity; and the conceptualization of art and its relevance to tattoo artist–tattooee relations.