Jonathan Edwards is considered by many to be America’s greatest theologian. Many have lauded him as one of the great theologians in church history. This book brings together major Catholic, Orthodox, and Protestant theologians to assess Edwards’s theological acumen. Each chapter places Edwards in conversation with a thinker or a tradition over a specific theological issue.

Why is God's beauty often absent from our theology? Rarely do theologians take up the theme of God's beauty—even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord, Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics.

Are you puzzled by the nature and system of Aidan Nicholss theological contribution? Are you looking for a way to renew your appreciation for Nicholss theological activity? Do you want to clarify your understanding of Nicholss anthropological view? Father Engoulou Paul discusses these and many others interesting matters in this book. He carefully analyzes the different layers on which Nichols posits his philosophical and theological principles of order. He explains historically each foundational step from which Nichols draws his public doctrine of man and God. He arrives at the conclusion that man arrives at a self-knowledge and the knowledge of God, to the extent that he makes use of practical, liturgical, and rational concepts and forms embedded in Philosophy, theology, and visual art. Designed to be primarily a scholarly treatment of Gods evidences into personal, communal nature of man, and the meaning of his life-work, this book is also a critical treatment of secularism and its attendants: liberalism, relativism and positivism.

While everyone is delighted by beauty, and the more alive among us are positively fascinated by it, few are explicitly aware that we can recognize truth by its beauty and simplicity. Dubay explores the reasons why all of the most eminent physicists of the twentieth century agree that beauty is the primary standard for scientific truth. Likewise, the best of contemporary theologians are also exploring with renewed vigor the aesthetic dimensions of divine revelation. Honest searchers after truth can hardly fail to be impressed that these two disciplines, science and theology, so different in methods, approaches and aims, are yet meeting in this and other surprising and gratifying ways. This book relates these developments to nature, music, academe and our unquenchable human thirst for unending beauty, truth and ecstasy, a thirst quenched only at the summit of contemplative prayer here below, and in the consummation of the beatific vision hereafter.

Beginning with a personal recollection of the achievements of Joseph Fessio, S.J., this work includes twelve essays by theologians who acknowledge a debt to Father Fessio and Ignatius Press. The writers treat a variety of topics including the Church, the liturgy, the interpretation of Scripture, and the development of doctrine, representing the interests of Father Fessio and the books he has published. The essays touch upon the major twentieth-century figures who influenced Father Fessio, such as Hans Urs von Balthasar, Louis Bouyer, Henri de Lubac, Joseph Ratzinger, and Josef Pieper. From its founding by Father Fessio in 1978, Ignatius Press has translated and printed works by these great thinkers and writers in order to make their contributions to the Church available to English-speaking Catholics.

Martin Luther and Buddhism: Aesthetics of Suffering carefully traces the historical and theological context of Luther's breakthrough in terms of articulating justification and justice in connection to the Word of God and divine suffering. Chung critically and constructively engages in dialogue with Luther and with later interpreters of Luther such as Barth and Moltmann, placing the Reformer in dialogue not only with Asian spirituality and religions but also with emerging global theology of religions.

Music, by its indeterminate levels of meaning, poses a necessary challenge to a theology bound up in words. Its distinctive nature as temporal and embodied allows a unique point of access to theological understanding. Yet music does not exist in a cultural vacuum, conveying universal truths, but is a part of the complex nature of human lives. This understanding of music as theology stems from a conviction that music is a theological means of knowing: knowing something indeterminate, yet meaningful. This is an exploration of the means by which music might say something otherwise unsayable, and in doing so, allow for an encounter with the mystery of God.

The cross is the heart of Scripture, the axis upon which the biblical story turns. In our ongoing quest to make meaning of the cross, Brian Zahnd helps us see that there are infinite ways to behold the cross of Christ as the beautiful form that saves the world. Accept the invitation to encounter the cross of Christ anew.

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.