Hair and Justice discusses criminal acts, deviance, rebellion, and power in contexts demonstrating that hair is an intricate and important issue and piece of evidence in criminal justice, constitutional law, and public policy. The book demonstrates that the significance of hair in society is relative, in flux, and constantly being debated. The text argues that members of a culture and society share perceptions about hair that may be misunderstood or judged by outsiders and authorities. The book presents dozens of cases in which eyewitnesses have described perpetrators’ and defendants’ hair. However, eyewitness testimony is often unreliable and the value given to it may conflict with or further shape the extent to which society will tolerate misunderstandings or misperceptions about hair. Major sections include: religion; evidence; institutions; head shaving; gangs; animals; authority and power; crimes; Fourth Amendment; regulation, codes, and licenses; politics; and education. This very unique book will be a valuable resource for students and professionals in sociology, law, law enforcement, psychology, gang studies, criminal justice, criminology, social science, public administration, and related areas of study.

Four tantalising tales of desire!

Throughout most of American history, natural resource policies reflected the dominant philosophy of cornucopianism. As conservationism and environmentalism arose to struggle with cornucopianism for mass public acceptance, so too did the policies that flowed from those respective philosophies. The result has increasingly been a range of federal policies which reflect aspects of all three conflicting philosophies. The War for America's Natural Resources analyzes the dynamic among natural resource politics, policies and philosophies. Each chapter explores in-depth the development of policies toward America's soil, wildlife, water, energy, grasslands, minerals, forests and air.

Closed off from her mountain kingdom of Hilland, Queen Talia VI is stuck in the palace of her closest rivals, the royal family of Lolland. Fortunately for her, they were stuck in the mountains for the moment, though not for much longer. However, her ascension to their throne would do little to save her skin, let alone her kingdom. Stuck in a nest of vipers, Talia, Adrial, and Simon try to make allies wherever they can, in an effort to save their kingdom. But with their time running out, with the return of Stoland imminent, things aren't looking up for them. With their relationship strained, Talia is afraid she might lose Adrial along with her throne. And possibly her head.

"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

Most readers and critics view Mexican American writing as a subset of American literatureÑor at best as a stream running parallel to the main literary current. JosŽ Aranda now reexamines American literary history from the perspective of Chicano/a studies to show that Mexican Americans have had a key role in the literary output of the United States for one hundred fifty years. In this bold new look at the American canon, Aranda weaves the threads of Mexican American literature into the broader tapestry of Anglo American writing, especially its Puritan origins, by pointing out common ties that bind the two traditions: narratives of persecution, of immigration, and of communal crises, alongside chronicles of the promise of America. Examining texts ranging from Mar’a Amparo Ruiz de Burton's 1872 critique of the Civil War, Who Would Have Thought It?, through the contemporary autobiographies of Richard Rodriguez and Cherr’e Moraga, he surveys Mexican American history, politics, and literature, locating his analyses within the context of Chicano/a cultural criticism of the last four decades. When We Arrive integrates Early American Studies and Chicano/a Studies into a comparative cultural framework by using the Puritan connection to shed new light on dominant images of Chicano/a narrative, such as Aztl‡n and the borderlands. Aranda explores the influence of a nationalized Puritan ethos on nineteenth- and twentieth-century writers of Mexican descent, particularly upon constructions of ethnic identity and aesthetic values. He then frames the rise of contemporary Chicano/a literature within a critical body of work produced from the 1930s through the 1950s, one that combines a Puritan myth of origins with a literary history in which American literature is heralded as the product and producer of social and political dissent. Aranda's work is a virtual sourcebook of historical figures, texts, and ideas that revitalizes both Chicano/a studies and American literary history. By showing how a comparative study of two genres can produce a more integrated literary history for the United States, When We Arrive enables critics and readers alike to see Mexican American literature as part of a broader tradition and establishes for its writers a more deserving place in the American literary imagination.

Lots of information on sightings and everything from a scientific angle about them. Compiled from Wikipediapages and published by DrGoogelberg