"John Romeiser has woven both the North African diary and Whitehead's memoir of the subsequent landings in Sicily into a story of eight months during some of the most brutal combat of the war. Here, Whitehead captures the fierce fighting in the African desert and Sicilian mountains, as well as rare insights into the daily grind of reporting from a war zone, where tedium alternated with terror."--BOOK JACKET.

Volume II: Wolfgang Schneider turns his attention to the Tiger tanks of the Waffen-SS and the Wehrmacht's "named" units, such as the Gro[gamma]deutschland Division, Company Hummel, and Tiger Group Meyer. Based on combat diaries, the text tells the history of each unit, but most of the book is devoted to photos of the tanks and the men who manned them. It offers as unique and comprehensive a look at these lethal machines as is possible sixty years after World War II. Includes hundreds of photos--many of them rare--of Tiger tanks and their crews. Color illustrations by Jean Restayn focus on markings, camouflage, and insignia and inventories and timelines for each unit.

Challenges the longstanding view that the rifle musket revolutionized warfare during the Civil War, arguing instead that its actual impact was real but limited and specialized.

The primary question of this book is: 'Where is God for the person in combat?' This study draws from numerous interviews, memoirs, letters, and archival materials, and reflecting on the crucifixion of Christ to consider how God can be both present and absent from the world of war.

The Battle of Britain tells the extraordinary story of one of the pivotal events of the Second World War - the struggle between British and German air forces in the late summer and autumn of 1940. Exposing many of the myths surrounding the conflict, the book provides answers to important questions: how close did Britain really come to invasion? What were Hitler and Churchill's motives? And what was the battle's real effect on the outcome of the war? Told with great clarity and objectivity, this is a superb introduction to a defining moment in our history. 'No individual British victory after Trafalgar was more decisive in challenging the course of a major war than was the Battle of Britain ... In his carefully argued, clearly explained and impressively documented book ... Richard Overy is at pains to dispose of the myths and expose the real history of what he does not doubt was a great British victory ... the best historical analysis in readable form which has yet appeared on this prime subject' Noble Frankland, The Times Literary Supplement

Back on the scene again after taking some time off to be dead, the unstoppable killing machine known as JENNIFER BLOOD has found herself a whole new class of scumbags to target. But wait, what’s she doing helping a vicious Nazi biker gang rob a bank? Has the world gone crazy? Or is this all part of Jennifer’s master plan to take them down? In any case, there’s definitely a whole lot of violence on the way! Court reporter FRED VAN LENTE (Marvel Zombies) and sketch artist ROBERT CAREY (The Outsiders) bring you the official transcript of the ensuing mayhem in Jennifer Blood: Battle Diary # 3 — embellished with artfully arranged mugshots from CAREY, JOSEPH MICHAEL LINSNER, and LESLEY “LEIRIX” LI!

The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.