It's one thing to bring the woman you love back into your life. It's another to try and keep her there. For Dex Foray, convincing Perry Palomino to open herself to their burgeoning relationship has been more challeng­ing than hunting ghosts, battling demons and stalking Sasquatch combined. Add in the fact that the only way they can keep their Experiment in Terror show running is to take on a third partner in the form of the mysterious Maximus Jacobs - all while investigating a sinister voodoo sect in New Orleans - and you've got the perfect Southern storm and a recipe for disaster. Luckily, Dex has never been one to back down, even when his life - and heart - are on the line.

During the 1976 Bicentennial celebration, millions of Americans engaged with the past in brand-new ways. They became absorbed by historical miniseries like Roots, visited museums with new exhibits that immersed them in the past, propelled works of historical fiction onto the bestseller list, and participated in living history events across the nation. While many of these activities were sparked by the Bicentennial, M. J. Rymsza-Pawlowska shows that, in fact, they were symptomatic of a fundamental shift in Americans' relationship to history during the 1960s and 1970s. For the majority of the twentieth century, Americans thought of the past as foundational to, but separate from, the present, and they learned and thought about history in informational terms. But Rymsza-Pawlowska argues that the popular culture of the 1970s reflected an emerging desire to engage and enact the past on a more emotional level: to consider the feelings and motivations of historic individuals and, most importantly, to use this in reevaluating both the past and the present. This thought-provoking book charts the era's shifting feeling for history, and explores how it serves as a foundation for the experience and practice of history making today.

BRING ODESSA DOWN, Or Do Not Come Back Alive is an investigative adventure featuring gritty husband and wife team, Nels and Molly Odessa, living on the cutting edge with Middle Eastern terrorists, now operating in the United States. It is through this fast page turner that we witness the merciless dedication of Sheik Abu bin Nidal and his henchmen. As this adventure comes to a head, friend and foe lay fatally scattered as Nels and Molly Odessa zeros in on despot Ajax Taliman whose acts of depravity and terrorism are legendary. His pursuits are funded by Sheik Abu bin Nidal from his terrorist training sanctuary in Khowsi, Afghanistan. This Odessa saga is timely fiction, supported by recent events in the Middle East.

Anyone can make an impact. All you need is influence—the most potent professional asset on the planet. The problem is that influence is also the most underused asset on the planet. And the primary reason is that the enemy of influence is a universal human trait: self-preservation. You guard your ideas, your status, and your reputation. Within your self-constructed walls you must cast safer visions, take smaller risks, and accept shallower relationships to ensure the security of all you are protecting. This is the downside of self-preservation: While your walls protect you and yours from demise, they also restrict your influence. You must break down your walls of self-preservation and sacrifice your security for the sake of others. Only then does the escalating paradox of personal generosity come into play: The more you give, the more you receive. This book shows that the key to effective leadership is learning how to influence in a way that engenders greater trust, stronger partnerships, and more impactful endeavors.

Social Studies Comes Alive: Engaging, Effective Strategies for the Social Studies Classroom provides teachers with critical, creative, and inquiry-based activities to engage students in real-world projects and research. Students will benefit from learning professional research practices and products that can make a real difference in their lives and those within their communities. Within this text, teachers can select activities as needed to engage their students in authentic learning on any topic, moving beyond the traditional guided reading and worksheet approach. These instructional approaches and classroom activities are powerful tools for combating student indifference toward social studies that creeps in during middle school and high school. Each lesson comes with instructions and ideas for challenging students in order to guide them to self-directed learning. Grades 6-10

Is there a moment, so pliant, that we can nudge it towards any future we desire? Sometimes I believe that there is such a moment. In a lifetime, once. In an unnamed nation that's about to rupture, Priyamvada (Poppy), a Hindu and Tariq, a Muslim are in love. In a few hours, Tariq intends to propose; Poppy intends to say yes. Both assume that they'll fend off political blowback. For, surely, their privilege will protect them. But will it? Will Poppy and Tariq sustain a love so wholesome, so cossetted, that it remains impervious to a dystopian state? Or will the two be rent apart by chance and circumstance? What will their lives look like as they plunge into a brave new future, together or apart? Written in alternating chapters, Like Being Alive Twice trails fact and possibility—the tale as-it-was and the tale as-it-could-have-been-if-only—arranging and rearranging, tweaking and nudging; hoping to find a lasting peace in one or the other story; hoping, above all else, that such peace will prevail over murderous times. Politically urgent, stylistically intrepid, and relentless in its commitment to scrutinizing love, loss and the language of privilege, Like Being Alive Twice tells of the frantic pursuit of life piled upon life, even as a bloodied world closes in.

Poignant and humorous insights on fully embracing our lives as we age from Susan Moon, beloved Buddhist teacher and author. Aging isn't easy. But it can still be filled with joy—maybe even more joy than we expect. Described by the New York Journal of Books as "a Buddhist Anne Lamott," Zen teacher and writer Susan Moon persuades us that as we notice we are impermanent, we get to come alive in new ways. Joining levity with tenderness, Moon shares stories from her own life on topics including knee replacements, Zoom chats with grandchildren, ongoing companionship with a close friend who is moving deeper into dementia, and a season as a Zen monk in the wilderness. Moon illustrates the strength that can come from within, sometimes unexpectedly, even as our bodies fail. Our radiant aliveness can be discovered and rediscovered any time up to the last moment. Alive Until You're Dead offers a Zen approach to facing our impermanence. Moon's stories explore being present with what is, not turning away from what's difficult, wishing for and working for the wellbeing of others, and being willing not to know what's next. These field notes from an old human being invite us to feel more alive in the final stretch, whatever it holds.

In times where the very concept of ‘nature’ is questioned not only in its philosophical dimension, but in the core of its biological materiality, we need to reconsider the interrelations between architecture and nature. This not only applies to strategies on environmental responsibility but equally on anticipatory human behavior and cultural or demographic variety. To address these challenges this book proposes to embrace the unknown and cultivate the architectural discipline towards an integrated and cross-disciplinary practice. It unravels compelling innovative and forward-thinking design narratives by leading international practitioners and researchers who investigate novel associations between architecture, nature and humanity for a future, alive architecture. Structured around the three closely cross-linked core themes “bioinspiration”, “materiability”, and “intelligence” the book engages with the starting point of an emerging new design field, where the symbiosis of physics, biology, computing and design promises the redefinition of what we call architecture today.

What does it mean to be and feel alive and real? How do we become and be alive together? Human beings are uniquely concerned with the question and marvel of what it means to feel alive and real, as well as the lifelong struggle of being alive together. Becoming Alive proffers a psychoanalytic theory of experiences of being alive, acknowledging that analyst and patient, indeed, each of us, are caught up in the larger drama and mystery of being alive. Focusing on the challenge in any psychoanalytic theory to demonstrate the relation between culture, community, and the individual, LaMothe's theory provides a bridge between the three, arguing that organizations of experiences of being alive are inextricably yoked to cultural stories, rituals, and practices. Enlivened by clinical illustrations and examples drawn from wider culture, Becoming Alive brings together psychoanalytic developmental perspectives, infant-parent research, semiotics, and philosophy in providing a comprehensive, lucid, and systematic description of subjective and intersubjective experiences of being alive.

Have you ever wondered whether it was possible for someone who has committed the worst act one human can take against another to be redeemed? In this collection of poetry, author Warren Stuckey explores that question. He presents the real story of someone who beat the odds, never realizing that his ingrained psychosis was intentionally orchestrated. These verses reveal how a persons streets, family, friends, and enemies all play crucial roles in determining what he or she is capable of doing. In the end, however, each person must carry his or her load; that is where the blame stops and the change occurs. The mind can reboot itself when light and wisdom are found. In these poems, Stuckey seeks to reach out to people where they are, in whatever lives they have chosen, and let them know that their lives matter. This collection of poetry offer a reflection on the trials one man has faced in his life with the intention of helping others see and understand themselves for who they truly are.