In 1963, Jane Roberts met a spiritual entity named Seth. He spoke through her and the lessons he taught proved timeless and crucial. Roberts went on to write much about her channeling experiences with Seth and her books have sold 2.5 million copies. Her Seth material is consistently one of the top two most visited collections at the Yale University Archives. From 1968 to 1975 Roberts held an ESP class in her home, during which she channeled Seth. Sue Watkins was a member of that class. The knowledge she gained from the Seth sessions changed Watkins's life. In fact, it changed the lives of all the class participants. In Volume II of the Seth series, Watkins shares the insights she discovered while participating in Roberts's groundbreaking classes. The personal, social, and political issues addressed in Conversations with Seth are as relevant today as ever and include health, sexual identity, wealth and poverty, the military draft, relationships, dreams, ESP, reincarnation and more. Seth expands on many of the topics raised in book 1 and also explores provocative new material: the correlation between our beliefs, dreams, and daily experience; the concept of probabilities, counterparts, and individual identity; the very real difficulties of applying the "you create your own reality" concept to daily life. Also included is a fascinating discussion of Christ. And, as in the first book, Seth addresses the personal, ongoing issues that class members experienced over the years--troubled marriages, illness, financial hardships, and more.

Evoking a spirit similar to such classics as Tolkien's The Hobbit, C.S. Lewis' The Lion, the Witch and the Wardrobe, and George R. R. Martin's Game of Thrones, Daughters of Seth is a lyrical, intimate, multi-layered story in the fantasy genre that begs to be the foundation of an epic ongoing series. However, to merely compare Daughters of Seth to the works of others would not be adequate to speak to the distinctive voice that marks the style of L.K. Machacek. This is an earthy, elemental, deep, visceral story that courageously, confidently, and skillfully explores the boundaries of magic, myth, desire, loyalty, and destiny. It authentically depicts the rich and timeless tapestry of the bonds and love between family as well as those who are knit at the heart through friendship and loyalty. At the same time, these themes are married to the darker gravity of ruthless ambition, bitterness through heartbreak and unspeakable loss, and a rage and vengeance that twists and burns.

Canadian cartoonist Gregory Gallant, pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. Though he was influenced by mainstream comics in his teen years and did his earliest comics work on Mister X, a mainstream-style melodrama, Seth remains one of the least mainstream-inflected figures of the alternative comics' movement. His primary influences are underground comix, newspaper strips, and classic cartooning. These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present. Conversations offer insight into his influences, ideologies of comics and art, thematic preoccupations, and major works, from numerous perspectives—given Seth's complex and multifaceted artistic endeavors. Seth's first graphic novel, It's a Good Life, If You Don't Weaken, announced his fascination with the past and with earlier cartooning styles. Subsequent works expand on those preoccupations and themes. Clyde Fans, for example, balances present-day action against narratives set in the past. The visual style looks polished and contemplative, the narrative deliberately paced; plot seems less important than mood or characterization, as Seth deals with the inescapable grind of time and what it devours, themes which recur to varying degrees in George Sprott, Wimbledon Green, and The Great Northern Brotherhood of Canadian Cartoonists.

Understanding instead of lamenting the popularity of self-help books Based on a reading of more than three hundred self-help books, Sandra K. Dolby examines this remarkably popular genre to define "self-help" in a way that's compelling to academics and lay readers alike. Self-Help Books also offers an interpretation of why these books are so popular, arguing that they continue the well-established American penchant for self-education, they articulate problems of daily life and their supposed solutions, and that they present their content in a form and style that is accessible rather than arcane. Using tools associated with folklore studies, Dolby then examines how the genre makes use of stories, aphorisms, and a worldview that is at once traditional and contemporary. The overarching premise of the study is that self-help books, much like fairy tales, take traditional materials, especially stories and ideas, and recast them into extended essays that people happily read, think about, try to apply, and then set aside when a new embodiment of the genre comes along.

Kate's unrehearsed for her reaction when widower Seth Orbin wades through rain and lightning to rescue her and her kids, who love being stranded at Seth's mountain cabin. Kate and Seth sidestep a surprising attraction. & ;& ;Seth feels conflicted when discovering their spiritual gulf. He longs for Kate's parched faith to heal, while she's convinced he's deluding himself with ideas of peace. & ;& ;Seth knows he can't marry Elizabeth Koger, not after meeting Kate. & ;& ;At a low moment, Kate accepts a date from Willard Wittenberg. She bites her folly when he won't leave her alone and his history with Elizabeth unveils. & ;& ;A suspicious fire at Seth's sawmill--one implicating Willard and injuring Seth--creates turbulence. & ;& ;Barely conscious from his injuries, Seth declares his love for Kate. She can't understand such faith, much less the love offered. & ;& ;Family illnesses reinforce Seth's tragedy-proof peace. Kate's heart softens to God and Seth. & ;& ;Joy is restored as only God can. & ;& ;

Advance praise for Awakening The Soul: I am absolutely in awe of your book. It is an extraordinarily important work. It will, I humbly suggest, change many lives. -- Joseph W. Dunn, Jr., Editor, A.R.E. Press ********************************************************************** I believe Awakening The Soul is the key to the 12th Step (of Alcoholics Anonymous) Susana K., Oregon ********************************************************************** We all agree on the brilliance of this work. -- Lisa Hagan, literary agent, Paraview, Inc., New York City ********************************************************************** What a contribution Awakening The Soul is going to make! Your technique for communicating with higher consciousness is a must read for every professional in the field and every person interested in spiritual advancement. Your technique is clear, simple and can be used by a broad spectrum of people. As a psychologist, I can see it filling the needs of sophisticated clients in my Wall Street practice as well as the common man. Get this to a publisher ASAP! -- Dr. Garnet Beach, Ph.D., Psychotherapist ***********************************************************************

Seminal and representative papers have been chosen to illustrate the vital importance of infant observation in psychoanalytic training, tracing influences on the practice of infant observation and contemporary developments. The book outlines the thinking that has evolved since Esther Bick's introduction of this innovative component in Tavistock child psychotherapy and British Psychoanalytical Society training.