At eighty-five, Gentry still has the mischievous glint in his eye that he surely had as a child. An aging face tells no lies and Gentrys face is full of guile, curiosity, joy and sass. He quips, with no apologies, that he has led a somewhat selfish life, indulging his passions and interests never having a family of his own until he married very happily at sixty. From his modest beginnings, he led a bigger life than might have been expected and has enjoyed every minute of it. And so begins Edgar Gentry Bartons Just a Country Boy, a witty, meticulously crafted tribute recounted by Tish Lynn. As the engaging narrative transports readers through the twentieth century, he regales them with slice of life stories about his small town Tennessee roots, life during the Depression, WWII, true love, good fishing, playing baseball, and everything that came after. A mix of humor, detail, and accessible writing attracts readers with an interest in twentieth century Americaand a life well lived.

In his debut full length collection, Junious 'Jay' Ward dives deep into the formation of self. Composition interrogates the historical perceptions of Blackness and biracial identity as documented through a Southern Lens. Utilizing a variety of poetic forms, Ward showcases to his readers an innovative approach as he unflinchingly explores the way language, generational trauma, loss, and resilience shape us into who we are, the stories we carry, and what we will inevitably pass on.

“The story of Felice and Boudleaux Bryant is the story of towering artistic achievement wrapped in a love story so deep and so complete that the two are their own country song. Bobbie and Bill Malone are precisely the right match to tell this tale of love and genius.”—Ken Burns, Director, Country Music You might not know the names of Boudleaux and Felice Bryant, but you know their music. Arriving in Nashville in 1950, the songwriting duo became the first full-time independent songwriters in that musical city. In the course of their long careers, they created classic hits that pushed the boundaries of country music into the realms of pop and rock. Songs like “Bye Bye Love,” “All I Have to Do Is Dream,” “Love Hurts,” and “Rocky Top” inspired young musicians everywhere. Here, for the first time, is a complete biography of Nashville’s power songwriting couple. In Nashville’s Songwriting Sweethearts, authors Bobbie Malone and Bill C. Malone recount how Boudleaux and Felice, married in 1945, began their partnership as itinerant musicians living in a trailer home and writing their first songs together. In Nashville the couple had to deal with racism, classism, and in Felice’s case, sexism. Yet through hard work and business acumen—and a dose of good luck—they overcame these obstacles and rose to national prominence. By the late 1990s, the Bryants had written as many as 6,000 songs and had sold more than 350 million copies worldwide. They were inducted into the Nashville Songwriters Hall of Fame in 1972, and in 1991 they became members of the Country Music Hall of Fame—a rare occurrence for songwriters who were not also performers. In 1982 their composition “Rocky Top” was adopted as one of the official state songs of Tennessee. The Bryants were lucky enough to arrive in the right place at the right time. Their emergence in the early fifties coincided with the rise of Nashville as Music City, USA. And their prolific collaboration with the Everly Brothers, beginning in 1957, sparked a fusion between country and pop music that endures to this day.

Throughout his career, Johnny Cash has been depicted—and has depicted himself—as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a full portrait of Cash and his significance as a cultural icon.

'Farm Boys and Girls' is a book that discusses parenting children who are raised in farming or rural environments. As the author puts it: "In the preparation of this book I have had in mind two classes of readers; namely, the rural parents and the many persons who are interested in carrying forward the rural work discussed in the several chapters. It has been my aim to give as much specific aid and direction as possible. The first two chapters constitute a mere outline of some of the fundamental principles of child development. It would be fortunate if the reader who is unfamiliar with such principles could have a course of reading in the volumes that treat them extensively. Nearly every suggestion given in the main body of the book is based on what has already either been undertaken with a degree of success or planned for in some rural community."

TRUST NO MAN is an urban street tale told in such vivid detail and with such gritty and compelling style it's like watching a movie that keeps you on the edge of your seat from start to finish. Terrence aka Youngblood is a young and jiggy stick-up kid in ATL with strict street principles respect for the code of his game, loyalty to those who are loyal to him, and much baby mama drama. Shan, Youngblood s cocaine sniffin baby mama, violates him when she hooks up with one of his partnaz while Youngblood is serving a bid. When Youngblood touches down, it s on and poppin . Rich kid, a flamboyant drug kingpin wants to put Youngblood on his team, but Youngblood prefers to get his the fast way the ski mask way. When Youngblood hits a big lick, he finds out that more money means more problems. Who can he trust? The answer will leave you speechless. TRUST NO MAN is a story of murder, sex, money, bling, love, and betrayal. Get ready to have your every emotion touched. TRUST NO MAN will do that!