"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.

Vols. for 1837-52 include the Companion to the Almanac, or Year-book of general information.

The Georgian era, we are told, was a “polite and commercial” era. The supposedly refined aristocracy governed the nation while the bourgeoisie, at the center of the largest empire the world had ever known, expanded the nation’s overseas trading interests while currying royal favors. It was an era which witnessed the flowering of art, literature, and music. But at the heart of the British Empire was something rotten: Vice, corruption, and crime reigned supreme. Someone had had enough and decided to expose this and so, in 1832, a curious book appeared for sale titled The Secret History of the Court of England. Written by Olivia Serres under the pseudonym of “Lady Anne Hamilton,” this was a sensational chronicle of the crime, vice, and debauchery designed to shock and titillate its reader. It contained a number of accusations against establishment figures: Was George IV guilty of bigamy? What was the Prince’s true relationship with one Mrs Robinson? Did the Duke of Cumberland’s servant Mr Sellis really commit suicide or was he MURERED IN COLD BLOOD? All these questions, and more, will be answered in Lady Anne Hamilton’s Secret History of the Court of England, originally published in 1832 and reprinted at long last!

Reprint of the original, first published in 1881.

Reprint of the original, first published in 1860.

Margaret McGlynn examines legal education at the Inns of Court in the late fifteenth/early sixteenth century.