India and gemstones are inseparable. Among the Subcontinent’s most prolific patrons of the jewelled arts were the Mughal emperors, whose adornments dazzled visitors centuries ago and continue to excite viewers today. Complimenting the brilliance of these creations were the miniature paintings of the time. Often likened to jewels, these works on paper do more than entertain the eye; they illuminate as well. By comparing the paintings and the objects depicted in them, the world of Mughal opulence is opened to the reader. Jewels without Crowns brings together two fields of artistic accomplishment by one of the most visionary dynasties of the Islamic world.

This volume gathers together 17 articles published over the last 30 years, together with one appearing here for the first time. Their focus is primarily on enamel, the brilliant and colourful art form for which the Byzantines were famous throughout the medieval world, but sculpture and glyptics also figure. The author examines not only works which have retained the form in which they were first created, but others which have had their original Byzantine elements re-used, often by artists in the West. While most of the works featured here have been known to scholars before, one was unknown prior to its first publication in 2006.

One day during my writing I saw and consequently I took information about a "Royal Crown". I looked for any possibile source and I found only a few useless informations. My curiosity took me to investigate about this topic and I consulted any sorts of written informations without acquiring any interesting and detailed info as well as very few images. I believed that all of this was absolutely incomprehensible. I thought about all the people that would have been pleased to find some writing about this topic by grouping a specific kind of informations. Then I decide to write about this subject. My dearest friend, the Architect Giovanni Vitelli supported me with his brave ability both written and visual. It took me a couple of years of intense work to produce what now I take to your attention with the only ambition to enjoy you and to fill the empitness that at my time I had found about the royal crowns. If you would like this work I will rejoice.

James Bond meets Maisie Dobbs in this riveting new historical caper series featuring a gifted young socialist-turned-counterespionage spy on a World War II mission orchestrated by Winston Churchill himself… 1940: Weeks after the evacuation of Dunkirk, Germany is poised to invade a near-defenseless Britain. To safeguard the Crown Jewels from the Nazis, Winston Churchill devises a daring gamble to have them shipped overseas. The priceless artifacts will be secretly removed from the Tower of London and driven north to Scotland by two operatives posing as a young married couple, to be taken from there to Canada. Caitrin Colline—a Welsh coalminer’s daughter and an ardent socialist—will play the wife of Lord Marlton, Hector Neville-Percy. A less likely couple is at first difficult to imagine. Yet Caitrin’s bold, streetwise confidence and sharp wits complement Hector’s social ease and connections, essential to a second part of their mission: uncovering Nazi sympathizers within the highest ranks of Britain’s aristocracy. Battling enemies within and without, Caitrin wonders if anyone in their circle can be trusted—even her partner. And when unexpected events catapult her into a life-or-death chase across the continent, the morale of a nation and the fate of Europe itself in the balance.

The Three Kingdoms Period in Korean history consisted of the kingdoms of Silla, Koguryo and Paekche. It was only the Silla kingdom which seemed to have had a connection to the ancient nomadic Scythians. These people seemed so different from the indigenous inhabitants who were already living in Korea during the 3th to 6th centuries CE. It is the author’s opinion is that they were the descendants of the Scythians – who although they would not have called themselves ‘Scythians,’ they were none the less, the remnant members of nomadic tribes that pushed eastward from Central Asia and Siberia to the Korean peninsula. Once in Southern Korea, they established the Silla kingdom, where their time honored beliefs are depicted in their mound burials, wooden burial chambers, gold crowns, horse riding, and also in their Siberian shamanism. This time period of the gold crowns and the people who produced the royal headgear was the Maripgan Period, and as mentioned, they were the descendants of Scythians who although in Central Asia and Siberia were known to have existed as far back as 10,000 years BC, they were always on the move searching for new pasturelands for their herds or to avoid conflicts and war with their enemies. The Silla crowns were created around the 5th to the 7th centuries in Kyongju, the former capital of the Silla people. When they were discovered in various archaeological mound sites, they were found to be in a highly fragile state. The crowns were each designated as national treasures by the Korean government and most weigh about one kilogram. Some of the crowns came in two parts: an inner gold cap, which may have been covered in silk fabric and sat inside of the crown, and the crown itself. The crowns were totally shamanistic in their symbolism, and represented the belief systems of the Scythians of Central Asia and Siberia, which eventually made its way to Korea and the ancient Kingdom of Silla.

Teachers will find everything they need to offer meaningful, fun lessons in these books. From puzzles and games to crafts and snacks, each interactive lesson provides teachers with flexibility as they shape the Bible message. Created for ages 5-10, each book includes materials for eight extended sessions.

In his first book, Searching for the Holy Grail, Brian Walters takes the reader on a compelling modern-day Grand Tour of Western Europe. In his exciting new book, Fallen, he embarks on an introspective five-week journey through Ireland and Eastern Europe during the tragic events surrounding September 11. Join the author and his ragtag group of young travelers as they kiss the famous Blarney Stone, walk the dramatic Cliffs of Moher, stroll beside the Berlin Wall, and experience the horrors of Auschwitz. future promising peace and prosperity. Experience firsthand the history of World War II, get a glimpse into life behind the Iron Curtain, and learn about the rise and fall of Hitler and the Nazis. Brian Walters uses a spellbinding blend of humor, history, and philosophy to create an ambitious work that transcends typical travel writing to provide a thought-provoking exploration of religion, the nature of faith, and man's place in the universe.

This book explores how writers such as Amos Tutuola, George Lamming, Samuel Selvon, VS Naipaul, Chinua Achebe, Derek Walcott, Kamau Brathwaite, and Wole Soyinka came to be published in London in important educational series such as the Three Crown Series and African Writers Series. Low takes account of recent debates in the discipline of book history, especially issues that deal with social, cultural, and economic questions of authorship, publishing histories, canon formation, and the production, distribution and reception of texts in the literary market place. Searching publishing archives for readers reports, editorial correspondence, and interventions, this book represents a necessary exploration of postwar publishing contexts and the dissemination of texts from London that is crucial to literary histories of the postcolonial book. Taken together as a postwar generation, this cohort of now canonical writers helped "imagine" their respective national communities, yet their intellectual labors entered an elite transnational literary circuit, and correspondingly, were transformed into textual commodities by the economic, social, cultural, and institutional transactions that were part of an expanding print capitalism.