Robert Lipinski and his mate Dan Ming drive away, after surviving a near fatal blast. They manage to go over the border into Canada on a scooter, with Gale, Robert's trusty sidekick, soaring above them. Once in Canada, the duo and magpie join a traveling Circus. Between the shows, Robert and Dan find a way to sell gems that were left over from their last job. After a few months with the Circus, the guys decide that their time there is up, and fly away onto their next adventure. The duo arrive in Hong Kong with Gale in tow, here the stakes are much higher than they have ever imagined, as they embark on a new wave of international crime, which leads them straight back to Martin aka Cyclops - Interpol agent and Robert's arch nemesis. When this showdown is over, all their lives will be changed forever.

Junior School Dictionary is the most comprehensive dictionary designed for the primary classroom.

DIVTo save a friend’s daughter from a bad marriage, Joe Crow confronts cultists, carnies, and cocaine wackos/divDIV Poker-playing ex-cop Joe Crow has been dealt some rotten hands in his life, but he’s survived them all. When Axel Speeter starts begging for help, Crow suspects his luck is about to run out. A taco-dealing former poker pro, Speeter’s worried about his girlfriend’s daughter Carmen. She’s the sexiest trouble magnet the state of Omaha has ever seen, and she’s about to drag Crow down with her./divDIV /divDIVCarmen has just gotten engaged to Hyatt Hilton, a onetime drug pusher who’s currently scratching out a living selling bootlegged Evian. Speeter wants Crow to make sure he’s staying on the straight-and-narrow. And it looks like Hilton’s involved in something much more dangerous than designer water. He’s about to cross the Amaranthine Church of the One—a New Age cult convinced that it’s found the secret to immortality, and doesn’t mind killing to prove it. /div

The poetry of Fermata, like the pause or hold in music which the word signifies, conjures the audible spaces between notes and the suspended moment. As the author puts it, this is "terse but lateral but lyrical writing." Her words "are always on the threshold of becoming solid entities. In Fermata, the pitched sound, held indefinitely or paused indefinitely, is the mind feeling, the restless body, the migrations of geese or memory."