"In the first major work that considers the importance of childhood representations in shaping the modern writer, Sklenicka unearths the "richness of possibility" D. H. Lawrence found in his depiction of children and the complexities of family life."--Publishers website.

"Contributing to the debate about D. H. Lawrence's relationship with and fictional portrayal of women, this book discusses how the dynamic tensions of his art dramatically reenact the competing forces of psychic and relational life. In her examination of Sons and Lovers, The Rainbow, Women in Love, and various short stories, Schapiro discusses how Lawrence's best works reveal a continual struggle to recognize and be recognized by the other as an independent subject. Drawing on Jessica Benjamin's psychoanalytic theory of intersubjectivity, she also demonstrates how a breakdown of balanced subject-subject relations in his texts gives rise to defensive polarities of gender and of domination and submission."--BOOK JACKET.

D. H. Lawrence has suffered criticism for the emotional excess of his language, and for a suspected leaning towards right-wing politics. This book contextualises his style and political values in German culture, especially its Romantic tradition which has been subjected to the same criticism as himself. In his writing Lawrence struggles between opposing German cultural elements from thee eighteenth century onwards, to dramatise the conflicts in Modern European culture and history in the first half of the Twentieth century. The book demonstrates how his failures are integral to his achievements, and how the self-contradictory nature of his art is actually its saving grace. This volume surveys the whole span of Lawrence's career; it is intended for both students and teachers of the author, and for those interested in the cross cultural relations of European Modernism. Previous studies have tended to outline references in Lawrence's work to Germany without focusing on the historical, cultural and ideological issues at stake. These issues are the subject of this book.

The significance of D. H. Lawrence's reading of two Italian Futurist volumes in the summer of 1914 is widely acknowledged, but the nature of its significance has not been more closely examined, nor traced through his major fictional and discursive writings of the Great War and its aftermath. D. H. Lawrence and Italian Futurism addresses the oversight, firstly by examining the context to Lawrence's now famous June 1914 letters concerning Futurism; secondly, by placing Futurism - and Lawrence's interest in Futurism - in the light of the movement's intellectual indebtedness to nineteenth-century Naturalism; and, thirdly, by providing new readings of The Rainbow, Women in Love and Studies in Classic American Literature which draw on these contextual materials. The book's form will make it attractive to scholars and students of European modernism as well as to those interested in the works of D. H. Lawrence.

Presents a brief biography of D.H. Lawrence, critical views and plot summaries of four of his novels, and an index of themes and ideas.

"Thirteen essays that aim to illuminate the achievement of one of England's greatest modern writers. Employing a variety of perspectives - historical, cultural, theoretical, feminist - the critics here assembled address concerns about Lawrence's work that have emerged in recent years: his attitudes toward the working class, art, women, Britain; his conceptions of male-female relationships, sexuality, education and knowledge; and his place in cultural history and the traditions of the English novel. All of the essays - from reassessments of Lawrence's position in the English literary tradition to analyses of his influence on recent American poetry - find renewed faith in the challenge of Lawrence's work, making this volume of interest to Lawrence scholars and students"--

D. H. Lawrence Today is a rare and extraordinary blend of intellectual-political history, psycho-literary biography, and literary criticism not seen in Lawrence studies since the heyday of F. R. Leavis. Barry J. Scherr provides a vigorous defense of Lawrence against his powerful enemies in the literary-cultural-political-academic world - a world dominated today by the political correctness of the elite extreme left-wing intelligentsia. Dr. Scherr employs a daring, original, intense strategy to deal with Lawrence's enemies, involving unique, intricate, complex explication de texte as well as incisive polemic. Unconventional and seminal, D. H. Lawrence Today is the most stimulating, provocative, courageous book on Lawrence to appear in many years.

During the Great War, D. H. Lawrence changed from an optimistic socialist revolutionary to a misanthropic elitist preaching leadership. Cornelia Nixon shows that this change has a private sexual dimension that is always reflected in his subsequent political thinking. Whereas earlier works including The Rainbow) glorify sex, procreation, and the female, little-known essays contemporaneous with Women in Love (and to some extent that novel itself) favor transcendence of desire, subjection of the female, apotheosis of the male, and a male paramilitary hierarchy based on love. The erotic dimension of this shift suggests that fear of women and latent homosexuality are essential ingredients of the authoritorian reaction. Nixon revives the thesis that the anomie to which fascism and protofascism were responses was brought home to men not only by the public agitation for women's rights but also by the private sexual assertion of newly independent women.

Until now, the study of literary allusion has focused on allusions made by poets to other poets. In Tennyson Among the Novelists, John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.