"Most of the men were veterans of World War I" Major Schwark, plant protection battalion This fascinating collection of primary source accounts focuses on the combat actions of the Wehrmacht in the final battles of the war. The material is drawn from a variety of wartime sources and encompasses fascinating writings concerning the tactical, operational and strategic aspects of the battle for Berlin. Compiled and edited by Emmy Award winning author and historian Bob Carruthers, this absorbing assembly of primary source intelligence reports encompasses rare material originally drawn from both German and Russian original sources to provide the reader with a unique insight into the last battles in the east. This is the unvarnished reality of what it meant to fight in this titanic struggle to the death. Featured in the book are reports concerning little known and neglected tactical aspects of the war including weapons, street fighting techniques and improvised anti-tank measures. Original illustrations from US wartime intelligence manuals are also featured. This compelling compilation is essential for readers with an interest in discovering more about the last days of the Wehrmacht from a range of unusual and diverse primary sources.

Based on Lu Xun's works and book collections, this book explores the significant influence of Russian literature, art, and thinking on Lu Xun's thoughts and works. Through the analysis of rich historical materials and literary texts, this book shows the profound influence of Russian literary and artistic resources on Chinese writers, especially on Lu Xun. It delves into Lu Xun's literary and translation concepts, as well as his intellectual and aesthetic views, all of which bear the imprint of Russian culture. The author closely examines notable themes in his works, including nationality, class, the avant-garde, and cosmopolitanism, which offer insight into his overarching historical vision and provide a glimpse into the era. Unlike previous studies of the influence of Russian literature, this book delves deeper into literary history by examining intellectual history without adhering to a pan-ideological point of view. Through the lens of cultural history, it also illuminates the cultural landscape of modern China, unraveling the intellectual ideas and debates of the twentieth century and the emergence of Chinese left-wing literature. The title will appeal to scholars, students, and general readers interested in Lu Xun studies, modern Chinese literature, and Chinese culture.

Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States. This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.