A Maharajah with a peerage granted by the ruling British has a great favourite in one daughter. She is a beauty and reciprocates the father’s fondness, but is defiant and refuses any marriage proposal arranged by the father. She falls in love with a Muslim and has to face the wrath of the father, possible banishment or a trade off to a very old Maharajah. She clandestinely marries the Muslim. India gets divided, and she has no option but to move to Pakistan where the reception from a close relative by marriage is unbecoming.What follows next is for the reader to witness.

The tougher they are, the harder they fall… Professional mercenary Dare Macintosh lives by one hard-and-fast rule: business should never be personal. If a cause appeals to him and the price is right, he'll take the mission he's offered. But then the lovely Molly Alexander asks him to help her track down the men who'd had her kidnapped—and for the first time, Dare's tempted to combine work with pleasure. Fiercely independent, Molly vows to trust no one until she's uncovered the truth. Could the enemy be her powerful estranged father? The ex-fiancé who still holds a grudge? Or the not-so-shy fan of her bestselling novels? As the danger heats up around them, the only anchor Molly has is Dare himself. But what she feels for him just might be the most frightening thing of all…

This is the first book in the story, so there will be cliffhangers! Katherine has everything a young woman could hope for in 1849 Scotland, except the freedom to make her own choices. The last thing she wants to do is to get married…and then she meets James Spenser. Can there be any future together for the outspoken daughter of a railway owner and the charming young man working on the project?

A memoir of race and education, this is the story of a girl who grew up and out of the Cleveland projects in the 1960s and '70s. While growing up in Cleveland, young Charlise Lyles experienced turbulent events including race riots and a neighborhood murder. Yet she was inspired to appreciate literature at a young age, and she spent her days reading—and also often searching for the estranged father who taught her that love of learning. Despite starting in the “slow class” at an aging school on Cleveland's east side, Lyles had a thirst for knowledge and drive for success that would open a door to new opportunities. Granted a scholarship to a prestigious prep school in a wealthy suburb, the vibrant teenager finds herself presented with a bewildering set of new challenges—and a new direction in life.

A rallying manifesto for the innovative problem-solving we need to build a better, more verdant, and sustainable planetary existence. Academics are letting Africa down. With all that we know, what do we have to show for it? Whose lives have been changed for the better by it? What have we done for and with our communities lately? In this provocative book—the first in a trilogy—Clapperton Chakanetsa Mavhunga argues that our critical thinkers must become actual thinker-doers. Taking its title from one of Thomas Sankara’s most inspirational speeches, Dare to Invent the Future looks for moments in Africa’s story where precedents of critical thought and knowledge in service of problem-solving are evident to inspire readers to dare to invent such a knowledge system. Mavhunga revisits insights from Edward Wilmot Blyden, Booker T. Washington, Aimé Césaire, Frantz Fanon, Amílcar Cabral, Julius Nyerere, and Thomas Sankara to illustrate how the academic disciplines have been, and could be, deployed in the service of and through problem-solving, building on what people are doing and know. At its core, he writes, knowledge in the service of and through problem-solving derives from reading the past for new questions, doing due diligence in the present, and contriving an anticipatory approach toward the future. Questioning the fundamental premises of Western and white knowledge production, especially regarding science and technology, Mavhunga proposes in this book refreshingly new approaches to thinking-doing that stem from African realities, in the hopes of inspiring a generation that will run toward, not away from, problems to solve them.

The father-daughter relationship was one that Shakespeare explored again and again. His typical pattern featured a middle-aged or older man, usually a widower, with an adolescent daughter who had spent most of her life under her father's control, protected in his house. The plays usually begin when the daughter is on the verge of womanhood and eager to assert her own identity and make her own decisions, especially in matters of the heart, even if it means going against her father's wishes. This work considers Capulet in Romeo and Juliet as an inept father to Juliet and Prospero in The Tempest as an able mentor to Miranda; Hermia in A Midsummer Night's Dream, Jessica in The Merchant of Venice and Desdemona in Othello as daughters who rebel against their fathers; Hero in Much Ado About Nothing, Lavinia in Titus Andronicus and Ophelia in Hamlet as daughters who acquiesce; Bianca in The Taming of the Shrew and Goneril and Regan in King Lear as daughters who cunningly play the good girl role; Portia in The Merchant of Venice, Viola in Twelfth Night and Rosalind in As You Like It as daughters who act in their fathers' places; and Marina in Pericles, Perdita in The Winter's Tale and Cordelia in Lear as daughters who forgive and heal.