Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.

NEW YORK TIMES BESTSELLER • From the #1 New York Times bestselling author of Gone Girl, and the basis for the major motion picture starring Charlize Theron Libby Day was seven when her mother and two sisters were murdered in “The Satan Sacrifice of Kinnakee, Kansas.” She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer. Praise for Dark Places “[A] nerve-fraying thriller.”—The New York Times “Flynn’s well-paced story deftly shows the fallibility of memory and the lies a child tells herself to get through a trauma.”—The New Yorker “Gillian Flynn coolly demolished the notion that little girls are made of sugar and spice in Sharp Objects, her sensuous and chilling first thriller. In Dark Places, her equally sensuous and chilling follow-up, Flynn . . . has conjured up a whole new crew of feral and troubled young females. . . . [A] propulsive and twisty mystery.”—Entertainment Weekly “Flynn follows her deliciously creepy Sharp Objects with another dark tale . . . The story, alternating between the 1985 murders and the present, has a tense momentum that works beautifully. And when the truth emerges, it’s so macabre not even twisted little Libby Day could see it coming.”—People (4 stars) “Crackles with peevish energy and corrosive wit.” —Dallas Morning News “A riveting tale of true horror by a writer who has all the gifts to pull it off.”—Chicago Tribune "It's Flynn's gift that she can make a caustic, self-loathing, unpleasant protagonist someone you come to root for.”—New York Magazine “[A] gripping thriller.”—Cosmopolitan "Gillian Flynn is the real deal, a sharp, acerbic, and compelling storyteller with a knack for the macabre.”—Stephen King

“A moody, atmospheric thriller perfectly crafted.”—Charlie Donlea, USA Today bestselling author of Twenty Years Later. A dark new thriller perfect for fans of Megan Miranda and Shari Lapena where murder exposes the dark secrets at the center of a group of friends and sets two women – one with a traumatic past, the other a Boston police detective – on a hunt for truth. Snow falls softly outside Molly Bradley’s home on a frigid January night. Inside, half a dozen close friends are gathered to celebrate the fortieth birthday of Molly’s psychologist husband, Jay. Candlelight gleams against dark wood, wine flows, and the house rings with laughter. Everybody loves Jay, Molly most of all. Yet next morning, Molly discovers Jay dead on the floor of his office, his throat brutally slashed. After decades working with the Boston PD, Detective Rita Myers has grown accustomed to the banality of evil—the murders that make no sense beyond bad luck or a tragic brush with the worst of humanity. But Jay Bradley’s murder isn’t random, or a mere crime of opportunity. Rita is convinced that someone in the couple’s small circle killed him. Someone who was celebrating with them that night. Devastated, Molly tries to make sense of her husband’s death. Jay was her rock, the only person who really understood the nightmare she lived through long ago. He knew the horrors she’s kept hidden even from her friends. But shocking revelations are making her question if Jay was all he seemed to be—and whether someone else knows her past too. And until Molly figures out who she can really trust, she won’t be able to stop herself becoming the next target . . . “Gripping…Parlato is off to a strong start.” – Publishers Weekly “A creepy debut.” – Kirkus Reviews

Vols. for 1970-79 include an annual special issue called IEE reviews.