Winner, 2022 Frank S. and Elizabeth D. Brewer Prize While the idea that successful missions needed Indigenous revolts and missionary deaths seems counterintuitive, this book illustrates how it became a central logic of frontier colonization in Spanish North America. Missions Begin with Blood argues that martyrdom acted as a ceremony of possession that helped Jesuits understand violence, disease, and death as ways that God inevitably worked to advance Christendom. Whether petitioning superiors for support, preparing to extirpate Native “idolatries,” or protecting their conversions from critics, Jesuits found power in their persecution and victory in their victimization. This book correlates these tales of sacrifice to deep genealogies of redemptive death in Catholic discourse and explains how martyrological idioms worked to rationalize early modern colonialism. Specifically, missionaries invoked an agricultural metaphor that reconfigured suffering into seed that, when watered by sweat and blood, would one day bring a rich harvest of Indigenous Christianity.

This book examines the widespread response in British artistic media to the death in childbirth in 1817 of Princess Charlotte Augusta of Wales, daughter of the Prince Regent and heiress to the throne, showing how both in print materials like poetry and sermons and extra-literary artifacts like visual art, ceramics, metalwork, and textiles her life and death were invested with the qualities of myth even as her memorialists appropriated her experiences in the process of producing consumer commodities for an emerging mass audience.

Introduction: being cheerful and modern -- The gap: happiness scales and the edge of sadness -- Component parts: modernity and ideas of happiness and progress as historical forces -- Modernity's deficiencies -- False starts and surprises: making modernity more difficult -- The dilemmas of work in modernity -- Death as a modern quandary -- Century of the child? Childhood, parenting, and modernity -- Born to shop: consumerism as the modern panacea.

Six-year-old Josef is tormented by bullies. He is rescued from his misery by an older boy, Mosche, who lives in the Jewish quarter of Worms, a city on the Rhein River. The two boys and Mosche's sister Miriam become friends, spending time together as Mosche teaches Josef to read. Miriam herself learns eagerly, though few of her eleventh-century contemporaries think it desirable to educate girls. The boys are excited to meet the beloved Rabbi Scholomo of Troyes. He is called "the rabbi of Worms" by the local Jews since he once studied and taught in their city. Josef and Mosche maintain their friendship, even as "citizen armies" of Christians inflict violence on Jews during the early days of the First Crusade. In a dangerous and chaotic time, Rabbi Scholomo's teachings provide help and solace to those who face horrible dilemmas.

In the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of "others," psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media.