The Emperor is dead. Long live the Empire. General Bordan has a lifetime of duty and sacrifice behind him in the service of the Empire. But with rebellion brewing in the countryside, and assassins, thieves and politicians vying for power in the city, it is all Bordan can do to protect the heir to the throne. Apprentice Magician Kyron is assigned to the late Emperor’s honour guard escorting his body on the long road back to the capital. Mistrusted and feared by his own people, even a magician’s power may fail when enemies emerge from the forests, for whoever is in control of the Emperor’s body, controls the succession. Seven lives and seven deaths to seal the fate of the Empire.

"Elegantly told and interspersed with delicious bits of history" (Kirkus Reviews), Laura Joh Rowland's The Assassin's Touch is a mystery set in feudal Japan you won't want to miss! May 1695. During a horse race at Edo Castle the chief of the shogun's intelligence service, Ejima Senzaemon, drops dead as his horse gallops across the finish line—the fourth in a recent series of sudden deaths of high-ranking officials. Sano Ichiro is ordered to investigate, despite his recent promotion to chamberlain and his new duties as the shogun's second-in-command. Meanwhile, Sano's wife, Reiko, is invited to attend the trial of Yugao, a beautiful young woman accused of stabbing her parents and sister to death. The woman has confessed, but the magistrate believes there is more to this case than meets the eye. He delays his verdict and asks Reiko to prove Yugao's guilt or innocence. As their investigations continue, both Sano and Reiko come to realize that the man he is trying to hunt and the woman she is desperate to save are somehow connected. A single fingerprint on Ejima's temple puts Sano on the trail of an underground movement to overthrow the regime, and in the path of an assassin with a deadly touch.

More than a decade after its initial publication, the groundbreaking anthology Charlie Chan Is Dead remains the best available source for contemporary Asian American fiction. Edited by acclaimed novelist and National Book Award nominee Jessica Hagedorn, Charlie Chan Is Dead 2: At Home in the World brings together forty-two fresh, fascinating voices in Asian American writing—from classics by Jose Garcia Villa and Wakako Yamauchi to exciting new fiction from Akhil Sharma, Ruth Ozeki, Chang-Rae Lee, Jhumpa Lahiri, and Monique Truong. Sweeping in background and literary style, from pioneering writers to newly emerging voices from the Hmong and Korean communities, these exceptional works celebrate the full spectrum of Asian American experience and identities, transcending stereotypes and revealing the strength and vitality of Asian America today.

Collects 381 entries that discuss political science, international relations, and sociology.

These were the crimes that were meant to change the world, and sometimes did. The book connects the killing of the Kennedys or the murder that sparked the First World War with less well-known stories, such as the Berlin shooting of an instigator of the Armenian genocide or the attack on an American 'robber baron'. Taking in Malcolm X and Queen Victoria, Adolf Hitler and Andy Warhol, Charles Manson and Emma Goldman, Tsars, Presidents, and pop stars, Age of Assassins traces the process that turned thought into action and murder into an icon. In tackling the history of political violence, the book is unique in its range and attention to detail, summoning up an age of assassination that is far from over.

In an Iranian suburb, seven men meet a macabre and voluntary death. They choose to die rather than be captured and interrogated, leaving only one mysterious clue to their identities and mission. Seven more immediately take their place, to carry out the task of assassinating seven rulers, including the U.S. President. One thing stands in their way, CIA agent Peter Randall.

FACE IT. WE CAN GO ANYTIME. BUT IN SO MANY DIFFERENT WAYS! Death becomes you, and it's just another fact of life explored in Cause of Death, a revealing abundance of startling data, false perceptions, bizarre fallacies, and some totally unexpected statistics about how, why, when, and where we all bite the dust, check out, buy the farm, kick the bucket, and all those other euphemisms for perishing after falling out of bed (roughly 1,800 fitful sleepers a year). It also answers questions most people never even consider (but should): Do crocodiles kill more people than alligators? Are we more prone to commit suicide or murder? How many still die from leprosy? Does salmonella have anything to do with salmon? Can the condition of your toenails predict your mortality? What's the connection between kitty litter and brain damage? Has irony ever killed anyone?* Disease, accidents, occupational hazards, poisons, plagues, infections, murder, fauna and fungi, insect bites, war, and even bison. What's the most popular killer of the decade? The rarest? How many deaths per year by age? Gender? Location? Time of day? Stupidity? All this and more in a book you really shouldn't be living without. * Yes! While experimenting with the safe preservation of food in snow, Sir Francis Bacon caught a cold and died.

NEW YORK TIMES BESTSELLER • The stunning conclusion to Robin Hobb’s Fitz and the Fool trilogy, which began with Fool’s Assassin and Fool’s Quest “Every new Robin Hobb novel is a cause for celebration. Along with millions of her other fans, I delight in every visit to the Six Duchies, the Rain Wilds, and the Out Islands, and can’t wait to see where she’ll take me next.”—George R. R. Martin More than twenty years ago, the first epic fantasy novel featuring FitzChivalry Farseer and his mysterious, often maddening friend the Fool struck like a bolt of brilliant lightning. Now New York Times bestselling author Robin Hobb brings to a momentous close the third trilogy featuring these beloved characters in a novel of unsurpassed artistry that is sure to endure as one of the great masterworks of the genre. Fitz’s young daughter, Bee, has been kidnapped by the Servants, a secret society whose members not only dream of possible futures but use their prophecies to add to their wealth and influence. Bee plays a crucial part in these dreams—but just what part remains uncertain. As Bee is dragged by her sadistic captors across half the world, Fitz and the Fool, believing her dead, embark on a mission of revenge that will take them to the distant island where the Servants reside—a place the Fool once called home and later called prison. It was a hell the Fool escaped, maimed and blinded, swearing never to return. For all his injuries, however, the Fool is not as helpless as he seems. He is a dreamer too, able to shape the future. And though Fitz is no longer the peerless assassin of his youth, he remains a man to be reckoned with—deadly with blades and poison, and adept in Farseer magic. And their goal is simple: to make sure not a single Servant survives their scourge.

What are the words we use to describe something that we never thought we'd have to describe? In Seven American Deaths and Disasters, Kenneth Goldsmith transcribes historic radio and television reports of national tragedies as they unfurl, revealing an extraordinarily rich linguistic panorama of passionate description. Taking its title from the series of Andy Warhol paintings by the same name, Goldsmith recasts the mundane as the iconic, creating a series of prose poems that encapsulate seven pivotal moments in recent American history: the John F. Kennedy, Robert F. Kennedy, and John Lennon assassinations, the space shuttle Challenger disaster, the Columbine shootings, 9/11, and the death of Michael Jackson. While we've become accustomed to watching endless reruns of these tragic spectacles—often to the point of cliché—once rendered in text, they become unfamiliar, and revealing new dimensions emerge. Impartial reportage is revealed to be laced with subjectivity, bias, mystery, second-guessing, and, in many cases, white-knuckled fear. Part nostalgia, part myth, these words render pivotal moments in American history through the communal lens of media.

Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.