As the New Magini String Quartet prepares for a performance of Schubert's masterpiece, "Death and the Maiden," which it hopes will resuscitate its faltering career, someone starts picking off members of the string quartet a la Agatha Christie's And Then There Were None. Dogged by internal dissension and by a potentially devastating lawsuit from its fired second violinist, the famed New Magini String Quartet is on the brink of professional and personal collapse. The quartet pins its hopes on a multi-media Carnegie Hall performance of Franz Schubert's masterpiece, "Death and the Maiden," to resurrect its faltering fortunes. But as the fateful downbeat approaches, a la Agatha Christie, one by one the quartet's musicians mysteriously vanish, including second violinist, Yumi Shinagawa, former student of renowned blind pedagogue and amateur sleuth, Daniel Jacobus.It is left up to the begrudging Jacobus, with his old friend, Nathaniel Williams, and a new member of the detective team, Trotsky the bulldog, to unravel the deadly puzzle. As usual, it ends up more than Jacobus bargained for.

A VINTAGE MURDER MYSTERY Rediscover Gladys Mitchell – one of the 'Big Three' female crime fiction writers alongside Agatha Christie and Dorothy L. Sayers. When former banana-grower Edris Tidson hears of the possible sighting of a water-naiad he insists that his wife, her aunt Prissie and Prissie's young ward Connie, travel with him to Winchester in search of the nymph. As tensions rise between Connie and Edris, Prissie invites the renowned psychoanalyst, and unrivalled detective, Mrs Bradley to join them and unofficially observe Edris and his growing obsession. Then two young boys are found drowned and speculation mounts that the naiad is luring them to her deaths. Can Mrs Bradley unravel the mysteries hidden within the river? Opinionated, unconventional, unafraid... If you like Poirot and Miss Marple, you’ll love Mrs Bradley.

A remarkable number of Greek myths concern the plight of virgins – slaughtered, sacrificed, hanged, transformed into birds, cows, dear, bears, trees, and punished in Hades. Death and the Maiden, first published in 1989, contextualises this mythology in terms of geography, history and culture, and offers a comprehensive theory firmly grounded in an ubiquitous ritual: pubescent girls’ rites of passage. By means of comparative anthropology, it is argued that many local ceremonies are echoed throughout the whole range of myths, both famous and obscure. Further, Professor Dowden examines boys’ rites, as well as the renewal of entire communities at regular intervals. The first full-length work in English devoted to passage-rites in Greek myth, Death and the Maiden is an important contribution to the exciting developments in the study of the interrelation between myth and ritual: from it an innovative view on the origination of many Greek myths emerges.

America was certainly the big winner of World War II, being the last major country intact. Euphoria, hubris, and a naive self-confidence became hallmarks of the people. This hubris was dented a bit in the 1950s when scandals erupted around the TV quiz shows that made everyoe feel so smart, and the U-2 spy incident of 1960 that revealed Americans were being lied to by the government. The book argues that these two events began the credibility gap that engulfed the nation later in the 1960s and continues to haunt us to this day. When the War ended, the United States still had its economy, infrastructure and industry intact. Taking up where the British Empire left off, the powerful new America expanded its influence around the globe. Suddenly light years ahead of any competitor, Americans abandoned themselves to a haze of consumerism and entertainment, trusting that they were safe and could not be harmed. The contestants on the big-money quiz shows turned out to be fakes, and the respected TV executives were also revealed to be liars and cheats. Far worse was yet to come. The United States government was caught in a lie regarding the CIA’s U-2 reconnaissance planes overflying the Soviet Union. On the eve of a crucial summit meeting in 1960, the USSR knocked Gary Powers out of the sky, along with plenty of incriminating hardware and data. Moscow delayed revealing what it knew, and Washington spent ten days denying it was a spy plane, then denying that President Eisenhower was aware of it. The world was turning into a very scary place, and soon, American schoolchildren were being taught to duck under their desks if a bomb should strike. Fear began to percolate into the heart of the nation.

On the feast of St. Michael, September 1659, a thirteen-year-old peasant girl left her family's rural home to work as a maid in the nearby city of Braunschweig. Just two years later, Grethe Schmidt found herself imprisoned and accused of murdering her bastard child, even though the fact of her pregnancy was inconclusive and no infant's body was found to justify the severe measures used against her. The tale spiraled outward to set a defense lawyer and legal theorist against powerful city magistrates and then upward to a legal contest between that city and its overlord, the Duchy of Brunswick, with the city's independence and ancient liberties hanging in the balance. Death and a Maiden tells a fascinating story that begins in the bedchamber of a house in Brunswick and ends at the court of Duke Augustus in the city of Wolfenbettel, with political intrigue along the way. After thousands of pages of testimony and rancorous legal exchange, it is still not clear that any murder happened. Myers infuses the story of Grethe's arrest, torture, trial, and sentence for "suspected infanticide" with a detailed account of the workings of the criminal system in continental Europe, including the nature of interrogations, the process of torture, and the creation of a "criminal" identity over time. He presents an in-depth examination of a criminal system in which torture was both legal and an important part of criminal investigations. This story serves as a captivating slice of European history as well as a highly informative look at the condition of poor women and the legal system in mid-seventeeth century Germany. General readers and scholars alike will be riveted by Grethe's ordeal.

In 1791, the French femme de lettres Olympe de Gouges wrote that 'as women have the right to take their places on the scaffold, they must also have the right to take their seats in government'. This book explores the issues of female emancipation through the history of female execution, from the burning of Joan of Arc in 1431 to the events of the French revolution. Concentrating on individual victims, the author addresses the sexual attitudes and prejudices encountered by women condemned to death. She examines the horrific treatment of those denounced as witches and reveals the gruesome reality of death by hanging, burning or the guillotine. In an attempt to uncover the historical truth behind such figures as Joan of Arc, Anne Boleyn, Manon Roland and Charlotte Corday, she goes beyond biography to consider their deaths in symbolic terms. She also considers writers such as Genet, Yourcenar and Brecht and their treatment of the tragic, sacrificial and erotic aspects of female execution.

Attributed to Thomas Middleton.