This collection of essays approaches the role of demons and the devil in ancient and medieval Christianity from a variety of scholarly perspectives: historical, philosophical, and theological as well as philological, liturgical, and theoretical. In the opening article Gerd Theissen presents a wide-ranging overview of the role of the devil, spanning the Hebrew Bible, the New Testament, and patristic literature. The contributions that follow address texts on the devil, demons, and evil, and are drawn from ancient philosophy, the New Testament, early Christian apologetics, hagiography, and history. Covering primarily the patristic period, the volume also contains articles on medieval sources. The introduction discusses the different angles of approach found in the articles in an effort to shed fresh light on this familiar but also uniquely troubling theme.

The History of the Devil is a classic historical and religious book universally considered one of Daniel Defoe’s greatest works of non-fiction. The book was first published in 1726 and made an immediate impact on English literature, society and the ecclesiastical community in the early 18th century and continues to enrich humanity as a faithful source of historical and biblical truth and wisdom. The History of the Devil cleverly unfolds the actions, devices, and evil nature of Satan and his host of devils against God and mankind throughout the history of the world. Defoe divides the book into two parts: Ancient, or the time from before the creation of the universe to the coming of the Messiah, Jesus Christ; and Modern, or from the time of Christ and establishment of the Christian Church to the present day. His style is one that uniquely blends serious biblical principles and history with lighter satirical narrative, especially when dealing with mankind’s many false presuppositions about the Devil, and clearly delineates when each, or both, is applicable to the subject of discussion.

Devil Stories: An Anthology' assembles a diverse tapestry of narratives that delve into the enigmatic and often misunderstood character of the devil across various cultures, times, and literary styles. This collection, noteworthy for its breadth and depth, seamlessly weaves together the sinister with the satirical, the profound with the profane, offering readers an unparalleled exploration of the devil motif. From the macabre imaginings of Edgar Allan Poe to the cunning satire of Niccolò Machiavelli, each piece stands as a testament to the multifaceted portrayals of the devil, highlighting the range and versatility of its contributors. The anthology becomes a crucible in which the evolving perception of the devil is distilled, reflecting societal, theological, and philosophical angst and fascination through the ages. The authors and editors, hailing from diverse cultural and literary backgrounds, collectively embody the zeitgeist of their respective eras, making 'Devil Stories' a rich historical and literary mosaic. The convergence of such towering figures as Guy de Maupassant, Anatole France, and Maxím Gorky within a singular volume underscores the universal allure and enduring legacy of the devil archetype. This anthology not only aligns with but also transcends historical, cultural, and literary movements, offering a kaleidoscopic view of the human condition and its perpetual entanglement with good and evil, freedom and fate, chaos and order. 'Devil Stories: An Anthology' invites readers on a captivating journey into the heart of darkness and the myriad ways it has been envisioned and re-envisioned through time. It is a must-read for those fascinated by the complexity of moral narratives and the enduring allure of the devil as a symbol of rebellion, temptation, and defiance. This anthology provides an educational foray into the evolution of devil lore and its impact on literature, making it an invaluable resource for students, scholars, and anyone eager to explore the depths of human creativity and our collective nightmares.

A collection of stories that circle around various beliefs of the enemy of God and the Christian church, the Devil. While most of us have some preconceived notions about who and what the Devil does, these stories will help to give you a fresh outlook on the topic of the Lord of Lies. Although written in a fictional way, these stories still hold some relevant points about the person of the Devil and will help us to look at the topic differently for our own study.

INDEX Part I. Demonolatry. Chapter I. Dualism. Chapter II. The Genesis of Demons. Chapter III. Degradation. Chapter IV. The Abgott. Chapter V. Classification. Part II. The Demon. Chapter I. Hunger. Chapter II. Heat. Chapter III. Cold. Chapter IV. Elements. Chapter V. Animals. Chapter VI. Enemies. Chapter VII. Barrenness. Chapter VIII. Obstacles. Chapter IX. Illusion. Chapter X. Darkness. Chapter XI. Disease. Chapter XII. Death. Part III. The Dragon. Chapter I. Decline of Demons. Chapter II. Generalisation of Demons. Chapter III. The Serpent. Chapter IV. The Worm. Chapter V. Apophis. Chapter VI. The Serpent in India. Chapter VII. The Basilisk. Chapter VIII. The Dragon’s Eye. Chapter IX. The Combat. Chapter X. The Dragon-slayer. Chapter XI. The Dragon’s Breath. Chapter XII. Fate. Part IV. The Devil. Chapter I. Diabolism. Chapter II. The Second Best. Chapter III. Ahriman: The Divine Devil. Chapter IV. Viswámitra: The Theocratic Devil. Chapter V. Elohim and Jehovah. Chapter VI. The Consuming Fire. Chapter VII. Paradise and the Serpent. Chapter VIII. Eve. Chapter IX. Lilith. Chapter X. War in Heaven. Chapter XI. War on Earth. Chapter XII. Strife. Chapter XIII. Barbaric Aristocracy. Chapter XIV. Job and the Divider. Chapter XV. Satan. Chapter XVI. Religious Despotism. Chapter XVII. The Prince of this World. Chapter XVIII. Trial of the Great. Chapter XIX. The Man of Sin. Chapter XX. The Holy Ghost. Chapter XXI. Antichrist. Chapter XXII. The Pride of Life. Chapter XXIII. The Curse on Knowledge. Chapter XXIV. Witchcraft. Chapter XXV. Faust and Mephistopheles. Chapter XXVI. The Wild Huntsman. Chapter XXVII. Le Bon Diable. Chapter XXVIII. Animalism. Chapter XXIX. Thoughts and Interpretations.

The Political History of the Devil is a philosophical work in which Defoe explores the role of the Devil in the history of civilization. It may be said that his view on this topic is that of an 18th-century Presbyterian – he blames the Devil for the Crusades and sees him as close to Europe's Catholic powers. General scholarly opinion is that Defoe really did think of the Devil as a participant in world history. He spends some time discussing Milton's Paradise Lost and explaining why he considers it inaccurate. Daniel Defoe (1660-1731) was an English trader, writer, journalist, pamphleteer, and spy, most famous for his novel Robinson Crusoe. Defoe is noted for being one of the earliest proponents of the novel, as he helped to popularize the form in Britain with others such as Samuel Richardson, and is among the founders of the English novel. He was a prolific and versatile writer, producing more than five hundred books, pamphlets, and journals on various topics, including politics, crime, religion, marriage, psychology, and the supernatural.

Rise on the Wheel Platform Annihilation before the Spiritual Shower Pearl Extraterritorial search for mustard seeds Black and White Books for Interrupting Love The boy ordered Tang Thirty-Six to find his father. In order to find his father, he and the fortune-teller Wang Heming and the Yin Yang Eyes set foot on a path that could not be turned back. Love and hate intertwined, trust and doubt intertwined, conspiracy and arrangement. For a hundred days, let's see how the three of them find their loved ones, capture demons, subdue demons, fight against the mysterious organization's wits, fight against the strong opponent to the death, and fight against the time race step by step ... Waves strange cloud, the human heart is difficult to predict, who with you fight shoulder to shoulder, who with you wind and rain, who with you life and death?