A tribute to a man whose life's work has centered on the study of authorship and who is a scholar and book collector of the first magnitude, The Professions of Authorship examines the business of writing, publishing, and selling books - or what George V. Higgins describes in this volume as a "perplexing, disorganized, chameleonic enterprise". Twenty-three authors, publishing professionals, and scholars who share Matthew J. Bruccoli's love and knowledge of books offer candid observations and opinions about the past, present, and future of publishing. In doing so, they unravel many of the mysteries surrounding this tradition-bound endeavor.

Authors Shannon Hengen and Ashley Thomson have assembled a reference guide that covers all of the works written by the acclaimed Canadian author Margaret Atwood since 1988, including her novels Cat's Eye, The Robber Bride, Alias Grace, and the 2000 Booker Prize winner, The Blind Assassin. Rather than just including Atwood's books, this guide includes all of Atwood's works, including articles, short stories, letters, and individual poetry. Adaptations of Atwood's works are also included, as are some of her more public quotations. Secondary entries (i.e. interviews, scholarly resources, and reviews) are first sorted by type, and then arranged alphabetically by author, to allow greater ease of navigation. The individual chapters are organized chronologically, with each subdivided into seven categories: Atwood's Works, Adaptations, Quotations, Interviews, Scholarly Resources, Reviews of Atwood's Works, and Reviews of Adaptations of Atwood's Works. The book also includes a chapter entitled 'Atwood on the Web,' as well as extensive author and subject indexes. This new bibliography significantly enhances access to Atwood material, a feature that will be welcomed by university, public, and school librarians. Margaret Atwood: A Reference Guide 1988-2005 will appeal not only to Atwood scholars, but to students and fans of one of Canada's greatest writers.

Few if any are better endowed than George Garrett to comment on the general and the particular, the long and the short, of southern letters in our time. Garrett— a prolific and internationally renowned author of fiction, poetry, drama, and biography as well as a teacher, editor, critic, and frequent jurist for literary competitions—has been immersed in the writers and literature of his native region for almost a half century. Southern Excursions contains more than fifty of the best essays, reviews, and other short pieces of his career. For the connoisseur of good writing, this book is a depository, a treasure, a veritable time capsule of southern, literary, and American culture. Without sacrificing reverence for modern masters such as Faulkner, O’Connor, and Welty, Garrett has consistently embraced worthy new artists through the years, deftly and judiciously drawing the line between critical acclaim and popular success. Payton Davis, Shelby Foote, Walker Percy, William HoVman, Madison Jones, Reynolds Price, Robert Morgan, R. H. W. Dillard, Wendell Berry, Doris Betts, William Goyen, Mary Lee Settle, Randall Kenan, David Huddle, Allan Gurganus, Dorothy Allison—these are a few of the writers Garrett has championed. If some names sound less familiar, Garrett, in these pages, will inspire readers to swift investigation. The author’s charm, wit, and anecdotal style make reading Southern Excursions a delight, and yet there’s no mistaking his erudition. Wise like a prophet, with a talent scout’s enthusiasm, Garrett is not afraid to tell unwelcome truths, covering topics that include southern publishing houses and literary quarterlies, the alliance between writers and academia, the state of criticism and theory, and, most eloquently, the persistence of place, memory, and the Civil War as themes in southern letters. Southern Excursions is a book for the ages, stowing as it does the sage views of one as learned, respected— and modest—in his time as George Garrett. “My strong suggestion [to readers],” he states, “is to plunge in and fare forward. Experience the story before turning to or trusting the opinions and judgments of others, myself included.”

No one had ever tried a caper like this before. The goods were kept in a secure room under constant scrutiny, deep inside a crowded building with guards at the exits. The team picked for the job included two old hands known only as Paul and Swede, but all depended on a fresh face, a kid from Pinetown, North Carolina. In the Depression, some fellows were willing to try anything--even a heist in the rare book room of the New York Public Library. In Thieves of Book Row, Travis McDade tells the gripping tale of the worst book-theft ring in American history, and the intrepid detective who brought it down. Author of The Book Thief and a curator of rare books, McDade transforms painstaking research into a rich portrait of Manhattan's Book Row in the 1920s and '30s, where organized crime met America's cultural treasures in dark and crowded shops along gritty Fourth Avenue. Dealers such as Harry Gold, a tough native of the Lower East Side, became experts in recognizing the value of books and recruiting a pool of thieves to steal them--many of them unemployed men who drifted up the Bowery or huddled around fires in Central Park's shantytowns. When Paul and Swede brought a new recruit into his shop, Gold trained him for the biggest score yet: a first edition of Edgar Allan Poe's Al Aaraaf, Tamerlane and Minor Poems. Gold's recruit cased the rare-book room for weeks, searching for a weakness. When he found one, he struck, leading to a breathtaking game of wits between Gold and NYPL special investigator G. William Bergquist. Both a fast-paced, true-life thriller, Thieves of Book Row provides a fascinating look at the history of crime and literary culture.

John Fante, an important figure in the history of the Italian-American novel, is proving to be fascinating to contemporary readers. Richard Collins has caught Fante's spirit from several crucial angles: as an ethnic writer; as a comic novelist; as a serious writer struggling to remain so in Hollywood. Intelligent, balanced, informative, and empathetic, this book combines criticism with scholarship, and biography with history to make what Henry James would have called a perfect 'literary portrait,' for it gives life to an interesting subject.

At least since the dawn of the Romantic era, it has been assumed that the poet lives a lonely life, isolated in his garret. Nevertheless, writers are not always hermits and misanthropes. As human beings, they crave the company of other human beings; as artists they need the stimulation of other artists. This book brings to light Warren’s most important literary associations during his long and active life.

An extraordinary popular success when it was first published in 1912, The Promised Land is a classic account of the Jewish American immigrant experience. Mary Antin emigrated with her family from the Eastern European town of Polotzk to Boston in 1894, when she was twelve years old. Preternaturally inquisitive, Antin was a provocative observer of the identity-altering contrasts between Old World and New. Her narrative — of universal appeal and rich in its depictions of both worlds — captures a large-scale sociocultural landscape and paints a profound self-portrait of an iconoclast seeking to reconcile her heritage with her newfound identity as an American citizen.

During a career that spanned sixty years, Cleanth Brooks was involved in most of the major controversies facing the humanities from the 1930s until his death in 1994. He was arguably the most important American literary critic of the mid-twentieth century. Because it is impossible to understand modern literary criticism apart from Cleanth Brooks, or Cleanth Brooks apart from modern literary criticism, Mark Royden Winchell gives us not only an account of one man's influence but also a survey of literary criticism in twentieth-century America. More than any other individual, Brooks helped steer literary study away from historical and philological scholarship by emphasizing the autonomy of the text. He applied the methods of what came to be called the New Criticism, not only to the modernist works for which these methods were created, but to the entire canon of English poetry, from John Donne to William Butler Yeats. In his many critical books, especially The Well Wrought Urn and the textbooks he edited with Robert Penn Warren and others, Brooks taught several generations of students how to read literature without prejudice or preconception.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.