Each year, thousands of communities across the United States celebrate their ethnic heritages, values, and identities through the medium of festivals. Drawing together elements of ethnic pride, nostalgia, religious values, economic motives, cultural memory, and a spirit of celebration, these festivals are performances that promote and preserve a community's unique identity and heritage, while at the same time attempting to place the ethnic community within the larger American experience. Although these aims are pervasive across ethnic heritage celebrations, two festivals that appear similar may nevertheless serve radically different social and political aims. Accordingly, The Dutch American Identity examines five Dutch American festivals-three of which are among the oldest ethnic heritage festivals in the United States-in order to determine what such festivals mean and do for the staging communities. Although Dutch Americans were historically among the first ethnic groups to stage ethnic heritage festivals designed to attract outside audiences, and despite the fact that several Dutch American festivals have met with sustained success, little scholarship has focused on this ethnic group's festivals. Moreover, studies that have considered festivals staged by communities of European descent have typically focused on a single festival. The Dutch American Identity thus, on the one hand, seeks to call attention to the historical development and current sociocultural significance of Dutch American heritage festivals. On the other hand, this study aims to elucidate the ties that bind the five communities that stage these festivals together rather than studying one festival in isolation from the others. Creatively combining several methodologies, The Dutch American Identity describes and analyzes how the social, political, and ethical values of the five communities are expressed (performed, acted out, represented, costumed, and displayed) in their respective festivals. Rather than relying on familiar, even stereotypical, notions of "the Midwest," "rural America," "conservative America," etc., that often appear in contemporary political discourse, Schoone-Jongen shows just how complex and contradictory these festivals are in the ways they represent each community. At the same time, by placing these festivals within the context of American history, Schoone-Jongen also demonstrates how and why each festival is a microcosm of particular cultural, social, and political developments in modern America. The Dutch American Identity is an important book for sociology, performance studies, folklore, immigration history, anthropology, and cultural history collections.

The book presents the stories of the more successful Dutch American entrepreneurs, active in the United States, with some going back as far as 400 years. The majority of the entrepreneurs covered in the book were active during the past 150 years. Each of the individuals covered represent an enterprise that was well known during its respective era. In some of the cases the individuals were better known than the enterprises they represented, and some became historic figures. Some of the more famous Dutch American entrepreneurs are Cornelius Vanderbilt, and his son William Vanderbilt, transportation entrepreneurs in the nineteenth century. Also famous during the early nineteenth century was DeWitt Clinton, the driving force behind the building of the Erie Canal. During the twentieth century, there were such famous Dutch American entrepreneurs as Cecil B. DeMille, Darryl Zanuck, and others in the entertainment industry. The most successful entrepreneurs, still alive today, are the billionaire businessmen, the Koch brothers, who own the multibillion dollar Koch Industries, an oil and chemical industry firm. The book’s audience consists of academics, the public, and specifically the Dutch American public, numbering from 6 to 10 million people. The book is also an important source book and reader for college courses in Entrepreneurship, American History, Culture, Society and Economy.

A comprehensive history of bilateral relations between the Netherlands and the United States.

Brother I cannot tell you what is best for you—staying there or coming here. If it only concerned yourself! would say, stay. But if you are concerned about your descendents I would say, come." Writing from his Michigan farm to relatives back in Overijssel, Jacob Dunnink voiced a perspective at once uniquely his own and typical of his immigrant community in 1856. Dutch American Voices brings together a full spectrum of such perspectives, as expressed in immigrants' letters to their families and friends in the Netherlands. From the terse notes of first-time writers to the polished chronicles of skilled correspondents, the letters are presented in engaging English translations that capture the diversity of their authors' personalities. Herbert J. Brinks has included twenty-three series of letters from the Dutch Immigrant Letter Collection at Calvin College, covering periods of correspondence from three to fifty-seven years. In addition to an introduction to Dutch immigration history, the book provides abundant illustrations and brief biographies of the correspondents. Most write from Dutch American agricultural communities in Michigan, Illinois, Wisconsin, and Iowa, but some describe life in cities as far-flung as Paterson, New Jersey; Tampa, Florida; and Oak Harbor, Washington. Rural and urban, Protestant and Catholic, male and female, the letter writers capture moments from their arrival through decades of life in the New World. Affording glimpses into the daily experiences of becoming American, the letters describe the weather, the food, the price of crops, the economics of farm and factory, the peculiarities of neighbors, and the drama of politics. As they bring news of marriages, births, and deaths, sustain family members in faith, or squabble over money, they also offer an intimate view of the strength—and the frailty—of family ties over distance.

100 entries, extensively described. The Introduction deals a.o. with Dutch- American history, language and religion; the printers; and bibliographical problems.

This sweeping history of New York’s millions of immigrants, both famous and forgotten, is “told brilliantly [and] unforgettably” (The Boston Globe). Written by an acclaimed historian and including maps and photos, this is the story of the peoples who have come to New York for four centuries: an American story of millions of immigrants, hundreds of languages, and one great city. Growing from Peter Minuit’s tiny settlement of 1626 to a clamorous metropolis with more than three million immigrants today, the city has always been a magnet for transplants from around the globe. City of Dreams is the long-overdue, inspiring, and defining account of the young man from the Caribbean who relocated to New York and became a founding father; Russian-born Emma Goldman, who condoned the murder of American industrialists as a means of aiding downtrodden workers; Dominican immigrant Oscar de la Renta, who dressed first ladies from Jackie Kennedy to Michelle Obama; and so many more. Over ten years in the making, Tyler Anbinder’s story is one of innovators and artists, revolutionaries and rioters, staggering deprivation and soaring triumphs. In so many ways, today’s immigrants are just like those who came to America in centuries past—and their stories have never before been told with such breadth of scope, lavish research, and resounding spirit. “Anbinder is a master at taking a history with which many readers will be familiar—tenement houses, temperance societies, slums—and making it new, strange, and heartbreakingly vivid. The stories of individuals, including those of the entrepreneurial Steinway brothers and the tragic poet Pasquale D’Angelo, are undeniably compelling, but it’s Anbinder’s stunning image of New York as a true city of immigrants that captures the imagination.” —Publishers Weekly (starred review)