This collection investigates Queen Elizabeth I as an accomplished writer in her own right as well as the subject of authors who celebrated her. With innovative essays from Brenda M. Hosington, Carole Levin, and other established and emerging experts, it reappraises Elizabeth’s translations, letters, poems and prayers through a diverse range of approaches to textuality, from linguistic and philological to literary and cultural-historical. The book also considers Elizabeth as “authored,” studying how she is reflected in the writing of her contemporaries and reconstructing a wider web of relations between the public and private use of language in early modern culture. Contributions from Carlo M. Bajetta, Guillaume Coatelen and Giovanni Iamartino bring the Queen’s presence in early modern Italian literary culture to the fore. Together, these essays illuminate the Queen in writing, from the multifaceted linguistic and rhetorical strategies that she employed, to the texts inspired by her power and charisma.

Lucy Maud in this book describes the story of an orphan, Emily who lives with her snobbish relatives and malicious classmates at the New Moon Farm. Things were becoming unbearable until one day when something unbelievable happened. Will she survive in her new home? Will her story be changed for the better?

Trauma-informed care is designed to assist persons who have experienced adversity and focuses on change at the clinical and organizational level. Its goals center around prevention, intervention, and treatments that are evidence-based, encourage resilience, and enhance coping. This textbook is designed to give a comprehensive overview of trauma-informed care to students and faculty involved in nursing care programs. Key features: · Explains the skill sets to assess and care for persons who have experienced trauma. · Emphasizes key principles of trauma-informed care · Includes the use of client-centered, person-centered, and resilience-based tools to deal with trauma · Recommends trauma recovery from a positive psychology and post-traumatic growth perspective · Utilizes a caring pedagogy intended to foster resilience and help offset the secondary traumatic stress and compassion fatigue experienced by student and practicing nurses. · Communicates the value of fostering psychological safety, compassion satisfaction, and joy in work · Includes narrative case studies and learning activities in all chapters to help the reader to actively engage with the subject matter. · Presents self-care strategies to enhance physical and emotional well-being.

This collection is the first book-length scholarly study of the pervasiveness and significance of Roxolana in the European imagination. Roxolana, or "Hurrem Sultan," was a sixteenth-century Ukrainian woman who made an unprecedented career from harem slave and concubine to legal wife and advisor of the Ottoman Sultan Suleiman the Magnificent (1520-1566). Her influence on Ottoman affairs generated legends in many a European country. The essays gathered here represent an interdisciplinary survey of her legacy; the contributors view Roxolana as a transnational figure that reflected the shifting European attitudes towards "the Other," and they investigate her image in a wide variety of sources, ranging from early modern historical chronicles, dramas and travel writings, to twentieth-century historical novels and plays. Also included are six European source texts featuring Roxolana, here translated into modern English for the first time. Importantly, this collection examines Roxolana from both Western and Eastern European perspectives; source material is taken from England, Italy, France, Spain, Germany, Turkey, Poland, and Ukraine. The volume is an important contribution to the study of early modern transnationalism, cross-cultural exchange, and notions of identity, the Self, and the Other.

Vampires are not vulnerable to emotion—so when a master of the night finds himself overwhelmed by a woman, he must understand why . . . Nathaniel Gray is a wild child of the undead. So when he drag races his friend through the English countryside, he goes all out—until one instant changes him forever. An instant of raw emotion that is unlike anything he’s ever felt before—and that sends him into a car wreck no mortal could walk away from. When he tears himself out of the metal carnage, he is stunned to discover the source of the emotional storm is the beautiful young Rowan Locke, whose fury and fear had slammed through Nate’s ironclad psyche without a struggle. Consumed with a desire to know Rowan—and learn how she has such an effect on him—Nate finds himself protecting her from the dangers of her world and his own. Because as much as he may try to resist his feelings, he simply cannot resist her . . .

“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.

A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post

Where there is hope, there is freedom… Dew Wilder and the band of freedom fighters, known as – The Aurora Blade, contend with the police state that is the country of Mesovilla. While fighting to restore the eroding civil freedoms against the oppressive Helix capital government; Dew copes with his re-emerging past pain and struggles. Dew and the friends he meets along the way, go on an epic journey to prevent the end of humanity itself as a forgotten biological project returns to haunt them all.

Elizabeth Bennet’s father died when she was very young, and her mother remarried a few years later to a man named Bingley. Though her mother has sent her and her older sister Jane away to stay with relatives for significant periods of time in their lives, Elizabeth has spent enough time in the presence of her stepsisters Caroline and Louisa to grow accustomed to their cutting remarks and their treating her like a servant, even as they tolerate Jane. But her stepbrother, Charles, often away at school, is practically a stranger. Still, Elizabeth finds it a bit awkward to discover a romance is brewing between Jane and Charles Bingley, and she’s not keen on the idea of helping her sister sneak around with her new paramour by pretending to be Jane at a series of masquerade balls. Elizabeth harbors a dream to be a published novelist, and she would rather stay at home and scribble away at her book than dance at a ball. Especially not if she has to endure the company of Mr. Darcy. He is Mr. Bingley’s awful friend. Sometimes silent, sometimes smug, always loathsomely arrogant. No, she fears that if she spends too much time anywhere near man, she will be unable to keep herself from telling him exactly what she thinks of him. And that can only go badly. The Happily Ever Collection is a series of books that retell the story of our dear couple mixed with various fairy tales. This is a combination of Cinderella and Pride and Prejudice. Set in Regency England, there are no magical or paranormal elements.