The #1 New York Times bestselling author Linda Lael Miller continues the Orphan Train trilogy continues with this second book about a sizzling romance between the local librarian and a drifter with a price on his head. As the librarian of her frontier town in Idaho Territory, Emma Chalmers is prim and proper despite her unconventional upbringing by the local madam. She wouldn’t even permit Fulton Whitney to kiss her, and they were practically engaged. But when Steven Fairfax landed in her home, wounded by an explosion at a rowdy neighborhood saloon, his lazy smile made Emma’s blood race. Slowly, Steven stilled her fears with his gentle, insistent caresses...until at last, she gave herself unashamedly to the splendid passion that was their destiny. But Emma faces a new terror: the drifter she’s come to love so desperately is a wanted man and his past is about to catch up with him.

- Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

Mayling Soong came to America at the age of 10. Her father, Charlie Soong, a practicing Christian who had spent time in America, was convinced that China's youth would need progressive, Western educations before returning to their homeland to take their places as leaders in the fields of government, education and engineering. The youngest of three daughters, Mayling followed her older siblings to the United States in search of a Western education, eventually entering Wellesley in 1913 at age 16. Here she made numerous friends including classmate Emma DeLong Mills. This lifelong friendship lasted through Mayling's 1927 marriage to General Chiang Kai-shek and his subsequent rise to power. After the undeclared Sino-Japanese war broke out Emma began a series of letters detailing the political climate in the isolationist United States, providing Mayling with invaluable insight into American attitudes regarding China and her Asian neighbors. Beginning with the early days of their friendship in America, the volume describes the identity struggle both women faced following their 1917 graduation from Wellesley. Following Emma's visit to China (and somewhat unwilling return to New York), the friendship continued through their correspondence. Emma's role in the newly organized American Bureau of Medical Aid to China is discussed as are Madame Chiang Kai-shek's international fund-raising efforts on behalf of Chinese war relief. While military and political history is not the focus of the work, it is portrayed as it impacts the friendship, which is the subject of this book.

Emma's new dilemma is how to share her nanny's attention with others on a family camping trip

Emma Hamilton (1765-1815) epitomized the classic tale of an eighteenth century woman's rise from poverty to fame and riches using nothing butbeauty and feminine guile

This work of literary and film criticism examines all eight filmed adaptations of Jane Austen's Emma produced between 1948 and 1996 as vastly different interpretations of the source novel. Instead of condemning the movies and television specials as being «not as good as the book, » Marc DiPaolo considers how each adaptation might be understood as a valid «reading» of Austen's text. For example, he demonstrates how the Gwyneth Paltrow film Emma is both a romance and a female coming-of-age story, the 1972 BBC miniseries dramatizes Emma's world as claustrophobic and Emma herself as suffering from depression, and the modern-day teen comedy Clueless comes closest of all to bringing a feminist reading of the novel to the screen. Each version illuminates a different, legitimate way of reading the novel that is rewarding for Austen fans, scholars, and students alike.

Born in Quebec, Emma Lajeunesse studied in Europe and in 1869 at the age of 23 launched her opera career in Italy. Almost overnight she became Albani, the world-renowned diva.

Looks at the life of Emma Goldman, a Jewish immigrant, anarchist, and supporter of women's rights and sexual freedom.