E. W. Hornung's Ultimate Collection is a comprehensive anthology that showcases the diverse talents of the author, known for his compelling storytelling and versatile literary style. The collection includes 19 novels, such as the popular 'A Thief in the Night,' as well as over 40 short stories that reveal Hornung's skill in crafting engaging narratives. Additionally, the inclusion of war poems and memoirs adds a unique insight into the author's personal experiences and historical context. Hornung's works are characterized by a blend of adventure, mystery, and social commentary, making this collection a valuable contribution to the literary landscape of the time. With a keen eye for detail and a sharp wit, Hornung's writings captivate readers with their depth and complexity, offering a rich tapestry of characters and settings that explore the human condition in various contexts. E. W. Hornung's Ultimate Collection is a must-read for anyone interested in classic literature and the evolving themes of the early 20th century, presenting a nuanced perspective on society and humanity.

This revised edition of the Arden Shakespeare Complete Works includes the full text of Double Falsehood, which was published in the Arden Third series to critical acclaim in 2010. The play is an eighteenth century rewrite of Shakespeare's "lost" play Cardenio and as such is a fascinating testament to the original. A short introduction outlines its complex textual history and the arguments for including it within the Shakespeare canon. The Complete Works contains the texts of all Shakespeare's plays, poems and sonnets, edited by leading Shakespeare scholars for the renowned Arden series. A general introduction gives the reader an overall view of how and why Shakespeare has become such an influential cultural icon, and how perceptions of his work have changed in the intervening four centuries. The introduction summarises the known facts about the dramatist's life, his reading and use of sources, and the nature of theatrical performance during his lifetime. Brief introductions to each play, written specially for this volume by the Arden General Editors, discuss the date and contemporary context of the play, its position within Shakespeare's oeuvre, and its subsequent performance history. An extensive glossary explains vocabulary which may be unfamiliar to modern readers.

Contains the first printing of Sartor resartus, as well as other works by Thomas Carlyle.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of Titus Andronicus Sue Hall-Smith has written a new section on recent scholarship and important contemporary performances of the play. The edition retains the text prepared by Alan Hughes, based on the first quarto and supplemented by crucial additions and stage directions from the Folio. In the introduction, Hughes contradicts the historically popular view that Titus Andronicus is a poor play of dubious authorship. Joining the growing ranks of critics who take the play seriously, Hughes applauds its thematic unity and grim humour, and demonstrates that it is the work of a brilliant stage craftsman, confident in his mastery of space, movement and verse.