This original book is a comprehensive, richly documented and critical examination of laws applicable to Anglican cathedrals in England, some of the most iconic monuments in the national heritage and centres of spiritual and cultural capital. Law is the missing link in the emerging field of cathedral studies. The book fills this gap. It explores historical antecedents of modern cathedral law, traces aspects of them that still endure, and explains the law with particular reference to the recommendations of the Archbishops’ Commission on Cathedrals 1994 which led to the most radical changes in the legal history of these churches since the Reformation, culminating in the Cathedrals Measure 1999 and associated later legislation. The book compares the domestic constitutions and statutes of all the cathedrals of the Church of England today – old foundations, new foundations and parish church cathedrals - as well as policies and guidelines applicable to or adopted by them. Whilst national law acts as a fundamental unifying force, there is considerable diversity as between these in terms of the breadth and depth of their coverage of topics. In the socio-legal tradition, the book also explores through interviews with clergy and others, at half of the cathedrals, how laws are experienced in practice. These reveal that whilst much of the law is perceived as working well, there are equally key areas of concern. To this end, the book proposes areas for further research and debate with a view to possible reform. Taking an architectural feature of cathedrals as the starting point for each chapter, from cathedral governance through mission, ministry, music and education to cathedral property, what emerges is that law and architecture have a symbiotic relationship so that a cathedral is itself a form of juristecture.

This little book is offered to the tourist in the most modest spirit and with the hope that in this convenient form some gleanings from the works of specialists may afford help and pleasure to those who run quickly through the Cathedral towns of England. The subject has been done so often and so well that an additional book would demand an apology if it pretended to compete with the labors of those who have spent long years in the study of special cathedrals, or with the charming recollections of travel that others have given the world from time to time.

Great efforts were required to restore the cathedrals following the return of the monarchy and established church in 1660. In Cathedrals Under Siege, Stanford E. Lehmberg brings together political, social, intellectual, and artistic history into a comprehensive, rounded account of an important institution in English history.

This book is an exhaustive account of cathedrals located in many England cities during the early 20th century. Each cathedral profile features photos of the inside and outside views of the architecture, and is completed with the history behind the building. Cities depicted in this book include Bristol, Canterbury, Carlisle, Chester, London, Oxford, and more.

This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.

England's cathedrals are the nation's glory. They tower over its landscape, outranking palaces, castles and mansions. They attract roughly half the nation's population each year. For a millennium they have been objects of pilgrimage for those seeking faith, consolation and beauty. Still at the start of the twenty-first century, they remain unequalled in their size and splendour. More than any other English institution, cathedrals reflect the vicissitudes of history and should be treasured as such. They are custodians of culture and of the rituals of civic life. They offer welfare and relieve suffering. They uplift spirits with their beauty. In a real sense they are still what they were when first built a millennium ago, a glimpse of the sublime. Gloriously illustrated throughout, England's Cathedrals not only offers us a companion to England's Thousand Best Churches, it takes us on an enthralling tour of the nation and its history, through some of our most astonishing buildings.

The English medieval cathedrals are one of the wonders of the world. But who made them, and why? This fascinating new history of England's cathedrals explores a previously unconsidered view of these extraordinary creations: as constantly-changing structures created by a rich brew of ancient rituals, beliefs, personalities and politics - a living window on to the past. Incorporating the latest historical research, Jon Cannon presents a picture of the English cathedrals as above all products of their time, not just great architectural monuments. These were buildings brought alive by the messages encoded in their sculpture - and the miraculous events that were believed to occur within them. Full of personalities, ideas, stories and novel interpretations, here are the cathedrals of England as you may never have considered them before.