The nature of 'fascism' has been hotly contested by scholars since the term was first coined by Mussolini in 1919. However, for the first time since Italian fascism appeared there is now a significant degree of consensus amongst scholars about how to approach the generic term, namely as a revolutionary form of ultra-nationalism. Seen from this perspective, all forms of fascism have three common features: anticonservatism, a myth of ethnic or national renewal and a conception of a nation in crisis. This collection includes articles that show this new consensus, which is inevitably contested, as well as making available material which relates to aspects of fascism independently of any sort of consensus and also covering fascism of the inter and post-war periods.This is a comprehensive selection of texts, reflecting both the extreme multi-faceted nature of fascism as a phenomenon and the extraordinary divergence of interpretations of fascism.

This volume constitutes a survey of social science efforts to explain the fascist phenomenon. Attempts to adequately interpret fascism have involved an inordinate number of social researchers and historians for an inordinate amount of time over the past half century. For all that we still find ourselves without a compelling account of the entire complex sequence. Fascism constitutes a significant concern for students of contemporary politics. To develop an intellectually defensible explanation of the nature, origins, and development of Italian Fascism and German Nazism remains a responsibility still outstanding. Interpretations of Fascism provides a review of the efforts that have been made to date to interpret and explain the phenomenon, It addresses itself specifically to those efforts undertaken to provide a social science explanation of Mussolini's Fascism. Dealing wiht the special application of social science methods to a specific problem, the book provides a special angle to examine this ubiquitous system in a comparable context. The book should be useful for college courses inb political theory, comparative politics, democracy and dictatorship, economic and political change, and modern European history. The new edition is graced by a provocative, lengthy new essay reviewing the literature from 1973 through 1996. As such, it is an up to date examination of fascism in our times. Professor Gregor is careful to emphasize that fascist movements can thrive in confines far beyond Italy and Germany. It has found fertile soil from Russia to Africa. In short, Gregor argues that this makes fascism a movement that extends through political space no less than historical time. The documentation of the book is now very rich, with a bibliographic review that can serve experts and generalists alike. Stanley G. Payne credits Gregor with -clearing away useless, obfuscatory theoretical debris-, claiming that -Gregor's book serves the study of fascist politics very well indeed-. And Giuseppe Prezzolini, introduced the Italian language edition by noting that -Interpretations of Fascism is rich in information and scientifically precise in style...a reflection of an intelligence that operates beyond passions.-

9/11 and its aftermath demonstrate the urgent need for political scientists and historians to unravel the tangled relationship of secular ideologies and organized religions to political fanaticism. This major new volume uses a series of case studies by world experts to further our understanding of these complex issues. They examine the connections between fascism, political religion and totalitarianism by exploring two inter-war fascist regimes, two abortive European movements, and two post-war American extreme right-wing movements with contrasting religious components. A highlight of this collection is a fresh article from Emilio Gentile, recently awarded an international prize for his contributions to our appreciation of the central role played by political religion in the modern age. This is preceded by an editorial essay by Roger Griffin, one of fascist studies' most original thinkers. Alongside these contributions the reader is presented with a wealth of work that redefines the complex concept of 'totalitarian movement' and our understanding of generic Fascism. Taken as a whole, it comprehensively analyses the links between particular totalitarian movements and regimes and the concrete historical phenomena produced in the light of current, radical theories of fascism, totalitarianism and political religion. This book will be of great interest to all students and scholars of international relations, politics and contemporary history. This volume was previously published as a special issue of the journal Totalitarian Movements and Political Religions.

The nature of 'fascism' has been hotly contested by scholars since the term was first coined by Mussolini in 1919. However, for the first time since Italian fascism appeared there is now a significant degree of consensus amongst scholars about how to approach the generic term, namely as a revolutionary form of ultra-nationalism. Seen from this perspective, all forms of fascism have three common features: anticonservatism, a myth of ethnic or national renewal and a conception of a nation in crisis. This collection includes articles that show this new consensus, which is inevitably contested, as well as making available material which relates to aspects of fascism independently of any sort of consensus and also covering fascism of the inter and post-war periods.This is a comprehensive selection of texts, reflecting both the extreme multi-faceted nature of fascism as a phenomenon and the extraordinary divergence of interpretations of fascism.

This volume brings together the leading critics of the 'immunity thesis' to fascism in France in the 1930s - Robert Paxton, Zeev Sternhell and Robert Soucy - who have refined and updated their positions in these essays.

Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman

Poulantzas's book is the first major Marxist study of German and Italian fascism to appear since the Second World War. It carefully distinguishes between fascism as a mass movement before the seizure of power and fascism as an entrenched machinery of dictatorship. It compares the distinct class components of the counter-revolutionary blocs mobilzed by fascism in Germany and Italy; analyses the changing relations between the petty bourgeoisie and big capital in the evolution of fascism; discusses the structures of the fascist state itself, as an emergency regime for the defense of capital; and provides a sustained and documented criticism of official Comintern attitudes and policies towards fascism in the fateful years after the Versailles settlement. Fascism and Dictatorship represents a challenging synthesis of factual evidence and conceptual analysis that has been rare in Marxist political theory to date.

Since the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.

This book argues and demonstrates that fascism did happen in contemporary society such as especially America, as during post-2016. It classifies and discusses the main elements of fascism to see if these reveal and replicate themselves in America post-2016. It discovers the specific syndromes of fascism in America post-2016 that reveal and replicate universal fascist features. It detects the main social causes of fascism in America post-2016. It identifies primary counterforces to fascism in America and elsewhere. Lastly, the book constructs a composite fascism index and calculates fascism indexes for Western and comparable societies like OECD countries. These indexes provide suggestive evidence that fascism happened in America and other OECD countries, even if not in Western Europe, especially Scandinavia.