As the title, "FEAR COMES" indicates, there are certain elements just beyond the shadows, waiting for the next unsupecting victim. Though these stories must be classed as fiction, many contain actual facts and are based on events that happened to me personally. When the icy blast of fear engulfs a person quite suddenly, it's hard to hold onto logical reasoning. The types of fear I'm writing about comes from outside forces, not some paranoia or phobia that an individual might have. What starts out as a perfectly normal day under perfectly normal settings can quickly change as it did for the people in the following short stories.

It was a legend in Fear County…a hideous, flesh-eating creature—part snake, part earthbound demon—that feasted on the blood of innocent children in the cold black heart of the Tennessee backwoods. But ten-year-old Jeb Sweeny knows the horrible stories are true. His best friend Mandy just up and disappeared. He also knows that no one has ever had the courage to go after the monster and put an end to its raging, bestial hunger. Until now. But Evil is well guarded. And for young Jeb Sweeny, who is about to cross over into the forbidden land of Fear County and the lair of the unknown, passage through the gates of Hell comes with a terrible price. Everlasting…FEAR!

Our thinking is inhabited by images-images of sometimes curious and overwhelming power. The mushroom cloud, weird rays that can transform the flesh, the twilight world following a nuclear war, the white city of the future, the brilliant but mad scientist who plots to destroy the world-all these images and more relate to nuclear energy, but that is not their only common bond. Decades before the first atom bomb exploded, a web of symbols with surprising linkages was fully formed in the public mind. The strange kinship of these symbols can be traced back, not only to medieval symbolism, but still deeper into experiences common to all of us. This is a disturbing book: it shows that much of what we believe about nuclear energy is not based on facts, but on a complex tangle of imagery suffused with emotions and rooted in the distant past. Nuclear Fear is the first work to explore all the symbolism attached to nuclear bombs, and to civilian nuclear energy as well, employing the powerful tools of history as well as findings from psychology, sociology, and even anthropology. The story runs from the turn of the century to the present day, following the scientists and journalists, the filmmakers and novelists, the officials and politicians of many nations who shaped the way people think about nuclear devices. The author, a historian who also holds a Ph.D. in physics, has been able to separate genuine scientific knowledge about nuclear energy and radiation from the luxuriant mythology that obscures them. In revealing the history of nuclear imagery, Weart conveys the hopeful message that once we understand how this imagery has secretly influenced history and our own thinking, we can move on to a clearer view of the choices that confront our civilization. Table of Contents: Preface Part One: Years of Fantasy, 1902-1938 1. Radioactive Hopes White Cities of the Future Missionaries for Science The Meaning of Transmutation 2. Radioactive Fears Scientific Doomsdays The Dangerous Scientist Scientists and Weapons Debating the Scientist's Role 3. Radium: Elixir or Poison? The Elixir of Life Rays of Life Death Rays Radium as Medicine and Poison 4. The Secret, the Master, and the Monster Smashing Atoms The Fearful Master Monsters and Victims Real Scientists The Situation before Fission Part Two: Confronting Reality, 1939-1952 5. Where Earth and Heaven Meet Imaginary Bomb-Reactors Real Reactors and Safety Questions Planned Massacres "The Second Coming" 6. The News from Hiroshima Cliché Experts Hiroshima Itself Security through Control by Scientists? Security through Control over Scientists? 7. National Defenses Civil Defenses Bombs as a Psychological Weapon The Airmen Part Three: New Hopes and Horrors, 1953-1963 8. Atoms for Peace A Positive Alternative Atomic Propaganda Abroad Atomic Propaganda at Home 9. Good and Bad Atoms Magical Atoms Real Reactors The Core of Mistrust Tainted Authorities 10. The New Blasphemy Bombs as a Violation of Nature Radioactive Monsters Blaming Authorities 11. Death Dust Crusaders against Contamination A Few Facts Clean or Filthy Bombs? 12. The Imagination of Survival Visions of the End Survivors as Savages The Victory of the Victim The Great Thermonuclear Strategy Debate The World as Hiroshima 13. The Politics of Survival The Movement Attacking the Warriors Running for Shelter Cuban Catharsis Reasons for Silence Part Four: Suspect Technology, 1956-1986 14. Fail/Safe Unwanted Explosions: Bombs Unwanted Explosions: Reactors Advertising the Maximum Accident 15. Reactor Poisons and Promises Pollution from Reactors The Public Loses Interest The Nuplex versus the China Syndrome 16. The Debate Explodes The Fight against Antimissiles Sounding the Radiation Alarm Reactors: A Surrogate for Bombs? Environmentalists Step In 17. Energy Choices Alternative Energy Sources Real Reactor Risks "It's Political" The Reactor Wars 18. Civilization or Liberation? The Logic of Authority and Its Enemies Nature versus Culture Modes of Expression The Public's Image of Nuclear Power 19. The War Fear Revival: An Unfinished Chapter Part Five The Search for Renewal 20. The Modern Arcanum Despair and Denial Help from Heaven? Objects in the Skies Mushroom and Mandala 21. Artistic Transmutations The Interior Holocaust Rebirth from Despair Toward the Four-Gated City Conclusion A Personal Note Sources and Methodology Notes Index Reviews of this book: Nuclear Fear is a rich, layered journey back through our 'atomic history' to the primal memories of monstrous mutants and mad scientists. It is a deeply serious book but written in an accessible style that reveals the culture in which this fear emerges only to be suppressed and emerge again. --Ellen Goodman, Boston Globe Reviews of this book: A historical portrait of the quintessential modern nightmare...Weart shows in meticulous and fascinating detail how [the] ancient images of alchemy-fire, sexuality, Armageddon, gold, eternity and all the rest-immediately clustered around the new science of atomic physics...There is no question that the image of nuclear power reflects a complex and deeply disturbing portrait of what it means to be human. --Stephan Salisbury, Philadelphia Inquirer Reviews of this book: A detailed, probing study of American hopes, dreams and insecurities in the twentieth-century. Weart has a poet's acumen for sensing human feelings ... Nuclear Fear remains captivating as history...and original as an anthropological study of how nuclear power, like alchemy in medieval times, offers a convenient symbol for deeply-rooted human feelings. --Los Angeles Times Reviews of this book: Weart's tale boldly sweeps from the futuristic White City of the 1893 Chicago World's Fair and the discovery of radioactivity in 1896 through Hiroshima and Star Wars... (An] admirable call for synthesis of art and science in a true transmutation that takes us beyond nuclear fear. --H. Bruce Franklin, Science

Beginning with Freud's celebrated case of Little Hans, psychoanalysts and psychotherapists have been intrigued with the topic of fear. Eclipsed in theoretical writings by the term 'anxiety', fear remains a pervasive expression in day to day clinical work. Patients constantly talk about it. One implores that we cure him of his fear of dogs. Another offers the fear of aloneness as the rationale of her staying in a bad marriage. Yet another avoids all athletic activity due to the fear of physical injury. And a fourth one lives in utter denial of passing time to avoid facing his fear of death. Despite its ubiquitous presence, fear has received little direct attention in psychoanalytic literature. This book aims to fill this lacuna. It explicates various intensities of fear, e.g. apprehension, dread, panic, and terror. It delineates the boundaries between fear and anxiety and demonstrates how phobic states constitute an admixture of these two emotions.

"The Dark Night" by Lucy Ellen Guernsey is a compelling series of fiction tales that transcends age groups, supplying a numerous array of fascinating narratives. Guernsey skillfully consolidates a myriad of intriguing thoughts right into a single, lower priced quantity, inviting readers right into a global wherein a few memories right now captivate, whilst others subtly entwine their charm. The book is hailed as a charming compilation, blending thrilling and high-quality testimonies that cater to readers of diverse ages. This version of "The Dark Night" has been thoughtfully curated with an attention grabbing new cowl and a professionally typeset manuscript, ensuring a present day and readable enjoy. Guernsey's memories, with their intensity and creativity, promise to engage readers and pull them into the geographical regions of imagination and surprise. Deemed a piece of fiction, the collection stands as a testomony to Guernsey's storytelling prowess, supplying a wealthy tapestry of ideas that resonate throughout various readerships. With affordability and accessibility in mind, this edition opens the door to a global of fiction this is both contemporary and timeless, making "The Dark Night" a fascinating addition to literary exploration for readers of all ages.

Circulating Fear: Japanese Horror, Fractured Realities, and New Media explores the changing role of screens, new media objects, and social media in Japanese horror films from the 2010s to present day. Lindsay Nelson places these films and their paratexts in the context of changes in the new media landscape that have occurred since J-horror's peak in the early 2000s; in particular, the rise of social media and the ease of user remediation through platforms like YouTube and Niconico. This book demonstrates how Japanese horror film narratives have shifted their focus from old media—video cassettes, TV, and cell phones—to new media—social media, online video sharing, and smart phones. In these films, media devices and new media objects exist both inside and outside the frame: they are central to the films’ narratives, but they are also the means through which the films are consumed and disseminated. Across a multitude of screens, platforms, devices, and perspectives, Nelson argues, contemporary Japanese horror films are circulated as an ever-shifting series of images and fragments, creating a sense of “fractured reality” in the films’ narratives and the media landscape that surrounds them. Scholars of film studies, horror studies, media studies, and Japanese studies will find this book particularly useful.

A bestselling author and counselor with over 25 years of experience offers practical steps for dealing with worry and anxiety.

"A genuinely interdisciplinary work . . . the best attempt I have ever seen at a truly unified intellectuals' approach to an important issue."—Timothy Wickham-Crowley, Georgetown University "Very seldom does a collected volume achieve the academic quality and internal coherence that one sees in this case. It is a major contribution to comparative research on post-authoritarian situations."—Carlos Waisman, University of California, San Diego

The Naranjo family are longtime residents of Peach Haven. They own an Implement Store and are well-to-do. The family consists of four childrenVeronica, Lisbeth, Mike, and Jimand Uncle Paul and his wife who own the largest peach farm in Peach Haven. Veronica is a student at the university and has been dating Neil, a handsome medical research student for six wonderful, glorious months. However, their relationship started to suffer. Neil started to show his true colors. He was a very jealous and possessive person. He started to continually abuse her. First by slapping her around, pulling her hair, then throwing her on the ground, and kicking and beating her. She loved him too much, so she made excuses for the beatings. Yet when she looked into his eyes, she saw that there was no warmth. They were eyes that only spoke of things Veronica refused to believe. Neil was raised in the house that was used as a family home as well as a research lab. His play as well as sex experiments were with the cadavers. One day, his mother found him having sex with a lovely cadaver. She told him the facts of life. His father was another thing. He took him to the red-light district. He showed him how to have fun then murder the victim. Then one day, he met and fell in love with a beautiful and talented young lady. He loved Veronica as only a young, talented, warped man could love. He continued to abuse her: broken jaw, broken arms, bruises, tortured, and yet there was a good show in public. Until one day, he went too far and admitted that he had murdered her folks for the insurance money and their property. Angry and hurt beyond reason, she attacked him, and a long and bloody fight ensued. Neil got the small gun from the night stand and shot Veronica. She somehow got the gun away from him and shot him dead. However, the body and gun was never found. Just a bloody left arm with Neils wedding ring was found in the bed with a badly wounded Veronica. Where is Neil?