In Freedom's Progress?, Gerard Casey argues that the progress of freedom has largely consisted in an intermittent and imperfect transition from tribalism to individualism, from the primacy of the collective to the fragile centrality of the individual person and of freedom. Such a transition is, he argues, neither automatic nor complete, nor are relapses to tribalism impossible. The reason for the fragility of freedom is simple: the importance of individual freedom is simply not obvious to everyone. Most people want security in this world, not liberty. 'Libertarians,' writes Max Eastman, 'used to tell us that "the love of freedom is the strongest of political motives," but recent events have taught us the extravagance of this opinion. The "herd-instinct" and the yearning for paternal authority are often as strong. Indeed the tendency of men to gang up under a leader and submit to his will is of all political traits the best attested by history.' The charm of the collective exercises a perennial magnetic attraction for the human spirit. In the 20th century, Fascism, Bolshevism and National Socialism were, Casey argues, each of them a return to tribalism in one form or another and many aspects of our current Western welfare states continue to embody tribalist impulses. Thinkers you would expect to feature in a history of political thought feature in this book - Plato, Aristotle, Machiavelli, Locke, Mill and Marx - but you will also find thinkers treated in Freedom's Progress? who don't usually show up in standard accounts - Johannes Althusius, Immanuel Kant, William Godwin, Max Stirner, Joseph Proudhon, Mikhail Bakunin, Pyotr Kropotkin, Josiah Warren, Benjamin Tucker and Auberon Herbert. Freedom's Progress? also contains discussions of the broader social and cultural contexts in which politics takes its place, with chapters on slavery, Christianity, the universities, cities, Feudalism, law, kingship, the Reformation, the English Revolution and what Casey calls Twentieth Century Tribalisms - Bolshevism, Fascism and National Socialism and an extensive chapter on human prehistory.

From the female soldiers of Abu Ghraib prison to Palestinian women suicide bombers, women and their bodies have been "powerful weapons" in the Afghanistan and Iraq wars. Kelly Oliver reveals how the media and the George W. Bush administration used metaphors of weaponry to describe women and female sexuality and forge a link between vulnerability and violence. Oliver analyzes the discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. She also considers the cultural meaning, or lack of meaning, that lead female soldiers at Abu Ghraib to abuse prisoners "just for fun," and the commitment to death made by women suicide bombers. She examines the pleasure taken in violence and the passion for death and what kind of contexts creates them. Oliver concludes with a diagnosis of our fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection.

Mahsa Jina Amini's death at the hands of Iran's Morality Police on 16 September 2022 sparked widespread protests across the country. Women took to the streets, uncovering their hair, burning headscarves and chanting 'Woman, Life, Freedom' – 'Zan Zendegi Azadi' in Persian and 'Jin Jîyan Azadî' in Kurdish – in mass demonstrations. An explosion of creative resistance followed as art and photography shared online went viral and people around the world saw what was really going on in Iran. Woman Life Freedom captures this historic moment in artwork and first-person accounts. This striking collection goes behind-the-scenes at forbidden fashion shows; registers the sound of dissent in Iran, where it has been illegal for women to sing unaccompanied in public since 1979; and walks the streets of Tehran with 'The Smarties' – Gen Z women who colour and show their hair in defiance of the authorities, despite the potentially devastating consequences. Extolling the power of art, writing and body politics – both female and queer – this collection is both a universal rallying call and a celebration of the women the regime has tried and failed to silence. This is what protest looks like.

Gold Winner of the 2008 Foreword Magazine Book of the Year Award, Biography Category Brings to life the inspiring story of one of America's Black Founding Fathers, featured in the forthcoming documentary The Black Church: This is Our Story, This is Our Song Freedom's Prophet is a long-overdue biography of Richard Allen, founder of the first major African American church and the leading black activist of the early American republic. A tireless minister, abolitionist, and reformer, Allen inaugurated some of the most important institutions in African American history and influenced nearly every black leader of the nineteenth century, from Douglass to Du Bois. Born a slave in colonial Philadelphia, Allen secured his freedom during the American Revolution, and became one of the nation’s leading black activists before the Civil War. Among his many achievements, Allen helped form the African Methodist Episcopal (AME) Church, co-authored the first copyrighted pamphlet by an African American writer, published the first African American eulogy of George Washington, and convened the first national convention of Black reformers. In a time when most Black men and women were categorized as slave property, Allen was championed as a Black hero. In this thoroughly engaging and beautifully written book, Newman describes Allen's continually evolving life and thought, setting both in the context of his times. From Allen's early antislavery struggles and belief in interracial harmony to his later reflections on Black democracy and Black emigration, Newman traces Allen's impact on American reform and reformers, on racial attitudes during the years of the early republic, and on the Black struggle for justice in the age of Adams, Jefferson, Madison, and Washington. Whether serving as Americas first Black bishop, challenging slave-holding statesmen in a nation devoted to liberty, or visiting the President's House (the first Black activist to do so), this important book makes it clear that Allen belongs in the pantheon of Americas great founding figures. Freedom's Prophet reintroduces Allen to today's readers and restores him to his rightful place in our nation's history.

This volume examines relations between U.S. Protestants and Africa since the end of colonial rule. It draws attention to shifting ecclesiastical and socio-political priorities, especially the decreased momentum of social justice advocacy and the growing missionary influence of churches emphasizing spiritual revival and personal prosperity. The book provides a thought-provoking assessment of U.S. Protestant involvements with Africa, and it proposes forms of engagement that build upon ecclesiastical dynamism within American and African contexts.

With the emerging vitality of the Hispanic church in the United States, the voices of Hispanic theology raise a new and vital challenge. A bridge between the North American church and the liberation theology of Latin America, Hispanic theology reflects on the experience of faith rooted in the cultures, histories, and hopes of the Hispanic people here in the U.S. Frontiers of Hispanic Theology in the United States draws on the key figures and explores the central themes of Hispanic theology, including such issues as popular religion, spirituality, liturgy, Hispanic feminist perspectives, and the meaning of "mestizaje" as a source of theological reflection. What emerges is a truly contextual theology, rooted in the unique cultures and tradition of Hispanic Catholics, a theology which also issues a wider challenge to the Anglo church and the world theological community.

Has contemporary liberalism's devotion to individual liberty come at the expense of our society's obligations to children? Divorce is now easy to obtain, and access to everything from violent movies to sexually explicit material is zealously protected as freedom of speech. But what of the effects on the young, with their special needs and vulnerabilities? Freedom's Orphans seeks a way out of this predicament. Poised to ignite fierce debate within and beyond academia, it documents the increasing indifference of liberal theorists and jurists to what were long deemed core elements of children's welfare. Evaluating large changes in liberal political theory and jurisprudence, particularly American liberalism after the Second World War, David Tubbs argues that the expansion of rights for adults has come at a high and generally unnoticed cost. In championing new "lifestyle" freedoms, liberal theorists and jurists have ignored, forgotten, or discounted the competing interests of children. To substantiate his arguments, Tubbs reviews important currents of liberal thought, including the ideas of Isaiah Berlin, Ronald Dworkin, and Susan Moller Okin. He also analyzes three key developments in American civil liberties: the emergence of the "right to privacy" in sexual and reproductive matters; the abandonment of the traditional standard for obscenity prosecutions; and the gradual acceptance of the doctrine of "strict separation" between religion and public life.

This book is probably the first book which is targeted at women of India. I hope this work will prompt women to see ahead of beauty tips, recipes and relationships maze. This book will help all those women who want to help themselves. This book aims at empowering them to command respect, dignity and their unique status. I wrote this book in search of women with a free spirit and free mind. I wrote this book to try to stimulate the minds of women of India who have always excelled in using their virtues but against themselves. A gift from a woman to women

Finding Charity’s Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre. Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as Folks, freedom, like enslavement, was tied to a bondwoman’s reproductive capacities. Their offspring were used to perpetuate the slave economy. Finding loopholes in the law meant that enslaved women could give birth to and raise free children. For Millward, Folks demonstrates the fluidity of the boundaries between slavery and freedom, which was due largely to the gendered space occupied by enslaved women. The gendering of freedom influenced notions of liberty, equality, and race in what became the new nation and had profound implications for African American women’s future interactions with the state.

“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.