Leyb Naydus (1890-1918) expanded the possibilities of Yiddish poetry via his rich cosmopolitan works, introducing a wealth of themes and forms seldom seen in that language, including some of its first sonnets of literary merit. A devotee of European Symbolism, Nayduss poems shimmer with his love of nature, especially that of his native Lithuania. His ground-breaking poetry explores classicism, exoticism, eroticism, Orientalism, and Judaism with equal verve. Nayduss work adds to our understanding of the creation of a major literature in a minor language. Indeed, this book shows how the poetics of minor-language literatures innovate simultaneously from within and without, and how those interactions can offer even greater creative possibilities than the major-language literatures with which they were in conversation. Nayduss unique body of work not only expanded the repertoire of Yiddish poetry, but also cemented Yiddishs place on the world literary stage, convincing young Yiddish writers that this was a language that could fulfill their artistic aspirations. Literary critic Naftoli Vaynigs lengthy essay on Naydus, written in 1943 in the Vilne Ghetto, makes a remarkable case for why the poems of this cosmopolitan aesthete, who died so tragically young, should serve as a fitting emblem for a culture threatened with extinction. Finkins Exile as Home, published here with a translation of Vaynigs essay, Naydus Studies, extends that argument.

This book is about home. With Malawi as its focus, it seeks to understand ideas about home as expressed through poetry written by Malawians in English. Although African Literatures are studied those of Malawi have not received agreeable attention. This book surveys poetry by five Malawian writers – Felix Mnthali, Frank Chipasula, Jack Mapanje, Lupenga Mphande, and Steve Chimombo. The discussion negotiates scribed experience of exile, engendered by Dr. Banda’s regime, and shows that the selected poets effectively converse with a sense of home, reflecting on its transformations in their work. Interrogating the strict definitions of home, the argument highlights that far from home-less exiles in fact clarify the sense of what ‘home’ is. The manoeuvre is one of thinking towards an unboundaried ‘home’. This book will be of value not only to readers interested in the cultures of Africa but to all those with an interest in worldwide literary phenomena, and ideas therein of home and exile.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This is a story of a girl’s construction of her identity, and of her family’s search for a place in the world, for the Heimat that is so resonant for those of German background. We follow Helga through an adventurous childhood in Iran, whose vast open spaces her mother called ‘my spiritual home’. Her engineer father worked on a grand scale, designing and laying roads and railways, and tunnelling through mountain ranges. Then came the invasions of World War II, and the family, half-German, half-Austrian, found themselves on a long voyage to Australia, designated enemy aliens. They were interned for nearly five years in the dusty Victorian countryside. On their release at the end of the War, stranded in Melbourne, they sought another home. The children were dispatched to convents, and at the Academy of Mary Immaculate, Helga found a temporary homeland, in faith. Everyday life in the Australia of the late 1940s and early 1950s is freshly seen by this feisty, loving migrant family. Through their eyes, we encounter a strange place, Australia, as if for the first time. Helga’s development from a thoughtful, sensitive child to a self-possessed young woman, wrestling with her faith and with how to live a decent life, is vividly recounted.

Chinua Achebe is Africa's most prominent writer, the author of Things Fall Apart, the best known--and best selling--novel ever to come out of Africa. His fiction and poetry burn with a passionate commitment to political justice, bringing to life not only Africa's troubled encounters with Europe but also the dark side of contemporary African political life. Now, in Home and Exile, Achebe reveals the man behind his powerful work. Here is an extended exploration of the European impact on African culture, viewed through the most vivid experience available to the author--his own life. It is an extended snapshot of a major writer's childhood, illuminating his roots as an artist. Achebe discusses his English education and the relationship between colonial writers and the European literary tradition. He argues that if colonial writers try to imitate and, indeed, go one better than the Empire, they run the danger of undervaluing their homeland and their own people. Achebe contends that to redress the inequities of global oppression, writers must focus on where they come from, insisting that their value systems are as legitimate as any other. Stories are a real source of power in the world, he concludes, and to imitate the literature of another culture is to give that power away. Home and Exile is a moving account of an exceptional life. Achebe reveals the inner workings of the human conscience through the predicament of Africa and his own intellectual life. It is a story of the triumph of mind, told in the words of one of this century's most gifted writers.

Mr Almond pays with his life when he refuses to give away his four young daughters in forced marriage to a tribal rebel leader. His young daughters, Alima, fifteen; Benatu, twelve; Tabata, thirteen and the youngest, Koshi, who was hearing-impaired, age eleven, have no choice; they must don male disguises and identities in order to stand a chance of escape in search of a new home. At dawn, the planning takes a hasty few minutes. The girls arrive at a chosen destination and a preferred route, but a gruesome journey across the largest and deadliest desert on earth awaits them, not to mention that they will be faced with the stiff challenges of sneaking through Sharia and war-ravaged countries, like the Sudan, Chad, and Algeria, where young unmarried women are forbidden from walking alone in public. For lack of options, the girls join other migrants to battle the vertical kilometres of the 3,000-foot Ahaggar Mountains.. The relentless trek day and night through the rocky arid landscape via Libya into Europe becomes even more dangerous.. The more they venture, the further away they find themselves from each other, from their dreams, from themselves. Benatu unexpectedly ends up in a deadly snare, whereas Alima finds herself strangely stranded. Despite their hopelessness, the Almonds count on hope with a strong determination for vengeance. Then the unexpected happens again!

In Oshiwambo, the elephant is likened to the most challenging situation that people can face. If an elephant appears in the morning, all planned activities are put on hold and the villagers join forces to deal with it. For Tshiwa Trudie Amulungu, the elephant showed up on many mornings and she had no choice but to tame it. Growing up in a traditional household in northern Namibia, and moving to a Catholic school, Amulungu’s life started within a very ordered framework. Then one night in 1977 she crossed the border into Angola with her schoolmates and joined the liberation movement. Four months later she was studying at the UN Institute for Namibia in Lusaka Zambia, later going on to study in France. Amulungu recounts the cultural shocks and huge discoveries she made along her journey with honesty, emotion and humour. She draws the reader into her experiences through a close portrayal of life, friends and community in the different places where she lived and studied in exile. This is a compelling story of survival, longing for home, fear of the return, and overcoming adversity in strange environments. It is also a love story that brought two families and cultures together.

Make Your Study Personal and Your Devotions Serious. You study the Bible to connect with God's heart. The NLT Study Bible gives you the tools you need to enter the world of the Bible so you can do just that. Including over 25,000 study notes plus profiles, charts, maps, timelines, book and section introductions, and approximately 300 theme notes, the NLT Study Bible will make your study personal and your devotions serious. This new large print edition features a generous 10-point font. The New Living Translation breathes life into even the most difficult-to-understand Bible passages, changing lives as the words speak directly to their hearts.

How well do you know His story? By the time a Christian reaches young adulthood, he is likely to be quite familiar with every major story in the Bible, but not from having studied them in any particular order. Ask an average Bible student to arrange certain characters and events chronologically, and the results are telling. Telling God’s Story looks closely at the Bible from its beginning in Genesis to its conclusion in Revelation. By approaching Scripture as one purposefully flowing narrative, emphasizing the inter-connectedness of the text, veteran college professors Preben Vang and Terry G. Carter reinforce the Bible’s greatest teachings and help readers in their own ability to share God’s story effectively with others. Ideal for classroom settings, this second edition of Telling God's Story now features all supporting charts, photographs, and illustrations in full color!