The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.

Published under the Transnational Publishers imprint.

Using existing fbi data and ethnographic data, this edition compares and contrasts domestic sources of terrorism in the united states to those in other countries, while also discussing efforts by domestic terrorists to form alliances with foreign groups.

No other European country experienced the disruption of political and everyday life suffered by Italy in the so-called 'years of lead' (1969-1983). This title traces how the experience and legacies of terrorism have determined the form and content of Italian cultural production and shaped the country's way of thinking about such events.

Understanding Terrorism: Challenges, Perspectives, and Issues offers a comprehensive, interdisciplinary exploration of domestic and international terrorism that helps students develop the knowledge and skills needed to critically assess the underlying causes of modern terrorist violence. The Seventh Edition includes new or expanded discussions of critical topics in terrorism, such as the evolution of right-wing extremism in Western countries, as well as analysis of recent events and updated terrorist tactics, weapons, and methods. Included with this title: The password-protected Instructor Resource Site (formally known as SAGE Edge) offers access to all text-specific resources, including a test bank and editable, chapter-specific PowerPoint® slides.

What do we know about effectively countering terrorism? What are the characteristics of successful or unsuccessful counter terrorism campaigns? This title addresses these and related questions, contributing to national security policy as well as to our understanding of the terrorist threat and how it can be defeated.

Over the past few years, media outlets have spotlighted coverage of terror attacks. Drawing on both popular and academic articles, [this book] analyzes the larger issues surrounding media's studies, architecture, and information science, each contributor brings a distinctive perspective. Answering a growing need to understand media discourse on terrorism, this volume complements readings in upper-level mass communication courses and is a valuable resource for scholars of international media and terrorism. -Back cover.

This book examines the evolving threat of terrorism and draws on the latest research to assess future trends. The author assumes that terrorism will remain a potent threat to the international system throughout the twenty-first century, primarily because of the convergence of two negative trends: the availability of Chemical, Biological, Radiological, and Nuclear Weapons (CBRN) - also known as Weapons of Mass Destruction - and the proliferation of terrorist organizations seeking to achieve mass casualties. Even without the CBRN element, however, Smith maintains that terrorism will remain an ongoing threat. The book also explores specific aspects of contemporary terrorism, including political, social, economic, religious, and ideological factors, globalization as a stimulation to contemporary terrorism, the role of organized crime in terrorist movements, and more. Written with students in college and professional programs in mind, the book includes case studies interspersed throughout the chapters that provide clarifying examples.

Media, War and Terrorism analyses, for the first time, responses to the events of 9/11 and it's repercussions from the point of view of Asian and Middle Eastern countries. Perhaps controversially, the contributors argue that while the US, and to an extent European, media seems largely unified in their coverage and silence in public debate of the events surrounding the attacks on the World Trade Centre, there exists open, critical debate in other parts of the world. By examining the use of media as an instrument of warfare and analyzing the construction of public opinion in mediated electronic warfare, this book clearly shows the difference in perspectives between public opinion in the US and the rest of the world. Moving away from popular assumptions that societies in the West are democratic and progressive and those in the Middle East and Asia are either authoritarian or under-developed, this examination of the media in those countries suggests the exact opposite. In combining an examination of the general, theoretical issues concerning the use of the media as an instrument of warfare with rich, geographically diverse case studies, the editors are able to provide a diverse and intriguing analysis of the impact and inter-connectedness of national and global medias. Bringing together contributions from academics, journalists and media practioners from all over the world, Media, War and Terrorism is an essential read for all of those seeking an informed, non-Western perspective on the events following 9/11.