In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout, McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems.

Five of Saul Bellow’s most moving, richly textured, and exquisitely plotted short stories make up this volume, each providing a history of personality and self-awakening. The title story, “Him with His Foot in His Mouth,” follows a musicologist narrator who for years has scattered wounding witticisms “from the depths of my nature, that hoard of strange formulations.” As the story unfolds he tries to discover what led him into a “deep legal-financial hole,” while he awaits extradition from a refuge in British Columbia. “What Kind of Day Did You Have?” follows a divorced suburban woman and her lovers—would-be and actual—through a frantic day in their lives. Their needs and passions, as well as their comic conflicts, are matters of life and death. In “Zetland: By a Character Witness” and in “A Silver Dish,” Bellow returns, with his unequaled command of eloquent recollected detail, to a bygone Chicago, “Zetland” is a brilliant portrait of an artist as a young boy and a man, precocious and eccentric; “A Silver Dish” is a memorable story of a raffish, willful father and his affectionate son. “Cousins,” the final story in the volume, explores the mysteries of family feeling—mysteries that defy both logic and the worthiness of their objects, as Ijah Brodsky, successful in the larger world, is drawn into an encounter with criminal and naively idealistic forces. This collection represents a turning point in the bountiful career of Saul Bellow, a felicitous rendering of the human condition in all its absurd complexity.

The story “Beauty and the Beast” is well known to most people—or is it? In this retelling of the classic fairy tale, the dark details of the original story return. Readers who have only seen the famous movie will find the beast much harsher, but the goodness of the young woman who comes to know him remains enchanting. Richly colored images and illustrations accompany this tale as well as “The Goblin Pony,” "Tom Tit Tot," "The Goblin Pony," "The Jellyfish and the Monkey," and "The Strange Visitor." Though from other cultures, they offer the same eeriness of more familiar tales.

Reproduction of the original: By the Barrow River and Other Stories by Edmund Leamy

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