Restores Gawain to his true role as the honorable representative and servant of the Goddess.

"Sir Gawain and the Green Knight' is a great poem that gives some powerful twists to traditional materials. The story combines two ancient elements, beheading and seduction, in a fresh and remarkable way; it takes familiar medieval themes -- the feast, the seasons, the arming of the warrior, the hunt -- and gives them a new glamor. The 'intertextuality' of this brilliant poem can be most clearly seen through Elisabeth Brewer's modern English versions of other related medieval writings. Her book is a delightful and unusual small anthology of medieval literature; but its greatest success lies in providing a context for a fuller understanding of "Sir Gawain" through its presentation of extracts and poems (including translations from Celtic and French originals) illustrating the tradition in which the Gawain-poet wrote, underscoring his own great achievement. -- From publisher's description.

This edition of one of the classic Middle English romances gives the original text side by side with a sensitive modern translation.

It ends with a discussion of the reception of the Morte Darthur from the sixteenth to the twentieth centuries, and a select bibliography.

The 14th century English alliterative poem Sir Gawain and the Green Knight is admired for its morally complex plot and brilliant poetics. A chivalric romance placed in an Arthurian setting, it has since received acclaim for its commentary regarding important socio-political and religious concerns. The poem's technical brilliance blends psychological depth and vivid language to produce an effect widely considered superior to any other work of the time. Although the poem is a combination of English alliterative meter, romanticism, and a wide-ranging knowledge of Celtic lore, continental materials and Latin classics, the extent to which Classical antecedents affected or directed the poem is a point of continued controversy among literary scholars. This collection of essays by scholars of diverse interests addresses this puzzling and fascinating question. The introduction provides an expansive background for the topic, and subsequent essays explore the extent to which classical Greek, Roman, Arabic, Christian and Celtic influences are revealed in the poem's opening and closing allusions, themes, and composition. Essays discuss the way in which the anonymous author of Sir Gawain employs figural echoes of classical materials, cultural memoirs of past British tradition, and romantic re-textualizations of Trojan and British literature. It is argued that Sir Gawain may be understood as an Aeneas, Achilles, or Odysseus figure, while the British situation in the 14th century may be understood as analogous to that of ancient Troy.

Chrysanthemum loves her name, until she starts going to school and the other children make fun of it.

Starting from the assumption taht 'Pearl', 'Purity', 'Patience' and 'Sir Gawain and the Green knight' are by one poet, W.A. Davenport seeks to define the nature of his art. He makes a close analysis of each poem, considering the four not so much in their historical context as for their immediate poetic effect.

This literary study offers a fresh view of the significance of the famous group of fourteenth-century poems, Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight. It is a comprehensive study which puts the poems themselves firmly at its center, though it is always alert to relevant aspects of their literary and cultural context. John Anderson finds that the great fourteenth-century struggle, between religious and secular forces for control of men's minds, underlies all the poems. Despite its wide range of reference and the radicalism of some of its leading ideas, this book is written in a jargon-free style designed to appeal to specialist, non-specialist and student readers alike.