Study on the works of George Eliot, 1819-1880, English novelist.

This comprehensive guide to one of the most successful yet controversial writers of the Victorian period introduces the contexts and many interpretations of her work, from publication to the present. & nbsp.

This is the first study to argue that Jewish Mysticism influenced all Eliot's novels and not just her Jewish novel, Daniel Deronda , and leaves the reader with a very different George Eliot from that assumed by most previous criticism. Though previous studies have attempted to qualify the still-dominant view that George Eliot is firmly as part of the realistic tradition, this study goes further by demonstrating that a cohesive mythic structure with its basis in Jewish mysticism is identifiable in her fiction. Providing helpful background and factual information about the Golem and other aspects of Kabbalah, this work will appeal to anyone interested in the myth of the Golem, the re-writing of Victorian culture from a Judaic perspective, and George Eliot studies in general.

George Eliot was one of the great thinkers of her time, a figure central to the main currents of thought and belief in the nineteenth century. Yet when this distinguished public intellectual turned to fiction writing at the age of thirty-six, she regarded it not as a lesser pursuit, but as the distillation of all of her knowledge and ideas. For Eliot, fiction enabled the consideration of life 'in its highest complexity', and had the capacity not merely to elicit, but actually to create, moral sentiment by surprising readers into the recognition of realities other than their own. In this new study, Pauline Nestor offers a challenging reassessment of Eliot's contribution to the critical debates, both of her age and of her own era. In particular, she examines the author's literary expolration of ethics, especially in relation to the negotiation of difference. Nestor argues compellingly that, through a reading of their sophisticated drama of otherness, Eliot's novels can be seen as freshly relevant to contemporary theoretical debates in feminism, moral philosophy, post-colonial studies and psychoanalysis. Covering the writer's complete body of major fiction, this is an indispensable voume for anyone studying the work of one of the most important and influential novelists of the nineteenth century.

This set reissues 5 books on George Eliot originally published between 1963 and 1989. The volumes examine many of Eliot’s most respected works, including Middlemarch, The Mill on the Floss and Silas Marner. As well as proving in-depth analyses of Eliot’s work, this collection also includes an extensive collection of her critical articles written between 1846 and 1868. This set will be of particular interest to students of literature.

The girl who would become George Eliot began her professional writing life with a poem bidding farewell to all books but the Bible. How did a young Christian poet become the great realist novelist whose commitment to religious freethinking made her so iconoclastic that she could not be buried in in Westminster Abbey? Memorialized there today by a stone lain in the Poets' Corner in 1980, George Eliot wrote herself and her fellow Victorians through turbulent decades of moral and historical doubt in religious orthodoxy, alongside the unrelenting need to articulate a compelling modern faith in its place. Unafraid to confront the most difficult existential questions of her time, George Eliot wrote immensely popular novels that wrestled with problems whose hold has barely lessened in the last 150 years: the pervasiveness of human suffering and the injustice of its measures; the tension between fulfilling our ethical obligations to others and pursuing our own well-being; the impetus to act virtuously in this world without any guarantee of reward, and the need to make some "religion" in life, something beyond our own immediate, fluctuating desires. In this new account of George Eliot's spiritual life, George Eliot: Whole Soul, Ilana Blumberg reveals to us a writer who did not simply lose her faith once and for all on her way to becoming an adult, but devoted the full span of her career to imagining a wide religious sensibility that could inform personal and social life. As we range among Eliot's letters, essays, translations, poetry, and novels, we encounter here a writer whose extraordinary art and intellect offer us company, still today, in the search for modern meaning.

This book examines the range of the colonial imaginary in Eliot’s works, from the domestic and regional to ancient and speculative colonialisms. It challenges monolithic, hegemonic views of George Eliot — whose novelistic career paralleled the creation of British India — and also dismissals of the postcolonial as ahistorical. It uncovers often-overlooked colonized figures in the novels. It also investigates Victorian Islamophobia in light of Eliot’s impatience with ignorance, intolerance, and xenophobia as well as her interrogation of the make-believe of endings. Drawing on a range of sources from Eugène Bodichon’s Algerian anthropological texts, the Persian journals of John Martyn, and postmodern re-engagements, Postcolonial George Eliot has implications for an understanding of the globalization of English, the decolonization of disciplinarity and periodization, and the roots of present-day conflict in the wider Mediterranean world.

On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.

Examining representations of physical and metaphorical landscape in Charlotte Brontë, George Eliot and Thomas Hardy, Henson explores the way gender attitudes are expressed, both in descriptions of physical and metaphorical landscape and in the idea of nature, through the gendered voices of the narrators. Henson looks at the influence of changing aesthetic theory, arguing that factors such as scientific enquiry and industrialization changed the representation of landscape and of Englishness in these 'realist' novels.