A stylishly smart collection of practical advice for the busy modern woman With information on entertaining, etiquette, housekeeping, basic home repair, decorating, sex, and beauty, this indispensable book has everything today's young woman should know-but may not! The Modern Girl's Guide to Life is a collection of all the helpful tips and secrets that get passed on from generation to generation, but many of us have somehow missed. It's full of practical, definitive advice on the basics -- the day-to-day necessities like finding a bra that fits, balancing a checkbook, making a decent cup of coffee, and hemming a pair of pants. Modern Girl guru Jane Buckingham includes loads of savvy counsel to help us feel more refined, in charge, and together as we navigate the rocky terrain that is twenty-first-century womanhood.

No other silent film director has been as extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films has been the subject of a systematic analysis, and the vast majority of his other works still await proper examination. For the first time in film studies, the complete creative output of Griffith - from Professional Jealousy (1907) to The Struggle (1931) - will be explored in this multivolume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the Pordenone Silent Film Festival, the Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century. This volume covers the year 1913 and includes J. B. Kaufman's notes on the Griffith-supervised Liberty Belles and A Fair Rebel, as well as Griffith's first feature, Judith of Bethulia.

This is a selection of writings by women from Ireland, Australia, England, Canada (and other countries) compiled and edited by Irish-Australian poet, Lizz Murphy. A moving and often amusing collection of fiction, poetry, and autobiography by top-selling and award-winning writers. There is a wildness and daring in these voices. They call up the legions out of the sea and set fires alight. They hang out over garden fences, move restlessly, are beaming, weeping, powerful.

The struggles between the Immortal, Devil, and Mortal Realms have been endless since time immemorial. The shadows of the sword and Light Sword stained the clothes with blood. Fight for the world! Hunting absolute beauties! To overturn the Heavenly Dao! Only I am! It was a fantasy, a war between all the beings of the three realms. It was a military battle, a war on the battlefield, a war against each other. It was history. Han Xin! A loud name made everyone's blood boil. Behind him, there were even Liu Bang, Xiang Yu, the two prodigies, Zhang Liang, Princess Yu, and Xin Zhui.

From the 1950s 'girl junkie' to the 1990s 'crack mom', Using Women investigates how the cultural representations of women drug users have defined America's drug policies in this century. In analyzing the public's continued fear, horror and outrage wrought by the specter of women using drugs, Nancy Campbell demonstrates the importance that public opinion and popular culture have played in regulating women's lives. The book will chronicle the history of women and drug use, provide a critical policy analysis of the government's drug policies and offer recommendations for the direction our current drug policies should take. Using Women includes such chapters as 'Sex, Drugs and Race in the Age of Dope'; 'Regulating Adolescents in the Postwar US'; 'Fifties Femininity'; and 'Regulating Maternal Instinct'.

In a dystopian future where Greek gods and goddesses have surpassed history and continue to coexist with humans, a war between species has broken out. Nova, "The Restoress," has been sent as the weapon of capacity for "The Greats," the remaining group of gods and goddesses. According to prophecy, she has the ability to absorb all evil from humans and restore the balance of hierarchy. Thrown into a world where emotions are deemed to be forbidden distractions, indicators of human corruption, Nova must remain objective and focused. Yet it is her instincts and emotions that seem most helpful, the most empowering. In which pull her to Baylor, her combat trainer. In which challenge her and make her question what has been written for her. Will Nova be able to fulfill her mission and restore balance, or will history repeat itself?

In Black Girl Autopoetics Ashleigh Greene Wade explores how Black girls create representations of themselves in digital culture with the speed and flexibility enabled by smartphones. She analyzes the double bind Black girls face when creating content online: on one hand, their online activity makes them hypervisible, putting them at risk for cyberbullying, harassment, and other forms of violence; on the other hand, Black girls are rarely given credit for their digital inventiveness, rendering them invisible. Wade maps Black girls’ everyday digital practices, showing what their digital content reveals about their everyday experiences and how their digital production contributes to a broader archive of Black life. She coins the term Black girl autopoetics to describe how Black girls’ self-making creatively reinvents cultural products, spaces, and discourse in digital space. Using ethnographic research into the digital cultural production of adolescent Black girls throughout the United States, Wade draws a complex picture of how Black girls navigate contemporary reality, urging us to listen to Black girls’ experience and learn from their techniques of survival.

Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.