"Fascinating insights into modern urban religious practice make Orsi's collection a must-read." -- Publishers Weekly "The essays provide insight into the cultural creativity, reinterpretation of worship and religious ingenuity of city people over the last 50 years." -- Library Journal "At last, a major dissection of the great mystery in modern Americanlife -- how religion and spirituality prospered amidst industrialization,urbanization, and rampant technological change after 1880!" -- Jon Butler, Yale University "Urban religion" strikes many as an oxymoron. How can religion thrive in the alienated, secular, fast-paced, and materialistic world of the modern, Western city? The authors in this collection believe that cities not only can provide the settings for religious expression, but also are material to the experiences which give rise to those religious expressions. In this book, they explore the distinctly urban forms of religious experience and practice that have developed in relation to the spaces, social conditions, and history of American cities.

Using the Bible as my structural outline, I have, with much imagination, charted the story of the spirit world, as angels, demons, God, and Satan struggle to claim ownership of the human race. The climax of this age-old battle is the appearance of God's champion, Jesus, and the solution He alone offers to each one of us. The story begins in eternity past and concludes in eternity yet to come. I hope you can identify yourself somewhere in the stream of traffic, and, in the knowledge of the accomplishment God's Champion made real, you can with thanksgiving write a personal postscript, "And we lived happily ever after."

We have in China the universal worship of ancestors, which constitutes (or did until A.D. 1912) the State religion, usually known as Confucianism, and in addition we have the gods of the specific religions (which also originally took their rise in ancestor-worship), namely, Buddhism and Taoism. (Other religions, though tolerated, are not recognized as Chinese religions.) It is with a brief account of this great hierarchy and its mythology that we will now concern ourselves. Besides the ordinary ancestor-worship (as distinct from the State worship) the people took to Buddhism and Taoism, which became the popular religions, and the literati also honoured the gods of these two sects. Buddhist deities gradually became installed in Taoist temples, and the Taoist immortals were given seats beside the Buddhas in their sanctuaries. Every one patronized the god who seemed to him the most popular and the most lucrative. There even came to be united in the same temple and worshipped at the same altar the three religious founders or figure-heads, Confucius, Buddha, and Lao Tzŭ. The three religions were even regarded as forming one whole, or at least, though different, as having one and the same object: san êrh i yeh, or han san wei i, “the three are one,” or “the three unite to form one” (a quotation from the phrase T’ai chi han san wei i of Fang Yü-lu: “When they reach the extreme the three are seen to be one”). In the popular pictorial representations of the pantheon this impartiality is clearly shown.

Fall into a beguiling fantasy world in Time and the Gods, a collection of magical short stories from writer Lord Dunsany, whom many critics regard as a central figure in the early development of the fantasy genre. This interlinked series of tales will please fantasy fans who prefer a more literary, lyrical style.

Since the middle of the twentieth century, one of biblical scholarship's chief assumptions has been that ancient Israel evolved out of the polytheism of surrounding cultures into an ethical monotheism. However, this consensus has fallen apart in recent years. Scholars now know that early Israel was surrounded by a very polytheistic culture and that many Israelites thought of Yahweh as the chief God among many gods. Furthermore, archaeology has shown that Yahweh was worshiped along with other gods throughout the period after the exile, when many shrines were in honor of "Yahweh and his Asherah." David Penchansky's Twilight of the Gods is the first accessible book that shows a historical Israel where polytheism and monotheism existed simultaneously in great conflict. He provides a historical introduction, followed by close readings of key Old Testament passages, where he demonstrates how to interpret difficult biblical texts that depict other gods or claim Yahweh is the only God within this new understanding of Israelite religion.

The Gods of Egypt, first published in France in 1992 and now in its third French edition, is a short, elegant, and highly accessible survey of ancient Egyptian religion. The clarity and brevity of Claude Traunecker's book make it especially valuable to readers seeking an authoritative introduction to this complex topic. The Cornell edition, the first English translation, is enhanced by 23 illustrations. Traunecker begins with an overview of the source materials and a discussion of the historiography of Egyptian religion, a subject relatively neglected by scholars. He then describes the actual and metaphysical worlds inhabited by the Egyptian deities and the role that humans played in the Egyptian universe. Focusing especially on the diversity and number of approaches used by Egyptians to explain their world, The Gods of Egypt offers a succinct and highly readable presentation of recent interpretations of Egyptian religion.

From acclaimed writer and scholar Philip Freeman, a contemporary retelling of classic Greek and Roman mythology. The Greek and Roman myths have never died out; in fact they are as relevant today as ever in their sharp observations about human nature. For thousands of years they have inspired plays, operas, and paintings; today they live on in movies and video games. Oh My Gods is a contemporary retelling of some of the most popular myths by Philip Freeman, a noted classicist. These tales of errant gods, fantastic creatures, and human heroes are brought to life in fresh and modern versions. Powerful Zeus; his perpetually aggrieved wife, Hera; talented Apollo; beautiful Aphrodite; fierce Athena; the dauntless heroes Theseus and Hercules; and the doomed lovers Orpheus and Eurydice still inspire awe, give us courage, and break our hearts. From the astonishing tales of the Argonauts to the immortal narrative of the Battle of Troy, these ancient tales have inspired writers from Shakespeare to J. K. Rowling. In Philip Freeman’s vibrant retelling they will doubtless inspire a new generation of readers.