Originally published: London, Weidenfeld and Nicolson, 1965.

Published in 1979, this study is intended as a continuation of the work of the scholars and previous commentators on Goethe's Wanderjahre. While considering the scientific structure, it concentrates first on one basic question of form--that of the series of narrative insertions--and then of necessity on one matter of content that is linked so closely with them that the two are almost inseparable, namely the concept of the family as the Urform (archetype) and metamorphosis of the types of human association. Thus the intention of this book is to contribute to the new and better understanding of the novel and which will, it is to be hoped, at long last help the work take its place as one of the two crowning masterpieces (along with Faust II) of Goethe's life.

Latest volume in series devoted to Goethe criticism (and studies of his contemporaries), with an extensive book review section.

New articles on topics spanning the Age of Goethe, with a special section of fresh views of Goethe's Faust.

This historical and critical survey of German drama in the eighteenth and nineteenth centuries provides an introduction to major authors and works from Lessing, through Goethe, Schiller and Weimar Classicism, to Kleist, Grillparzer and Hebbel. F.J. Lamport traces the rise and development in the German-speaking world of the last form of "classical" poetic drama to appear in European literature. This development is seen as reflecting the intellectual and political ferment both within Germany and throughout Europe.

Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.

Hegel's Antiquity aims to summarize, contextualize, and criticize Hegel's understanding and treatment of major aspects of the classical world, approaching each of the major areas of his historical thinking in turn: politics, art, religion, philosophy, and history itself. The discussion excerpts relevant details from a range of Hegel's works, with an eye both to the ancient sources with which he worked, and the contemporary theories (German aesthetic theory, Romanticism, Kantianism, Idealism (including Hegel's own), and emerging historicism) which coloured his readings. What emerges is that Hegel's interest in both Greek and Roman antiquity was profound and is essential for his philosophy, arguably providing the most important components of his vision of world-history: Hegel is generally understood as a thinker of modernity (in various senses), but his modernity can only be understood in essential relation to its predecessors and 'others', notably the Greek world and Roman world whose essential 'spirit' he assimilates to his own notion of Geist.