The Last Predicta is Chad Davidson's searing collection of poetry dedicated to endings of all varieties. From odes to the corporate cornucopia of Target and the aggressive cheer of a Carnival cruise, to emotive examinations of Caravaggio's The Calling of St. Matthew or flies circling a putrescent bowl of forgotten fruit, Davidson weaves a lyrical web of apocalyptic scenarios and snapshots of pop culture. Throughout the volume appear cataclysms large and small, whether the finality of a minute passed or the deaths of a thousand swans at Seneca Lake in 1912. Images of King Kong, Starburst candies, and the Brady Bunch swim with mythological figures, Roman heroes, and dead animals as Davidson deftly explores the relationship between the mundane and the profound. At the center of the collection sits the Predicta television itself, "the lives blooming there in Technicolor," at once futuristic and nostalgic in its space age prophecy. Moving in their very simplicity, these poems resonate with discoveries that belie their seemingly ordinary wellsprings. Chad Davidson's stunning collection repeatedly explores the moment of revelation and all its accompanying aftermaths. The Last Predicta leads readers to ponder all manner of predictions, endings, and everything that follows.

What the world needs now – featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

Ann Beattie, Joyce Carol Oates, Richard Bausch, and twenty-one other celebrated American writers contribute to this moving anthology of fiction, compiled by the editors of the Glimmer Train literary quarterly. In the ten-plus years since Susan Burmeister-Brown and Linda B. Swanson-Davies founded Glimmer Train, they have introduced an astonishing array of talented and innovative authors to a growing readership hungry for inspiring fiction. The stunning stories in this anthology -- many of which have never appeared anywhere except in Glimmer Train Stories -- explore one of the most complex emotional and psychological ties of all: motherhood, and its many facets. The writers in Mother Knows include established authors as well as up-and-coming talents like Junot DÍaz and award-winning writers like Robin Bradford, Nancy Reisman, Lee Martin, and Doug Crandell. Their stories demonstrate that motherhood is more than toilet training and tantrum control, as they portray the full, fierce, joyous, and frightening range of experience that marks this state of being. Mother Knows is a thoughtful and powerful exploration of the most mysterious bond in life.

Late Psalm takes themes from those ancient songs of joy and grief and transposes them into the language of contemporary life.

A woozy logic dominates these poems: a heart can become a buzzing hive of bees, a rooster can trigger a series of bombs, a young man can embrace a city bus as his spirit animal. Yet Bazzett slices through his poems with a dangerous sense of humor. “Your humor is deft and cutting / my fingers off one by one,” as one poem puts it. Once dismembered, Bazzett’s poems can re-member us and piece together the ways in which we once thought we knew ourselves, creating a new, strange sense of self. A meditation on who we are, who we’ve been, and what we might become, Bazzett’s writing is like a note written in invisible ink: partially what we see on the page, but also but also the “many dozen doorways that we don’t walk through each day.” You Must Remember This is a consistently slippery, enrapturing collection of poems.

The 2019 edition of The Best American Poetry—“one of the mainstays of the poetry publication world” (Academy of American Poets)—now guest edited by Major Jackson, award-winning poet and poetry editor of the Harvard Review. Since 1988, The Best American Poetry has been the leading anthology of contemporary American poetry. The Washington Post said of the 2017 edition, “The poems...have a wonderful cohesion and flow, as if each contributes to a larger narrative about life today…While readers may question some of the selections—an annual sport with this series—most will find much that resonates, including the insightful author notes at the back of the anthology.” The state of the world has inspired many to write poetry, and to read it—to share all the rage, beauty, and every other thing under the sun in the way that only poetry can. Now the foremost anthology of contemporary American poetry returns, guest edited by Major Jackson, the poet and editor who, “makes poems that rumble and rock” (poet Dorianne Laux). This brilliant 2019 edition includes some of the year’s most defining, striking, and innovative poems and poets.

Collects poems chosen by the editors as the best of 2014, featuring works by John Ashbery, Anne Carson, Mary Ruefle, Frederick Seidel, and others.

From the Pulitzer Prize–winning poet, a stunning collection of poems that course with the rhythms of nature. A poet of piercing revelations and arresting imagery, Kumin is "unforgettable, indispensable" (New York Times Book Review). In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind. From "Whereof the Gift Is Small" And short the season, first rubythroat in the fading lilacs, alyssum in bloom, a honeybee bumbling in the bleeding heart on my gelding’s grave while beetles swarm him underground. Wet feet, wet cuffs, little flecks of buttercup on my sneaker toes, bluets, violets crowding out the tufts of rich new grass the horses nose and nibble like sleepwalkers held fast— brittle beauty—might this be the last?

A collection of short stories about people both like us and yet unlike us. A surfer who lost his hand discovers his best friend's girlfriend on the waves of Ocean Beach; a desperate couple tries to recoup a way of life and a kidnapped daughter; a young tennis player learns about the complexities of family life and history; a father loses a child and faith in a political system. These stories have been published in literary magazines nationally, including Other Voices, Talking River Review, The Green Mountains Review, The Florida Review, and Nimrod: An International Journal.

From the National Book Award–finalist: This “brilliant” story collection exploring the lives of dispossessed Americans is “one of his best achievements” (The Washington Post). Thematically focused on hard-luck characters trapped by desperate circumstances, Bell once again showcases his range and versatility in these eleven deeply felt stories. Whether in the Deep South or the grim Northeast; burdened with unspoken hurts or challenged by the harsh vicissitudes of contemporary life, Bell’s characters are drawn with clear-eyed compassion and dignity. But even in their gritty realism, moments of redemption or hopefulness elevate each of these memorable stories. And when the setting moves into the Great Plains during the nineteenth century, Bell convincingly connects the past to the present, hinting at his later acclaim as a historical novelist. Zero db stands as a timeless collection of “sagacious and lucid short stories by a contemporary writer with an ear for the seemingly inaudible emotions of life” (Los Angeles Times).