This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.

This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

Some films are remembered long after they are released; others are soon forgotten, but do they deserve oblivion? Are factors other than quality involved? This book exhumes some of the films released in Britain over the last seventy years from Daybreak (1948) to 16 Years of Alcohol (2003), and considers the reasons for their neglect. As well as exploring the contributions of those involved in making the films, the book examines such issues as marketing and the response of critics and audiences. Films are grouped loosely into categories such as “B” films and television films. Some works were little seen when they were first released and have stayed that way; others were popular in their day, but have slipped into obscurity. In some cases, social change has overtaken them, making the attitudes or subjects they depict seem dated. Even being released as a DVD does not guarantee that a title will be rehabilitated. In addition, how significant is the American market? This book should appeal to lovers of British film, as well as to film studies students and everybody curious about the vagaries of success and failure in the arts.

Over half a century on, the 1960s continue to generate strong intellectual and emotional responses - both positive and negative - and this is no less true in the arena of film. Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in that dramatic decade. Transformation and Tradition in 1960s British Cinema is the first scholarly volume on this period of British cinema for more than twenty-five years. It provides a major reconsideration of the period by focusing on the central tensions and contradiction between novelty/revolution and continuity/tradition during what remains a highly contentious period of cultural production and consumption.

Unlike their American colleagues, British suppliers were extremely slow to release their country's superb libraries of classic films for movie fans to purchase on either VHS tapes or DVD discs. In 2004, little over 100 titles were available. But now there are around 700, with promises of many more to come. This book details some of the best. Over 400 movies in all are described in either minute detail or in summary form! The quality (or lack of quality) in the DVD transfer is fearlessly indicated. The author's emphasis is on movies made before 1970, especially those with popular stars such as Glynis Johns, Gracie Fields, George Formby, Margaret Lockwood, Arthur Askey, Anna Neagle, James Mason, Patricia Roc, Stewart Granger, Vivien Leigh, Laurence Olivier, Will Hay, Tommy Trinder, Alec Guinness, Michael Wilding, Peter Finch, Christopher Lee, Peter Sellers, David Niven, Kenneth More, Kay Kendall, John Gregson, etc.

Guide sets out to document film and television material held in archives and collections throughout the UK.

A comprehensive history of the British film industry from its inception to the present day, with minute listings of the producers, directors, actors, and studios behind a century of British cinema. Published in association with the British Film Institute and illustrated with black and white photos of film stars and filmmakers from the 1920s to the present day.

"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.

Discover the best of The Peak District with this compact, practical, entertaining Pocket Rough Guide. This slim, trim treasure trove of trustworthy travel information is ideal for travellers on short trips, and covers all the key sights such as Buxton, Castleton and Bakewell, restaurants, shops, cafes and bars, plus inspired ideas for day-trips, with honest independent recommendations from expert authors. The Pocket Rough Guide THE PEAK DISTRICT covers: Buxton, Bakewell, Castleton, Bollington, Hathersage and Derwent Reservoir. Inside this travel guide you will find: RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to The Peak District, from off-the-beaten-track adventures near Hathersage to family activities in child-friendly places, like Matlock Bath or chilled-out breaks in popular tourist areas, like Bakewell. INCISIVE AREA-BY-AREA OVERVIEWS Covering Padley Gorge, the Nine Ladies Stone Circle and more, the practical Places section provides all you need to know about must-see sights and the best places to eat, drink, sleep and shop. TIME-SAVING ITINERARIES The routes suggested by Rough Guides' expert writers cover top attractions like the Peak Cavern and Thor's Cave, and hidden gems like Ladybower Reservoir and Mam Tor. DAY-TRIPS Venture further afield to Bakewell or Chatsworth House. This tells you why to go, how to get there, and what to see when you arrive. HONEST INDEPENDENT REVIEWS Written with Rough Guides' trademark blend of humour, honesty and expertise, our expert writers will help you make the most of your trip to The Peak District. COMPACT FORMAT Packed with pertinent practical information, this is a convenient companion when you're out and about exploring the Heights of Abraham. HANDY PULL-OUT MAP With every major sight and listing highlighted, the pull-out map makes on-the-ground navigation easy. ATTRACTIVE USER-FRIENDLY DESIGN Features fresh magazine-style layout, inspirational colour photography and colour-coded maps throughout. PRACTICAL TRAVEL TIPS Includes invaluable background information on how to get to The Peak District, getting around, health guidance, tourist information, festivals and events, plus an A-Z directory and a handy language section and glossary.