This new addition to the popular guidebook series explores women's experiences and the impact of their activities on the history and landscape of St. Louis. When the city was founded, most St. Louisans believed that "a woman's place is in the home," in the house of her father, husband, or master. Over the years, women pushed out the boundaries of their lives into the public arena, and in doing so they changed the face of St. Louis. In Her Place is a guide to the changing definition of a woman's place in St. Louis, beginning with the colonial period and ending with the 1960s. Each chapter explores the experiences of women during a specific time period and identifies the sites of some of their public activities on a map of the city created from historical sources. Along the way, readers will meet such significant St. Louis women as Harriet Scott, Susan Blow, Edna Gellhorn, and Philippine Duchesne and learn about the activities of the Ladies' Union Aid Society, the Sisters of Charity, the League of Women Voters, and the Harper Married Ladies' Club. The book also includes four tours of the St. Louis region addressing the themes of the book and identifying significant buildings, homes, and other key sites. Current photographs will help readers locate the sites on detailed maps. An up-to-date bibliography and resource listing make this an invaluable guide for anyone interested in studying the history of women in the region.

Vol. 1. A-F, Vol. 2. G-O, Vol. 3. P-Z modern period.

Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.

Beatrice Cenci was executed in Rome in September 1599: she was said to be sixteen, and was hauntingly beautiful. Her crime was the murder of her father, a member of one of the greatest Roman families, but his cruel treatment of her, including incestuous rape, moved the people of the city to take her side. Weeping crowds lined the streets, and a special mass is still said in Rome on the anniversary of her death. She was at once innocent and guilty, the victim and the perpetrator of appalling crimes. From that time since, the ambivalent image of Beatrice has attracted writers and artists, and often their obsession with her fed their own self-destruction. In this compelling study, Belinda Jack takes on the dangerous challenge of bringing Beatrice to life, and of tracing her power over those who tried to resurrect her, from the tragedy of Shelley to the novels of Nathaniel Hawthorne and Herman Melville, from the sculpture of Harriet Hosmer and the photographs of Julia Margaret Cameron to the desperate drama of Antonin Artaud. As we follow the stories of their lives and ambitions, we see how they suffered critical condemnation for their works about Beatrice, and were sometimes pushed to the brink of insanity. Her story, which is one of lust, passion and violence, contains a powerful sense of the forbidden, the taboo that drives people over the edge. Beatrice's Spell is at once scholarly and utterly engrossing, carrying the power of her story through time.

PLEASE NOTE: This is a summary and analysis of the book and not the original book. If you'd like to purchase the original book, please paste this link in your browser: https://amzn.to/2O5Zxef Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries—from astronomers and poets to ecologists, and feminists. What does this ZIP Reads Summary Include? - Synopsis of the original book - Key takeaways from each chapter - Insight into LGBT relationships in history - Key themes from throughout the book - A timeline of important people and events - Editorial Review - Background on Maria Popova About the Original Book: From Kepler in the sixteenth century to Carson in the twentieth, Popova’s narrative attempts to seamlessly weave together the personal lives of a cast of characters who would indelibly change society with their work. The overall journey is one from the beginnings of the Enlightenment to spiritual transcendentalism and feminism in the nineteenth century, finally leading to the environmentalist movement of the twentieth. DISCLAIMER: This book is intended as a companion to, not a replacement for, Figuring.ZIP Reads is wholly responsible for this content and is not associated with the original author in any way. Please follow this link: https://amzn.to/2O5Zxef to purchase a copy of the original book. We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Featuring essays by twelve prominent American literature scholars, Roman Holidaysexplores the tradition of American travel to Italy and makes a significant contribution to the understanding of nineteenth-century American encounters with Italian culture and, more specifically, with Rome. The increase in American travel to Italy during the nineteenth century was partly a product of improved conditions of travel. As suggested in the title, Italy served nineteenth-century writers and artists as a kind of laboratory site for encountering Others and “other” kinds of experience. No doubt Italy offered a place of holiday—a momentary escape from the familiar—but the journey to Rome, a place urging upon the visitor a new and more complex sense of history, also forced a reexamination of oneself and one's identity. Writers and artists found their religious, political, and sexual assumptions challenged. Nathaniel Hawthorne's The Marble Faun has a prominent place in this collection: as Henry James commented in his study of Hawthorne, the book was “part of the intellectual equipment of the Anglo-Saxon visitor to Rome.” The essayists also examine works by James, Fuller, Melville, Douglass, Howells, and other writers as well as such sculptors as Hiram Powers, William Wetmore Story, and Harriet Hosmer. Bringing contemporary concerns about gender, race, and class to bear upon nineteenth-century texts, Roman Holidays is an especially timely contribution to nineteenth-century American studies.

Charles Parsons is one of St. Louis's and the nation's most influential yet little-known figures. He was instrumental to the Union cause as a Civil War quartermaster and advisor to generals, politicians and presidents alike. As a world-traveling art connoisseur, he helped found the first art museum west of the Mississippi, to which he donated his remarkable collection of American, European and Asian art. To this day, his philanthropic work and dedication to education live on in some of the country's grandest institutions. Author John Launius tells the full story for the first time, from business failures in a riverside boomtown to national renown.

This four-volume set documents the complexity and richness of women's contributions to American history and culture, empowering all students by demonstrating a more populist approach to the past. Based on the content of most textbooks, it would be easy to reach the erroneous conclusion that women have not contributed much to America's history and development. Nothing could be further from the truth. Offering comprehensive coverage of women of a diverse range of cultures, classes, ethnicities, religions, and sexual identifications, this four-volume set identifies the many ways in which women have helped to shape and strengthen the United States. This encyclopedia is organized into four chronological volumes, with each volume further divided into three sections. Each section features an overview essay and thematic essay as well as detailed entries on topics ranging from Lady Gaga to Ladybird Johnson, Lucy Stone, and Lucille Ball, and from the International Ladies of Rhythm to the International Ladies Garment Workers Union. The set also includes a vast variety of primary documents, such as personal letters, public papers, newspaper articles, recipes, and more. These primary documents enhance users' learning opportunities and enable readers to better connect with the subject matter.