Reproduction of the original: Jeanne d ́Arc by Margaret Oliphant

A dying woman, the love of his life, awaits Max, the narrator-hero, in his hotel room while he finds his way back, caught like a sleepwalker in a succession of daunting adventures, contending with, in part, vampires, spies, serial killers, femmes fatales, alien worlds, giant apes and mad scientists, all the time awaiting the return of his absent memory. D-Tours is probably not on your itinerary; it is the evasive side-step you take that gets you everywhere. It is the private tour of America you take each night that you never quite shake yourself awake from to remember. Jonathan Baumbach's wild ride of a novel is a satire and celebration of movie narratives, running them one after another, one into another like fairy tales or cultural jetsam or primal dreams. In another sense, D-Tours is a kind of 1001 Nights at the Drive-in. And you are there with the narrator-hero, like Scheherazade telling your story in every imaginable variation, because your very survival depends on reinventing the world.

Poetry and Voice, with a foreword by Helen Dunmore, is a book of essays which fuses critical and creative treatments of poetic voice. Some contributors focus on critical explorations of voice in work by poets such as John Ashbery, Simon Armitage, Eavan Boland, Carol Ann Duffy, Arun Kolatkar, Don McKay and Dragica Rajčić, and on the musical voices of the lyric tradition and of poetry itself. Vicki Feaver, Jane Griffiths, Philip Gross, Waqas Khwaja, Lesley Saunders and David Swann reflect on their own poetic processes of composition, and the development of the voices of childhood, old age, migration, landscape, bilinguality, and imprisonment. Laurel Cohen-Pfister and Tatjana Bijelić examine the nature of poetic voice in exile, the need for fresh voices after war and new spaces in which poetic voices can be heard. In this international collection, the contributors give rare and generous insights into inner poetic processes and external effects. They engage with artistic debates about developing, losing and appropriating voice in poetry and approach the question of what is ‘finding a voice’ in poetry from multiple angles. The book will interest literary critics, poets, lecturers, and undergraduate and postgraduate students of literature, poetry and creative writing.

A new adventure of brotherhood and magic from beloved fantasist Dave Duncan In the Kingdom of Jorgary, the days of feudal chivalry are fading as national armies are formed. But Ottokar Magnus is still baron, and his host of brothers include Anton, an ambitious young soldier, and Wulfgang, an amiable teenager. Unable to seek his fortune as a knight errant, Anton has enlisted with the royal Jorgarian hussars and taken Wulf along as his servant. There is magic in Jorgary, but it is regarded as Satanism, rituals performed by Speakers who are in contact with the Devil. The Speakers, though, believe that the Voices they hear belong to saints. Anton is not a Speaker...but Wulf is. Anxious to impress the court, Anton exhibits spectacular horsemanship at a royal hunt, with a little boost from Wulf. Two nights later he is dragged before Cardinal Zdenek, the king's chief minister. Zdenek offers him an earldom and anything else he could dream of if he will ride at once to a strategic fortress at Cardice and take command there. The count and his son have died, victims of both treason and witchcraft. The cardinal thinks that neighboring enemies are preparing to invade, using "modern" arms to capture the fort. Mortal resources alone will not suffice, but Zdenek knows that Anton's improbable jump at the hunt was aided by supernatural power. Anton wants nothing to do with this mission, but Wulf's Voices tell him that they should accept the charge. The result is a harrowing ride through limbo with astonishing results. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Dark forces are at work in a small Wisconsin community. At the cusp of the new millennium, Elena and Greg Bailey arrive in Green Springs to help her hospitalized mother. As they drive into town, cats are everywhere and seem more populous than humans. Within hours, Elena and Greg discover a horrendous scene in the nearby woods. When they report their finding to the police, the response is not what they expect. The local church with its tainted past and charismatic pastor has become the only house of worship in Green Springs. Eccentric, billionaire architect Marcus Ahriman manipulates events to suit his satanic mission. At the same time, two mysterious sisters confound Elena as they work behind the scenes for a higher purpose. If Elena doesn’t get to the bottom of the great wickedness in high places that’s at work in this enigmatic town, all humanity will suffer.

Dont believe the hype; believe what you see. Apocalypse, as we have come to fear, is not apocalypse as it truly is. We live today in the time of apocalypse, and for some, it is pure torment. For those around the world living with bombs raining down on them, yes, that is apocalyptic torture as we feared. For those thousands and millions, throughout the universe, visited and killed by the deadly flu and flu-like diseases (SARS, swine flu, bird flu, West Nile virus, etc.), Ebola, tuberculosis, measles, cholera, dengue fever, EV-D68, and HIV/AIDS, yes, those are apocalyptic diseases as we feared. For those ravished, killed, left homeless, and totally dispossessed by these record-breaking seemingly wicked weather events we are currently experiencing, yes, they would agree that these are for certain apocalyptic changes as we feared. However, given there are over seven billion of us on the planet and those apocalyptic events mentioned have only killed millions, not billions, of us, they dont seem to rise to the level of chaos and destruction we have been conditioned to fear as being apocalyptic. Nevertheless, our over exaggerated, deep-seated, and conditioned fears notwithstanding, Armageddon is upon us, and the signs of it have been for almost twenty years that we know of. Those above mentioned apocalyptic occurrences are the signs we were all told would be by John the Revelator in Revelation. November 1995 to May 1996, no fewer than seventy of us were told by an angel, Awaki, and his Angels of God that the signs had already begun and that Armageddon would begin in the year 2000. Our story, no matter how far-fetched it may seem, is true. The evidentiary events of war, disease, and bizarre weather changes we witness daily provide for us the credibility of what we were told. The angel Shakardak told us, Some will see and they will believe, some will not see and they will believe, some will hear and they will believe, and some will not hear and they will believe; and then there will be those who will see and they will not believe, and there will be those who will hear and they will not believe.

WINNER OF THE NATIONAL JEWISH BOOK AWARD--BIOGRAPHY Elie Wiesel was a towering presence on the world stage--a Nobel laureate, activist, adviser to world leaders, and the author of more than forty books, including the Oprah's Book Club selection Night. But when asked, Wiesel always said, "I am a teacher first." In fact, he taught at Boston University for nearly four decades, and with this book, Ariel Burger--devoted prot g , apprentice, and friend--takes us into the sacred space of Wiesel's classroom. There, Wiesel challenged his students to explore moral complexity and to resist the dangerous lure of absolutes. In bringing together never-before-recounted moments between Wiesel and his students, Witness serves as a moral education in and of itself--a primer on educating against indifference, on the urgency of memory and individual responsibility, and on the role of literature, music, and art in making the world a more compassionate place. Burger first met Wiesel at age fifteen; he became his student in his twenties, and his teaching assistant in his thirties. In this profoundly thought-provoking and inspiring book, Burger gives us a front-row seat to Wiesel's remarkable exchanges in and out of the classroom, and chronicles the intimate conversations between these two men over the decades as Burger sought counsel on matters of intellect, spirituality, and faith, while navigating his own personal journey from boyhood to manhood, from student and assistant, to rabbi and, in time, teacher. "Listening to a witness makes you a witness," said Wiesel. Ariel Burger's book is an invitation to every reader to become Wiesel's student, and witness.