Dragons have returned to the world, and they’re wreaking havoc on human civilizations. Only one man has the power to stop them. Born an outcast who’s never fit in, Telryn “Trip” Yert has spent his entire life hiding a secret that could get him killed: In a world where magic is forbidden, the ancient blood of dragons flows through his veins. Joined by a snarky sentient sword, a band of equally snarky allies, and the smart scholarly woman he longs to impress, Trip must master his powers, learn the secrets of his heritage, and go on a quest to save mankind. If he fails, dragons may take over the world and enslave all of humanity. This is the complete five-novel Heritage of Power series, full of adventure, romance, and fast-paced page turning fun. It includes: 1. Dragon Storm 2. Revelations 3. Origins 4. Unraveled 5. Gold Dragon

A scorching hot bundle of billionaire alpha male stand-alones from New York Times bestselling author Cassia Leo. This boxed set contains the following five stand-alone novels: CASH She needs fast cash to pay her ailing father’s gambling debt. A one-night-stand with a notorious bad boy billionaire changes her luck when he offers to pay her father’s debt…for a price. KING She stole a suitcase full of cash—and secrets—from a king of the Las Vegas underworld. Then she stole his heart. KNOX She leaves the mob family behind when she goes into law enforcement. Then she’s kidnapped by a sexy stranger. He wants her to do his bidding at the police station…and in the bedroom. LUKE A corporate spy is sent to steal the latest billion-dollar technology from a competitor, but she ends up having her heart stolen instead. Will their passion be his undoing? CHASE A struggling actress finds herself in over her head when she takes a job as an escort and finds her first client is a sexy, dominating presidential candidate.

H. Beam Piper's 'Terro-Human Future History: Complete Series' is a seminal work in science fiction literature, offering a comprehensive look at the future development of humanity across various worlds and time periods. Piper's writing style is characterized by its attention to detail, vivid world-building, and intricate plots that intertwine to create a cohesive narrative. This collection delves into themes of interstellar colonization, political intrigue, and the evolution of human society, providing readers with a thought-provoking exploration of the potential destiny of the human race. Piper's work is often compared to that of other legendary sci-fi authors such as Isaac Asimov and Robert Heinlein, solidifying his place in the canon of speculative fiction. The 'Terro-Human Future History' series is a must-read for fans of classic science fiction looking for a rich and immersive reading experience that challenges the boundaries of the genre.

Recent debates about the return of colonially looted heritage have furthered the discussions on decolonisation around the world, and have reignited questions surrounding “what is, and who owns, cultural heritage”. These discourses in the meaning, production and management of heritage – with a growing presence of themes that address “Latinities” – have gained greater visibility in Latin America and the Caribbean, as challenges surrounding cultural heritage arise more prominently worldwide. The attention on this region aims to contextualise the various theoretical, empirical, and critical perspectives in relation to the negotiation of decolonisation. Hence, this book focuses on the analysis of diverse modes of confronting the power underlying colonial heritage that can contribute to pushing boundaries and persuading changes in pre-established definitions of political thought and local identities. To this end, the chapters in this book focus on a wide scope of topics, ranging from the repatriation and restitution of cultural heritage, and diasporic movements to decolonial practices around monuments, museums, and education. In so doing, this volume challenges stereotypes that made Latin America and the Caribbean a space of mere reproducibility of external ideas, and instead provides a space to show current decolonial perspectives and practices developed in the region that will enrich the international debate on the contestation of colonial legacies and decolonisation of cultural heritage.

Doing History bridges the gap between the way history is studied in school or as represented in the media and the way it is studied at university level. History as an academic discipline has dramatically changed in recent decades and has been enhanced by ideas from other disciplines, the influence of postmodernism and historians’ incorporation of their own reflections into their work. Doing History presents the ideas and debates that shape how we ‘do’ history today, covering arguments about the nature of historical knowledge and the function of historical writing, whether we can ever really know what happened in the past, what sources historians depend on, and the relative value of popular and academic histories. This revised edition includes new chapters on public history and activist histories. It looks at global representations of the past across the centuries, and provides up-to-date suggestions for further reading, presenting the reader with a thorough and current introduction to studying history at an academic level as well as a pathway to progress this study further. Clearly structured and accessibly written, it is an essential volume for all students embarking on the study of history.

What is History Teaching, Now? is a research-informed handbook designed to provide practical guidance for history teachers and educators with differing levels of experience. Drawing upon the classroom practice and experience of a range of practitioners, the book focuses upon key areas such as curriculum and assessment, pedagogy, communicating history and resources that support effective teaching and learning. This book also provides practical ways to approach teaching topics such as diverse histories, the British Empire, world history and environmental history. Practical strategies are woven within the book, alongside questions for reflection and suggestions for further research and reading.

For the past five centuries, indigenous and African American communities throughout the Americas have sought to maintain and recreate enduring identities under conditions of radical change and discontinuity. The essays in this groundbreaking volume document this cultural activity—this ethnogenesis—within and against the broader contexts of domination; the authors simultaneously encompass the entanglements of local communities in the webs of national and global power relations as well as people's unique abilities to gain control over their history and identity. By defining ethnogenesis as the synthesis of people's cultural and political struggles, History, Power, and Identity breaks out of the implicit contrast between isolated local cultures and dynamic global history. From the northeastern plains of North America to Amazonia, colonial and independent states in the Americas interacted with vast multilingual and multicultural networks, resulting in the historical emergence of new ethnic identities and the disappearance of many earlier ones. The importance of African, indigenous American, and European religions, myths, and symbols, as historical cornerstones in the building of new ethnic identities, emerges as one of the central themes of this convincing collection.

History, Power, Text: Cultural Studies and Indigenous Studies is a collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. ‘Indigenous cultural studies’ is our name for the intersection of cultural studies and Indigenous studies showcased here. This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson—many of whom have taken this opportunity to write reflections on their work—as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke.

This text presents a comprehensive account of the contemporary sociology of sport. It examines the changing role of sport in society and analyses topics such as representations of sport in the media and violence in sport.