Each season of life has its beauty in the lifespan of a woman. This book describes, in vivid detail, the seasonal beauty of Spring, Summer, Autumn and Winter in a woman's life, and how she (and her man) can prepare for and appreciate each evolution. Without a doubt, there will be change. The author, Dr. Lennie Gaskins, now in her self-described late winter season, shares personal stories of her seasonal transitions and how she learned to embrace each one with courage, hope, and comfort.

Seasons of Her is a guide that correlates the transformative process of a woman's life journey to each of the 4 seasons. Her winter represents a time a deep reflection. Her spring, a time of renewed commitment to herself and life-long dreams that she may have put aside. Her summer, the time in which she actively works on realizing her dreams and her fall, the time in which she sees the materialization of her dreams. Each of her seasons will come with their own distinct activities and challenges. All will leave an indelible mark on her experience. However, in the process of rebuilding herself, a woman will learn who she truly is and her life's purpose. The accompanying journal contains reflection questions, activities and affirmations that are specific to each season. The use of this personal journal will allow you to gain a deeper understanding of the season in which you are currently transitioning through and, as a result, a profound understanding of yourself.

This book fills a significant gap in the critical conversation on race in media by extending interrogations of racial colorblindness in American television to the industrial practices that shape what we see on screen. Specifically, it frames the practice of colorblind casting as a potent lens for examining the interdependence of 21st century post-racial politics and popular culture. Applying a ‘production as culture’ approach to a series of casting case studies from American primetime dramatic television, including ABC’s Grey’s Anatomy and The CW’s The Vampire Diaries, Kristen Warner complicates our understanding of the cultural processes that inform casting and expounds the aesthetic and pragmatic industrial viewpoints that perpetuate limiting or downright exclusionary hiring norms. She also examines the material effects of actors of color who knowingly participate in this system and justify their limited roles as a consequence of employment, and finally speculates on what alternatives, if any, are available to correct these practices. Warner’s insights are a valuable addition to scholarship in media industry studies, critical race theory, ethnic studies, and audience reception, and will also appeal to those with a general interest in race in popular culture.

Reversing a common science fiction cliche, Farscape follows the adventures of the human astronaut John Crichton after he is shot through a wormhole into another part of the universe. Here Crichton is the only human being, going from being a member of the most intelligent species on our planet to being frequently considered mentally deficient by the beings he encounters in his new environment. John Crichton befriends a group of beings from various species attempting to escape from imprisonment aboard a living spaceship. The series, which broke many of the so-called "rules" of science fiction, follows Crichton's attempts to survive in worlds that are often hostile to him and his friends. Their adventures center on each being's attempt to find a way home. The essays in this volume explore themes running throughout the series, such as good and evil, love and sex, and what it means to be a hero, as well as the various characters populating the series, including the villains and even the ship itself.

A series of articles contributed by a varied selection of authors. It covers experiences of the respective authors in the field along with their companions.

They are the Season sisters, bound by blood, driven apart by a tragedy. Now they are about to embark on a bittersweet journey into the unknown—an odyssey of promise and forgiveness, of loss and rediscovery. Jillian, Beatrice and Rose have gathered for the funeral of their younger sister, Meredith. Her death, and the legacy she leaves them, will trigger a cross-country journey in search of a stranger with the power to mend their shattered lives. As the emotions of the past reverberate into the present, Jillian, Beatrice and Rose search for the girls they once were, in hopes of finding what they really lost: the women they were meant to be.

Over the past thirty years, queer women have been coming out of the media closet to enter the mainstream consciousness. This book explores the rise of lesbian visibility since the 1990s with in-depth historical analyses of representation in sports, music, photography, comics, television and cinema. Each chapter is complemented by an interview: soccer player and coach Saskia Webber, singer-songwriter Gretchen Phillips, photographer Lola Flash, cartoonist Alison Bechdel and filmmakers Jamie Babbit and Anna Margarita Albelo discuss the societal transformations that shaped their careers. From the "riot grrrl" movement of the early 1990s punk scene to screen representations of queer culture (The L Word, Orange Is the New Black), this book discusses how lesbian presence successfully infiltrated several patriarchal strongholds, and was transformed in return.

Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature in the field.

In USA Today bestselling author Julie Anne Long’s latest installment in the Palace of Rogues series, a notorious rake meets his match in a lovely girl from the country, changing the course of both of their futures… A London season is the chance of a lifetime for Catherine Keating. But the ton’s glitter and decadence and casual cruelty threaten to crush her hopes of finding a husband before her season even begins...until she accidentally acquires one of the most scandalous men in England as a secret chaperone. Famously fiery Lord Dominic Kirke can hold the House of Commons—and any woman he chooses— in thrall. But when his house goes up in flames in the dead of night, he finds himself at the Grand Palace on the Thames. And there he discovers his cynical armor is no match for another guest: an innocent country girl with a crackling wit and eyes like a summer sky. He's maddening, elusive, hopelessly charismatic, wrong in every way—perfectly designed to break her heart. But she doesn't know she holds his battered heart in her hands. And though it will destroy him, Dominic knows loving her means setting Catherine free for the life—and man—she deserves.