DigiCat Publishing presents to you this special edition of "A History of English Literature" by Robert Huntington Fletcher. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In 'History of English Literature from 'Beowulf' to Swinburne,' Andrew Lang provides a comprehensive overview of the development of English literature from its early medieval roots to the late Victorian era. Lang's meticulous research and engaging writing style make this book a valuable resource for students and scholars alike, offering in-depth analysis of key literary works and the cultural contexts in which they were produced. By examining the evolution of English literature over centuries, Lang highlights the diverse influences and trends that have shaped its rich tradition. Andrew Lang, a prominent literary critic and folklorist, brings a wealth of knowledge and insight to his exploration of English literature. His keen understanding of the historical and cultural factors that influenced the works of various authors adds depth to his analysis. Lang's passion for literature and dedication to scholarship shine through in this seminal work. I highly recommend 'History of English Literature from 'Beowulf' to Swinburne' to anyone interested in gaining a deeper understanding of the evolution of English literature. Lang's insightful commentary and thorough research make this book an essential read for students, academics, and enthusiasts of literary history.

Surveys the main periods, movements, figures, the achievements of British literature from Chaucer's time to the 1980s, emphasizing each writer's major work and the continuity of tradition within the genres

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This book describes and seeks to explain the vast cultural, literary, social, and political transformations which characterized the period 1000-1350. Change can be perceived everywhere at this time. Theology saw the focus shift from God the Father to the suffering Christ, while religious experience became ever more highly charged with emotional affectivity and physical devotion. A new philosophy of interiority turned attention inward, to the exploration of self, and the practice of confession expressed that interior reality with unprecedented importance. The old understanding of penitence as a whole and unrepeatable event, a second baptism, was replaced by a new allowance for repeated repentance and penance, and the possibility of continued purgation of sins after death. The concept of love moved centre stage: in Christ's love as a new explanation for the Passion; in the love of God as the only means of governing the self; and in the appearance of narrative fiction, where heterosexual love was suddenly represented as the goal of secular life. In this mode of writing further emerged the figure of the individual, a unique protagonist bound in social and ethical relation with others; from this came a profound recalibration of moral agency, with reference not only to God but to society. More generally, the social and ethical status of secular lives was drastically elevated by the creation and celebration of courtly and chivalric ideals. In England the ideal of kingship was forged and reforged over these centuries, in intimate relation with native ideals of counsel and consent, bound by the law. In the aftermath of Magna Carta, and as parliament grew in reach and importance, a politics of the public sphere emerged, with a literature to match. These vast transformations have long been observed and documented in their separate fields. The Oxford English Literary History: Volume 1: 1000-1350: Conquest and Transformation offers an account of these changes by which they are all connected, and explicable in terms of one another.

The Circle of Knowledge is an informative book that was designed in 1917, to be both inspiring and entertaining. The book represents the modern, progressive spirit which fits that time, in its forms of expression and its editorship. The purpose of this work is to answer the why, who, what, when, where, how of the wide majority of curious minds, both young and adult, and encourage them to raise further questions. Special measures were taken in creating this work to isolate essentials from non-essentials; to differentiate human interest subjects of universal significance from those of little concern; to deliver living truths instead of dead vocabulary; and finally, to bring the whole within the knowledge of the intermediate reader, without regard to age, in an acceptable and exciting form. The use of visual outlines and tables; maps, drawings, and diagrams; the illustrated works of great painters, sculptors, and architects all are used to give the reader the valuable and cultural knowledge of past and present.

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.