Running is one of the world's most widely practiced sports and recreations but until now it has intended to elude serious study outside of the natural sciences. John Bale brings the sport into the realm of the humanities by drawing on sources including literature, poetry, film, art and sculpture as well as statistics and training manuals to highlight the tensions, ambiguities and complexities that lie hidden beneath the commonplace notion of running. The text explores both local and personal, as well as communal and global aspects of running and its practitioners. It examines the streets, tracks and stadiums where athletes run, the races in which they compete, and the running relationships such as exist between the athlete and the coach, between runners and between the athlete and spectator. It discusses the importance of speed and records, how running has been used to symbolise resistance and transgression, and the extent to which it can be associated with a healthy lifestyle. Running Cultures provides new ways of seeing a familiar sporting phenomenon. it will appeal to both students and researchers with an interest in running in particular, and sport and leisure cultures more generally.

A girl discovers a surreal hotel where no one ever leaves. When the clock strikes midnight, she'll be trapped there forever unless she's able to break free from magic that in turn breaks all her rules. Perfect for fans of Caraval and The Starless Sea! Life has gone according to plan for Anna—she stays in the background, letting her sister, Emily, shine in the spotlight. But on Emily’s wedding night, Anna learns that her sister is moving away, abandoning her—and all their shared dreams. Devastated, Anna leaves the reception in the middle of a raging storm, taking shelter in a hotel she’s never seen before: the Houdini. The Houdini is a hotel unlike any other, with sumptuous velvet couches, marble tiled floors, secret restaurants, winding passageways, and an undercurrent of magic in the air. And when Anna meets Max, who has lived his entire life inside its walls, she’s captivated. For the first time in her life, Anna is center stage, in a place that anticipates her every desire, with a boy who only has eyes for her. But there’s a terrifying secret hidden in the Houdini. When the clock strikes midnight, Anna will be trapped there forever unless she can find a way to break free from its dreamlike magic. But will she be able to do it if it means leaving Max behind? Enchanting, mysterious, and utterly fantastic, Midnight at the Houdini will cast its spell on you.

Revealing new insights, this ground-breaking book vividly recreates Houdini's solitarian lectures which he presented from 1922 until his untimely death in 1926. The reader becomes involved in understanding his struggles to reach into the afterlife to contact his deceased mother during an era filled with deceptive spirit mediums. Each of the fifty glass lantern slides that Houdini used to highlight his lectures are painstakingly recreated and matched to his original lecture text. Learn more about this book and sneak a peak at just some of the 80 photos Click here "HOUDINI SPEAKS OUT reveals that Houdini was more than magic and escapes. Houdini ́s passion to fight fraudulent spiritualists consumed his final years" David Copperfield

An Account of Harry Houdini's Tour of Australia in 1910

This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.

A comprehensive pictorial biography of America's legendary master magician and escape artist Houdini. Compiled and written by a renowned magician, this spellbinding book contains more than 250 illustrations of posters, photographs, and other Houdini memorabilia, as well as a facsimile of an autobiographical pamphlet published in 1917 by the master himself.

This book explores the Victorian concept of vision across scientific and cultural forms. Willis charts the characterization of vision through four organizing principles – small, large, past and future – to arrive at a Victorian conception of what vision was. Willis then explores how this Victorian vision influenced twentieth-century ways of seeing.