A place where everything is wrong and strange and almost magical? Of course it doesn't exist! Well, at least until Melissa fell into that fateful door in the midst of the earthquake's tragedy and finds herself in another world where many creatures and things accidentally end up. Now if she wishes to get home she must collected 100 silver puzzle pieces. Simple right? Not when the ruling Trio of the realm plots to let no one ever leave, and when they realize she is the one who is suppose to be the first to do it, they start to create new monsters to stop her at all costs. See as young Melissa, Rocco the raccoon, and Lana the tough Skullen faerie fight through the realm to collect the final pieces to defeat the evil trio and discover who they are and why they keep all the creatures of the realm captured...

This book is a translation of a teaching text and commentary by the Nyingma master Khetsun Sangpo Rinpoche (1920-2009). It's also the latest offering from well-known Tibetan translator and scholar Anne Carolyn Klein, professor of religious studies at Rice University in Houston, Texas. For anyone interested in Tibetan Buddhist practice and philosophy, particularly the Dzogchen teachings of the Nyingma lineage, this book gives detailed instruction and friendly and inspiring advice, offering guidance on how to approach the path and giving instruction for specific meditation and contemplation techniques.

Iron Eyes focuses on the Japanese Zen master Tetsugen Doko (1630–1682), the best-known exponent of Ōbaku in Japan and the West. Ōbaku Zen arose during the seventeenth century and became the third major Zen sect in Japan. Ōbaku monks encouraged the laity to deepen their knowledge of and commitment to Buddhism. Tetsugen is credited with producing the first complete wood block edition of the Chinese Buddhist scriptures in Japan. Legend has it that Tetsugen had to raise the money for the project three times: twice his great compassion led him to give away the money he had raised to the starving victims of natural disasters. This Zen story is well-known in Japan and has gained popularity among contemporary Buddhists in the West. The first part of this book offers an introduction and a series of analytical chapters describing Tetsugen's life, work, and teachings, as well as the legends related to him. The second part comprises annotated translations of his major teaching texts, important letters and other historical documents, a selection of his poetry, and several traditional biographies.

The King of Limits, Han Chen, was reincarnated in the body of the trash from the Han family. He relied on his Heavenly Treasures, the Heaven Swallowing Stone, to break through the imprisonment of the Nine Yin and Nine Yang bodies. From a tiny ant to a mighty being that could cover the sky with one hand, Han Chen had exterminated the devil and destroyed the devil, standing on the feet of thousands of sects. He was the supreme ruler of all worlds!

Providing a rare glimpse of feminine Buddhist history, Niguma, Lady of Illusion brings to the forefront the life and teachings of a mysterious eleventh-century Kashmiri woman who became the source of a major Tibetan Buddhist practice lineage. The circumstances of her life and extraordinary qualities ascribed to her are analyzed in the greater context of spiritual biography and Buddhist doctrine. More than a historical presentation, Niguma's story raises the question of women as real spiritual leaders versus male images of feminine principle and other related contemporary issues. This volume includes the thirteen works that have been attributed to Niguma in the Tibetan Buddhist canon. These collected works form the basis of an ancient lineage Shangpa, which continues to be actively studied and practiced today. These works include the source verses for such esoteric practices as the Six Yogas, the Great Seal, and the Chakrasamvara and Hevajra tantric practices that are widespread in Tibetan traditions. Also included is the only extant biography, which is enhanced by the few other sources of information on her life and work.

The notion of aesthetic illusion relates to a number of art forms and media. Defined as a pleasurable mental state that emerges during the reception of texts and artefacts, it amounts to the reader's or viewer's sense of having entered the represented world while at the same time keeping a distance from it. Aesthetic Illusion in Literature and the Arts is an in-depth study of the main questions surrounding this experience of art as reality. Beginning with an introduction providing historical background to modern discussions of illusion, it deals with a wide range of theoretical issues. The collection explores the nature and function of the aesthetic illusion as well as the role of affect and emotion, the implications of aesthetic illusion for the theory of fiction, the variable forms of aesthetic illusion and its relationship to other components of aesthetic response. Aesthetic Illusion in Literature and the Arts brings together a team of scholars from philosophy, literature and art and presents an interdisciplinary examination of a concept lying at the heart of contemporary aesthetics.

This volume is a compilation of six smaller books that were published between 2012 and 2014. They were written as though I were taking dictation. Some higher power unlocked the gates of inspiration and articulation, and I wrote almost continuously for three hours every day without ever fi rst composing an outline for any of these books. Instead of coming out as gibberish, they form a coherent, and I feel, cogent whole, and so I have grouped them together in one volume. Performance excellence in any fi eld requires, among other things, a clear goal that can be methodically approached incrementally in manageable steps and stages. Without a clear goal, there can be no cogent methodology. Accomplishment in the practice of a spiritual discipline that leads to excellent results is no diff erent. Together these books off er a clear goal and method for accomplishing what I feel is the universal target of every valid form of spiritual practice, namely, seeing through the illusion of our separateness. This goal is universal to every form of spiritual aspiration. The methods outlined in this book, therefore, bypass every form of sectarianism. They can be applied and practiced by anyone of any faith who is sincerely motivated to deepen in the spirit that unites us all.

Described in this book are the invisible levels of the mind—the power of thoughts, the unconscious, elemental energies, and magic. Also discussed is how to protect oneself from the negativity that can be part of these levels.

Prajna: transcendental wisdom Paramita: ferrying over to the other shore; perfection The Great Prajna Paramita Sutra, taught by the Buddha in sixteen assemblies in four places over twenty-two years and recorded posthumously by his disciples in six hundred fascicles with approximately five million words, is regarded as the largest canon in Buddhism. It is important not only because of its extensive teaching but also because it demonstrates what the great bodhisattva, the great bodhisattva path of cultivation, and the great bodhisattva vehicle are. Additionally, it indicates how one should cultivate and learn to become a bodhisattva -- and eventually a Buddha -- transcending self-interest to reach a state of emptiness, selflessness, and nonattachment. This sutra depicts, manifests, and elaborates an entire learning process leading to Buddhahood. Regardless of where you are on the path to enlightenment, you will be nourished by the parables and dialogues within. “When practicing and learning prajna paramita, if the great bodhisattvas do not see the arising and extinction, grasping and renunciation, contamination and purification, formation and disintegration, and the increase and decrease of all dharmas, then they will be able to accomplish the perfect knowledge of all perfect knowledge. It is because they have adopted non-learning and non-accomplishment as expediency.” (Fascicle 89)

The Great Prajna Paramita Sutra, taught by the Buddha in sixteen assemblies in four places during twenty-two years and recorded posthumously by his disciples in six hundred fascicles with approximately five million words, is regarded as the largest canon in Buddhism. The translator has worked on this sutra since 2008 and has completed the whole text. The present version is, so far, the only complete presentation of this great sutra in English translated from the Chinese Da Bo Re Bo Luo Mi Duo Jing (600 Juan, or 600 fascicles), rendered from Sanskrit about 1,350 years ago (from 660 to 663) by Xuanzang (Hsüantsang, c. 602–664). This English translation appears as a set of thirty hardbound volumes, with twenty fascicles in each volume. A translator's introduction and an extensive glossary of terms are included in volume 1. The Great Prajna Paramita Sutra is important not only because of its extensive teaching but also because it demonstrates what the great bodhisattva, the great bodhisattva path of cultivation, and the great bodhisattva vehicle are. It also indicates how one should cultivate and learn to become a bodhisattvam -- and eventually a Buddha – transcending self-interest to reach a state of emptiness, selflessness, and nonattachment. This sutra depicts, manifests, and elaborates an entire learning process leading to Buddhahood. Regardless of where you are on the path to enlightenment, you will be nourished by the parables and dialogues within.