THE development of the dramatic instinct in children is the special responsibility of parents. The public school and church school programs are gradually including dramatics and the teachers in many of these schools can go far in sharing this responsibility. But it is in the home where room and time, equipment and motive, suggestions and cooperating friends are found. Parental skill is revealed in helping a child to try on a new character or virtue as well as a new blouse or pair of shoes. Social and moral imagination in the child can be realized under the direct guidance of father or mother. Voyages are taken, investigations made, treasure islands discovered, animals subdued, robbers put to flight, the plans of sly Indians frustrated, and fierce battles waged by the child whose parent-teacher is versatile and imaginative. The dull, uninteresting parent, whose chief virtue is that of routine, long-faced fidelity, narrows his children’s world and correspondingly limits the range of their moral development. What faith is to the adult the dramatic instinct is to the child: it is the substance, the substantial realization of things hoped for. It is the power to make things happen. It is the victory that overcomes the prosaic, saw-dust affairs of life. If this pamphlet, carefully studied, helps parents to see and properly awaken the sleeping dramatic powers of their children and give them a new motive in guiding its various expressions, the purpose of the writers will have been realized...FROM THE BOOKS.

From the numbers consist of the Annual catalogue, Announcements, etc., of the school.

DigiCat Publishing presents to you this special edition of "Vocal Expression: A Class-book of Voice Training and Interpretation" by Katherine Jewell Everts. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A journal devoted to the practice, theory, history, and archaeology of art.

First published in 1961, A New History of Spanish Literature has been a much-used resource for generations of students. The book has now been completely revised and updated to include extensive discussion of Spanish literature of the past thirty years. Richard E. Chandler and Kessel Schwartz, both longtime students of the literature, write authoritatively about every Spanish literary work of consequence. From the earliest extant writings though the literature of the 1980s, they draw on the latest scholarship. Unlike most literary histories, this one treats each genre fully in its own section, thus making it easy for the reader to follow the development of poetry, the drama, the novel, other prose fiction, and nonfiction prose. Students of the first edition have found this method particularly useful. However, this approach does not preclude study of the literature by period. A full index easily enables the reader to find all references to any individual author or book. Another noteworthy feature of the book, and one omitted from many books of this kind, is the comprehensive attention the authors accord nonfiction prose, including, for example, essays, philosophy, literary criticism, politics, and historiography. Encyclopedic in scope yet concise and eminently readable, the revised edition of A New History of Spanish Literature bids fair to be the standard reference well into the next century.