This book is an archaeological study of the cultures of conflict through an examination of caves and tunnels used during the Pacific War. Referred to here as “karst defenses,” WWII caves and tunnels can be found throughout the karst landscapes of the Pacific. Karst defenses have been hidden, literally by the jungle and figuratively by history, for over 70 years. Based on a study of karst defenses and their related artifacts and oral histories in Saipan, Commonwealth of the Northern Mariana Islands, this book uses karst defenses to investigate the varied human experiences before, during and after the Pacific War. Historically, the book reveals new knowledge about the overall defense strategies used in the Pacific. Karst defenses were a central component of Pacific War defense and were constructed and used by civilians, the Japanese military and U.S. troops as early as 1942. Karst defenses also functioned as command posts, hospitals, shelters, storage units and combat positions. The book sheds light on the social aspects that influenced the construction and use of karst defenses, including the fragmented relationship between the Imperial Japanese Navy and the Imperial Japanese Army, the social status of civilians under Japanese rule and the clandestine plans of the U.S. in Micronesia. The book also discusses the complex contemporary meanings of this dark, shared heritage.

Figures of courtesans, gods, demons, special characters, and animals in Japanese export ceramics of the late 19th and early 20th centuries are highly decorative and appealing to many. This study presents an engaging text and over 265 color photographs of beautiful and amusing figures in Hirado, Imari, Kutani, Satsuma, Studio works, and Sumida wares.

Contains information drawn from Grove Art Online and new material written by G. Campbell. Cf. Preface.

A world list of books in the English language.

This is the first book in a European language to make a comprehensive study of the life and works of the astonishingly versatile and accomplished Meiji potter, Makuzu Kozan (1842 - 1916), who was acclaimed as one of the greatest ceramic artists of the Meiji period.The Meiji period, after the opening of Japan to the West in the mid-nineteenth century, was a time of momentous change for Japanese society and Kozan's Makuzu workshop makes an ideal case study to examine the effects of these changes on the Japanese ceramic industry. This book tells the story ofKozan's Makuzu wares from their origins in a traditional workshop in Kyoto to their maturity in a prolific factory in the newly-opened port of Yokohama, where Kozan's ability to cater to the demands of a new Western export market and to incorporate new Western glaze techniques led to enormoussuccess, both in Japan and abroad at the international exhibitions that flourished from the 1850s.Lavish illustrations highlight Kozan's remarkable and technical and artistic achievements, while ceramic marks and box inscriptions are analysed as a practical guide to dating Makuzu ware. Clare Pollard discusses the role of later generations of the Miyagawa family in the running of the workshop andrelates developments in Makuzu ware to the work of other major potters of the era, both in Japan and in Europe and America.Incorporating contemporary sources (including previously unstudied archival material from the Makuzu workshop itself), recent research and the study of a large corpus of Makuzu wares in museums and private collections all over the world, the book examines the artistic, political, and commercialfactors that influenced Kozan and his contemporaries as they strove to come to terms with shifting life-styles and changing attitudes to the arts, and moved towards the creation of a modern ceramic industry.

Japanese and Oriental Ceramics was first published in print form by Tuttle Publishing in 1971. This comprehensive and profusely illustrated work tells how to distinguish Japanese porcelains from Chinese, and how to recognize modern reproductions of genuine old wares. It is completely indexed, contains a lengthy bibliography, and lists Chinese dates important in any discussion of Oriental ceramics. Crammed with information on the history, esthetics, and technical aspects of the ceramics of Japan and the Orient, the book is an invaluable guide to scholars, collectors and dealers. It is in fact a work of art in itself.

Considered the definitive general price guide to antiques and collectibles, this book contains more than 500 collecting categories with tens of thousands of updated price listings and hundreds of photos of the most popular antiques and collectibles.